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Samuel Taylor Coleridge

Origem: Wikipédia, a enciclopédia livre.
(Redirecionado de Samuel T. Coleridge)
Samuel Taylor Coleridge
Samuel Taylor Coleridge
Nascimento 21 de outubro de 1772
Ottery St. Mary, Inglaterra
Morte 25 de julho de 1834 (61 anos)
Highgate, Middlesex, Inglaterra
Sepultamento Church of St Michael
Nacionalidade Inglês
Cidadania Reino da Grã-Bretanha, Reino Unido da Grã-Bretanha e Irlanda
Progenitores
  • John Coleridge
  • Anne Bowden
Cônjuge Sarah Fricker, Mary Matilda Betham
Filho(a)(s) Sara Coleridge, Derwent Coleridge, Hartley Coleridge, Berkeley Coleridge
Irmão(ã)(s) James Coleridge, William Coleridge, Luke Herman Coleridge, George Coleridge, Edward Coleridge, Lt. Francis Syndercombe Coleridge, Anne Coleridge, Capt. John Coleridge, William Coleridge
Alma mater
Ocupação Escritor
Distinções
  • Membro da Sociedade Real de Literatura
Obras destacadas Rima do velho marinheiro
Religião anglicanismo
Causa da morte insuficiência cardíaca
Assinatura
Assinatura de Samuel Taylor Coleridge

Samuel Taylor Coleridge (Ottery St. Mary, 21 de outubro de 1772Highgate, 25 de julho de 1834), comumente designado por S. T. Coleridge, foi um poeta, crítico e ensaista inglês, considerado, ao lado de seu colega William Wordsworth, um dos fundadores do romantismo na Inglaterra.

Depois de publicar alguns poemas em 1796, escreveu, em parceria com o poeta William Wordsworth, Baladas líricas (1798), que se tornou um marco da poesia inglesa e em que se destaca a sua famosa Balada do antigo marinheiro, um dos primeiros grandes poemas da escola romântica. Mais tarde, escreveu o poema simbólico Kublai Khan e o poema místico-narrativo Christabel.

Sua principal obra em prosa, Biographia Literaria (1817), é uma série de dissertações e notas autobiográficas sobre diversos temas, entre os quais destacam-se suas observações literárias.

Influenciou toda uma geração de novos escritores, como Quincey, Byron e Shelley.

Coleridge nasceu em Ottery St Mary, no condado inglês de Devonshire, sendo o filho caçula do segundo casamento do pastor protestante John Coleridge. Por ser o preferido da família, sofria perseguições de seu irmão Frank. Para escapar dos abusos dele, Coleridge freqüentemente se escondia na biblioteca local, fato que lhe despertou a paixão pela literatura. Outro fato que marcou sua infância em Devon foi a sua fuga de casa aos sete anos, sendo encontrado na manhã do dia seguinte por um vizinho. Esta noite passada fora de casa servia-lhe como tema frequente de seus poemas.[1][2][3][4][5]

Com a morte do pai em 1781, foi estudar, contra sua vontade, em instituições religiosas de Londres, onde se destacava como leitor voraz e, não raro, entre os melhores alunos de sua turma. Entretanto, sentia-se só, pois raramente lhe era permitido rever a família. Em seu poema “Frost at Midnight”, escrito posteriormente, Coleridge fala sobre sua solidão na escola.[1][2][3][4][5]

Seu irmão Luke morre em 1790 e sua única irmã Ann em 1791, o que lhe fez escrever “Monody”, um de seus primeiros poemas, onde Samuel comparava-se a Thomas Chatterton, poeta inglês que se suicidou aos 17 anos. É nesta época que ele inicia seus problemas com álcool e com mulheres. Mais tarde ele passaria a ter também problemas com ópio, droga que começou a usar para aliviar-se de dores causadas por problemas de saúde. Em 1791 ingressa na Universidade de Cambridge. Em 1792 ganhou um prêmio por uma ode sobre o tráfico de escravos.[1][2][3][4][5]

Em 1793 alista-se no exército com o nome falso de Silas Tomkyn Comberbache, supostamente por problemas com dívidas ou com mulheres. Por sua completa inaptidão para as armas e montaria, escapou de ser enviado ao campo de batalha na França. Após quatro meses, um de seus irmãos usou sua influência no exército para conseguir a baixa de Coleridge por insanidade.[1][2][3][4][5]

Na universidade, nunca concluída, Samuel passou a defender ideais revolucionários com seu recém-amigo poeta Robert Southey. No mesmo ano escrevem a peça “A queda de Robespierre” e planejam emigrar para a Pensilvânia e fundar uma sociedade utópica denominada de Pantisocracia. Robert Southey desiste de emigrar e torna-se advogado.[1][2][3][4][5]

No ano de 1795 Coleridge casa-se com Sara Fricker, cunhada de Southey, com quem teve quatro filhos. O casamento de Coleridge foi infeliz, terminando em divórcio pelo seu estilo de vida e por ele ter tido um amor não correspondido por outra Sara, de sobrenome Hutchinson. Neste mesmo ano ST é apresentado a William Wordsworth e sua irmã Dorothy. A amizade foi imediata e os três escreveriam muitos poemas juntos.[1][2][3][4][5]

A obra “Poemas”, publicada em 1797, é bem recebida e ele começa a ficar famoso. Até 1798 escreveria suas mais famosas obras, com o poema simbolista Kubla Kahn e a primeira parte de Christabel, além de “This Lime-tree Bower My Prison”, “Frost at Midnight” e “The Nightingale”.[1][2][3][4][5]

Foi em 1798 que, junto com William Wordsworth, publicou as Baladas líricas, poemas inovadores e considerados precursores do romantismo. Entre as obras deste volume, sobressaiu-se o longo poema de Coleridge, A Balada do Velho Marinheiro. Obs: A banda Iron Maiden adaptou o poema para uma canção homônima, faixa de encerramento do álbum Powerslave, de 1984.[1][2][3][4][5]

Em setembro daquele ano viajou junto com os irmãos Wordsworth para a Alemanha. Quando estava fora ocorreu um triste incidente: Coleridge perdeu sua filha Berkeley devido a uma reação a uma vacina da época. No tempo em que passou na Alemanha, além de estudos da língua alemã, interessou-se pela obra do filósofo Immanuel Kant, que passou a divulgar quando retornou à Inglaterra para morar em Lake District, Cumberland, em 1800.[1][2][3][4][5]

Na alta umidade daquele local, sua saúde piorou, sua dependência ao ópio aumentou e seus problemas matrimoniais se intensificaram. Coleridge escreveu seu poema “Dejection: An Ode” (Melancolia: Uma Ode) e intensificou seus estudos filosóficos.[1][2][3][4][5]

Em 1804 foi para Malta e andou pela Itália com esperanças de curar-se pelo clima mais seco da região. Retornou em 1806, quando separou-se de sua esposa. Já não tinha a amizade de William e passou a ganhar a vida escrevendo artigos para jornais e realizando palestras.[1][2][3][4][5]

Sem conseguir livrar-se de seu vício no ópio, a partir de 1810 passou a morar na residência do farmacêutico James Gillman, onde terminou seu livro de prosa “Biographia Literária (1817)”, além de outros escritos como “Sibylinne Leaves” (1817), “Aids to Reflection” (1825) e “Church and State” (1830), além de tratar da republicação de algumas de suas obras. Por volta de 1830 as revisões críticas sobre sua obra lhe eram bem favoráveis e ele tido como um bom crítico literário, embora nunca tivesse alcançado sua independência financeira.[1][2][3][4][5]

Coleridge morreu com inesperada serenidade aos 61 anos e foi enterrado no jardim da casa do dr. Gillman, em Highgate, no subúrbio de Londres, deixando de herança somente alguns livros e anotações. Depois de sua morte, seu sobrinho Henry Coleridge e a esposa Sara (Filha de Coleridge) organizaram a obra dispersa do poeta, publicando vários livros.[1][2][3][4][5]

Cerca de 100 anos após a sua morte foi transladado para a cripta da igreja de Saint Michael em Highgate.[1][2][3][4][5]

Coleridge era considerado um espirituoso conversador e dizia-se que vivia entre metáforas e sonhos. O crítico Stopford Brooke assim o definiu: “Tudo o que merece ficar de Coleridge poderia ser reunido em vinte páginas e estas vinte páginas deveriam ser encadernadas em ouro!”.[1][2][3][4][5]

Poesia de Samuel Taylor Coleridge[6]
Título Subtítulo Indice das primeiras linhas Data da composição Data da Publicação Notas
Easter Holidays. "Hail! festal Easter that dost bring" 1787 1912
Dura Navis. "To tempt the dangerous deep, too venturous youth," 1787 1893
Nil Pejus est Caelibe Vitâ. [In Christ's Hospital Book] "What pleasures shall he ever find?" 1787 1893
Sonnet: To the Autumnal Moon "Mild Splendour of the various-vested Night!" 1788 1796
Anthem for the Children of Christ's Hospital. "Seraphs! around th' Eternal's seat who throng" 1789 1834
Julia. [In Christ's Hospital Book] "Julia was blest with beauty, wit, and grace:" 1789 1834
Quae Nocent Docent. O! mihi praeteritos referat si Jupiter annos! "Oh! might my ill-past hours return again!" 1789 1893
The Nose. "Ye souls unus'd to lofty verse" 1789 1834
To the Muse. "Tho' no bold flights to thee belong;" 1789 1834
Destruction of the Bastile. "Heard'st thou yon universal cry," 1789? 1834
Life. "As late I journey'd o'er the extensive plain" 1789 1834
Progress of Vice. [Nemo repente turpissimus] "Deep in the gulph of Vice and Woe" 1790 1834
Monody on the Death of Chatterton. [First Version, In Christ's Hospital Book-1790 ] "Now prompts the Muse poetic lays," 1790 1898
An Invocation. "Sweet Muse! companion of my every hour!" 1790 1893
Anna and Harland. "Within these wilds was Anna wont to rove" 1790? 1794, Out. 25
To the Evening Star. "O meek attendant of Sol's setting blaze," 1790? 1880
Pain. Composed in Sickness "Once could the Morn's first beams, the healthful breeze," 1790? 1834
On a Lady Weeping. Imitation from the Latin of Nicolaus Archius "Lovely gems of radiance meek" 1790? 1893
Monody on a Tea-kettle. "O Muse who sangest late another's pain," 1790 1834
Genevieve. "Maid of my Love, sweet Genevieve!" 1789-90? 1794, Nov. 1
On receiving an Account that his Only Sister's Death was Inevitable. "The tear which mourn'd a brother's fate scarce dry—" 1791 1834
On seeing a Youth Affectionately Welcomed by a Sister "I too a sister had! too cruel Death!" 1791 1834
A Mathematical Problem. "This is now--this was erst," 1791, Mar. 31 1834
Honour. O, curas hominum! O, quantum est in rebus inane! "The fervid Sun had more than halv'd the day," 1791 1834
On Imitation. "All are not born to soar—and ah! how few" 1791 1834
Inside the Coach. "'Tis hard on Bagshot Heath to try" 1791 1834
Devonshire Roads. "The indignant Bard composed this furious ode," 1791 1834
Music. "Hence, soul-dissolving Harmony" 1791 1834
Sonnet: On quitting School for College. On Quitting School for College "Farewell parental scenes! a sad farewell!" 1791 1834
Absence. A Farewell Ode on quitting School for Jesus College, Cambridge. A Farewell Ode on quiting school for Jesus College, Cambridge. "Where graced with many a classic spoil" 1791 1794, Out. 11
Happiness. "On wide or narrow scale shall Man" 1791 1834
A Wish. Written in Jesus Wood, Feb. 10, 1792. Written in Jesus Wood, Fev. 10, 1792 "Lo! through the dusky silence of the groves," 1792 1893
An Ode in the Manner of Anacreon. "As late, in wreaths, gay flowers I bound," 1792 1893
To Disappointment. "Hence! thou fiend of gloomy sway," 1792 1895
A Fragment found in a Lecture-room. "Where deep in mud Cam rolls his slumbrous stream," 1792 1895
Ode. ('Ye Gales,' &c.) "Ye Gales, that of the Lark's repose" 1792 1796, Mar. 25
A Lover's Complaint to his Mistress. Who Deserted him in quest of a more weatlhy husband in the East Indies "The dubious light sad glimmers o'er the sky:" 1792 1893
With Fielding's 'Amelia.' "Virtues and Woes alike too great for man" 1792? 1834
Written after a Walk before Supper. "Tho' much averse, dear Jack, to flicker," 1792 1796
Imitated from Ossian. "The stream with languid murmur creeps," 1793 1796
The Complaint of Ninathóma. "How long will ye round me be swelling," 1793 1796
Songs of the Pixies. "Whom the untaught Shepherds call" 1793 1796
The Rose. "As late each flower that sweetest blows" 1793 1796
Kisses. "Cupid, if storying Legends tell aright," 1793 1796
The Gentle Look. "Thou gentle Look, that didst my soul beguile," 1793? 1896
Sonnet: To the River Otter "Dear native Brook! wild Streamlet of the West!" 1793? 1796
An Effusion at Evening. Written in August 1792. (First Draft.) "Imagination, Mistress of my Love!" 1793 1834
Lines: On an Autumnal Evening "O thou wild Fancy, check thy wing! No more" 1792, Ago. 1796
To Fortune On buying a Ticket in the Irish Lottery "Promptress of unnumber'd sighs," 1793 1793, Nov. 7
Perspiration. A Travelling Eclogue. "The dust flies smothering, as on clatt'ring wheel" 1794 1895
[Ave, atque Vale!] ('Vivit sed mihi,' &c.) "Vivit sed mihi non vivit—nova forte marita," 1794 1847
On Bala Hill. "With many a weary step at length I gain" 1794 1893
Lines: Written at the King's Arms, Ross, formerly the House of the 'Man of Ross'. Written at the King's Arms, Ross, formerly the house of the "Man Of Ross" "Richer than Miser o'er his countless hoards," 1794 1794, Set.27
Imitated from the Welsh. "If while my passion I impart," 1794 1796
Lines: To a Beautiful Spring in a Village. "Once more! sweet Stream! with slow foot wandering near," 1794 1796
Imitations: Ad Lyram. (Casimir, Book II, Ode 3.) "The solemn-breathing air is ended—" 1794 1796, Mar. 3
To Lesbia. Vivamus, mea Lesbia, atque amemus. - Catullus "My Lesbia, let us love and live," 1794? 1798, Abr. 11
The Death of the Starling. Lugete, O Veneres, Cupidinesque - Catullus "Pity! mourn in plaintive tone" 1794? 1836
Moriens Superstiti. "The hour-bell sounds, and I must go;" 1794 1798, Mai. 10
Morienti Superstes. Yet art thou happier far than she 1794? 1796
The Sigh. "When Youth his faery reign began" 1794 1796
The Kiss. "One kiss, dear Maid! I said and sigh'd—" 1794? 1796
To a Young Lady with a Poem on the French Revolution. "Much on my early youth I love to dwell," 1794, Set. 1796, Mar. 1
Translation of Wrangham's 'Hendecasyllabi ad Bruntonam e Granta Exituram' [Kal. Oct. MDCCXC] "Maid of unboastful charms! whom white-robed Truth" 1794 1795
To Miss Brunton with the preceding Translation "That darling of the Tragic Muse," 1794 1795
Epitaph on an Infant. ('Ere Sin could blight.') "Ere Sin could blight or Sorrow fade," 1794 1794, Set.23
Pantisocracy. "No more my visionary soul shall dwell" 1794 1849
On the Prospect of establishing a Pantisocracy in America "Whilst pale Anxiety, corrosive Care," 1795 1826, Mar. 6
Elegy: Imitated from one of Akenside's Blank-verse Inscriptions. [(No.) III.] "Near the lone pile with ivy overspread," 1794? 1794, Set.23
[xiii]The Faded Flower "Ungrateful he, who pluck'd thee from thy stalk," 1794 1836, Ago.
The Outcast "Pale Roamer through the night! thou poor Forlorn!" 1794? 1796
Domestic Peace. (From 'The Fall of Robespierre,' Act I, l. 210.) "Tell me, on what holy ground" 1794 1795
On a Discovery made too late. "Thou bleedest, my poor Heart! and thy distress" 1794 1796
To the Author of 'The Robbers' "Schiller! that hour I would have wish'd to die," 1794? 1796
Melancholy. A Fragment. "Stretch'd on a moulder'd Abbey's broadest wall," 1794? 1797, Dez. 12
To a Young Ass: Its Mother being tethered near it. "Poor little Foal of an oppresséd race!" 1794 1794, Dez. 30
Lines on a Friend who Died of a Frenzy Fever induced by Calumnious Reports. "Edmund! thy grave with aching eye I scan," 1794 1796
To a Friend [Charles Lamb] together with an Unfinished Poem. "Thus far my scanty brain hath built the rhyme" 1794 1796
I. To the Honourable Mr. Erskine "When British Freedom for an happier land" 1794 1794, Dez. 1 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
II. Burke. "As late I lay in Slumber's shadowy vale," 1794 1794, Dez. 9 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
III. Priestley. "Though rous'd by that dark Vizir Riot rude" 1794 1794, Dez. 11 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
IV. La Fayette "As when far off the warbled strains are heard" 1794 1794, Dez. 15 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
V. Koskiusko. "O what a loud and fearful shriek was there," 1794 1794, Dez. 16 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
VI. Pitt "Not always should the Tear's ambrosial dew" 1794 1794, Dez. 23 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
VII. To the Rev. W. L. Bowles. "My heart has thank'd thee, Bowles! for those soft strains," 1794 1794, Dez. 26 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
VII. To the Rev. W. L. Bowles. "My heart has thank'd thee, Bowles! for those soft strains" 1794 1794, Dez. 26 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
VIII. Mrs. Siddons "As when a child on some long Winter's night" 1794 1794, Dez. 29 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
IX. To William Godwin, Author of 'Political Justice.' "O form'd t' illume a sunless world forlorn," 1795? 1795, Jan. 10 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
X. To Robert Southey of Baliol College, Oxford, Author of the 'Retrospect' and other Poems. "Southey! thy melodies steal o'er mine ear" 1795 1795, Jan. 14 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
XI. To Richard Brinsley Sheridan, Esq. "It was some Spirit, Sheridan! that breath'd" 1795 1795, Jan. 29 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
XII. To Lord Stanhope on reading his Late Protest in the House of Lords. "Stanhope! I hail, with ardent Hymn, thy name!" 1795 1795, Jan. 31 Sonetos sobre personagens eminentes: contribuiu para o Morning Chronicle, em dezembro de 1794 e janeiro de 1795: -
To Earl Stanhope "Not, Stanhope! with the Patriot's doubtful name" 1795 1796
Lines: To a Friend in Answer to a Melancholy Letter "Away, those cloudy looks, that labouring sigh," 1795? 1796
To an Infant. "Ah! cease thy tears and sobs, my little Life!" 1795 1796
To the Rev. W. J. Hort while teaching a Young Lady some Song-tunes on his Flute "Hush! ye clamorous Cares! be mute!" 1795 1796
Pity. "Sweet Mercy! how my very heart has bled" 1795? 1796
To the Nightingale "Sister of love-lorn Poets, Philomel!" 1795 1796
Lines: Composed while climbing the Left Ascent of Brockley Coomb, Somersetshire, Mai. 1795 "With many a pause and oft reverted eye" 1795, Mai. 1796
Lines in the Manner of Spenser "O Peace, that on a lilied bank dost love" 1795 1796
The Hour when we shall meet again. (Composed during Illness and in Absence.) "Dim Hour! that sleep'st on pillowing clouds afar," 1795? 1796, Mar. 17
Lines written at Shurton Bars, near Bridgewater, Set.1795, in Answer to a Letter from Bristol "Nor travels my meandering eye" 1795 1796
The Eolian Harp. "My pensive Sara! thy soft cheek reclined" 1795 1796
To the Author of Poems [Joseph Cottle] published anonymously at Bristol in September 1795 "Unboastful Bard! whose verse concise yet clear" 1795 1795, Set.
The Silver Thimble. The Production of a Young Lady, addressed [xiv]to the Author of the Poems alluded to in the preceding Epistle. "As oft mine eye with careless glance" 1795 1796
Reflections on having left a Place of Retirement Sermoni propriora - Hor. "Low was our pretty Cot: our tallest Rose" 1795 1796, Out.
Religious Musings. A Desultory poem, written on the Christmas Eve of 1794 "This is the time, when most divine to hear," 1794-6 1796
Monody on the Death of Chatterton. "O what a wonder seems the fear of death," 1790-1834 1794
The Destiny of Nations. A Vision "Auspicious Reverence! Hush all meaner song," 1796 1817
Ver Perpetuum. Fragment from an Unpublished Poem "The early Year's fast-flying vapours stray" 1796 1796, Mar. 25
On observing a Blossom on the First of February 1796 "Sweet flower! that peeping from thy russet stem" 1796 1796, Abr. 11
To a Primrose. The First seen in the Season Nitens et roboris expers - Turget et insolida est: et spe delectat. - Ovid, Metam "Thy smiles I note, sweet early Flower," 1796 1796, Abr. 27
Verses: Addressed to J. Horne Tooke and the Company who met on June 28, 1796, to celebrate his Poll at the Westminster Election "Britons! when last ye met, with distant streak" 1796 1893
On a Late Connubial Rupture in High Life [Prince and Princess of Wales]. "I sigh, fair injur'd stranger! for thy fate;" 1796 1796, Set.
Sonnet: On receiving a Letter informing me of the Birth of a Son. "When they did greet me father, sudden awe" 1796, Set.20 1847
Sonnet: Composed on a Journey Homeward; the Author having received Intelligence of the Birth of a Son, Sept. 20, 1796. "Oft o'er my brain does that strange fancy roll" 1796 1797
Sonnet: To a Friend who asked how I felt when the Nurse first presented my Infant to me. "Charles! my slow heart was only sad, when first" 1796 1797
Sonnet: [To Charles Lloyd] "The piteous sobs that choke the Virgin's breath" 1796 1796
To a Young Friend on his proposing to domesticate with the Author. Composed in 1796 "A mount, not wearisome and bare and steep," 1796 1797
Addressed to a Young Man of Fortune [C. Lloyd] Who Abandoned himself to an indolent and causeless Melancholy "Hence that fantastic wantonness of woe," 1796 1796, Dez. 16
To a Friend [Charles Lamb] who had declared his intention of writing no more Poetry "Dear Charles! whilst yet thou wert a babe, I ween" 1796 1800
Ode to the Departing Year "Spirit who sweepest the wild Harp of Time!" 1796 1796, Dez. 31
The Raven. [MS. S. T. C.] A Christmas Tale, Told by a School-boy to his little brothers and sisters. "Underneath an old oak tree" 1797 1798, Mar. 10
To an Unfortunate Woman at the Theatre "Maiden, that with sullen brow" 1797 1797, Dez. 7
To an Unfortunate Woman whom the Author had known in the days of her Innocence "Myrtle-leaf that, ill besped," 1797 1797
To the Rev. George Coleridge Of Ottery St. Mary, Devon. With Some Poems. Notus in fratres animi paterni. - Hor "A blesséd lot hath he, who having passed" 1797 1797
On the Christening of a Friend's Child "This day among the faithful plac'd" 1797 1797
Translation of a Latin Inscription by the Rev. W. L. Bowles in Nether-Stowey Church "Depart in joy from this world's noise and strife" 1797 1836
This Lime-tree Bower my Prison [Addressed to Lamb Charles, Of the India House, London] "Well, they are gone, and here must I remain," 1797 1800
The Foster-mother's Tale "I never saw the man whom you describe" 1797 1798 Baladas líricas
The Dungeon "And this place our forefathers made for man!" 1797 1798 Baladas líricas
The Rime of the Ancient Mariner |Brasil: A Balada do Velho Marinheiro / Portugal: Rima do velho marinheiro "It is an Ancient Mariner" 1797-98 1798 Baladas líricas
Sonnets attempted in the Manner of Contemporary Writers "Pensive at eve on the hard world I mus'd," 1797 1797, Nov.
Parliamentary Oscillators "Almost awake? Why, what is this, and whence," 1798 1798, Jan. 6
Christabel. "The first part of the following poem was written in the" 1801 1816
Lines to W. L. while he sang a Song to Purcell's Music "While my young cheek retains its healthful hues," 1797 1800
Fire, Famine, and Slaughter A War Ecologue "Sisters! sisters! who sent you here" 1798 1798, Jan. 8
Frost at Midnight "The Frost performs its secret ministry," 1798, Fev. 1798
France: An Ode. "Ye Clouds! that far above me float and pause," 1798, Fev. 1798, Abr. 18
The Old Man of the Alps "Stranger! whose eyes a look of pity shew," 1798, Mar. 8 1798, Mar. 8
[xv]To a Young Lady [Miss Lavinia Poole] on her Recovery from a Fever "Why need I say, Louisa dear!" 1798, Mar. 31 1799, Dez. 9
Lewti, or the Circassian Love-chaunt. "At midnight by the stream I roved," 1798 1798, Abr. 18
Fears in Solitude. Written in April 18, during an alarm of invasion "A green and silent spot, amid the hills," 1798, Abr. 20 1798
The Nightingale. A Conversation Poem "No cloud, no relique of the sunken day" 1798, Abr. 1798 Baladas líricas
The Three Graves. "Beneath this thorn when I was young," 1797-1809 1893
The Wanderings of Cain. "Encinctured with a twine of leaves," 1798 1828
To —— "I mix in life, and labour to seem free," 1798? 1836
The Ballad of the Dark Ladié "Beneath yon birch with silver bark," 1798 1834
Kubla Khan Or, A vision in a dream. A Fragment. "In Xanadu did Kubla Khan" 1798 1816
Recantation: Illustrated in the Story of the Mad Ox "An Ox, long fed with musty hay," 1798 1798, Jul. 30
Hexameters. ('William my teacher,' &c.) "William, my teacher, my friend! dear William and dear Dorothea!" 1799 1851
Translation of a Passage in Ottfried's Metrical Paraphrase of the Gospel "She gave with joy her virgin breast;" 1799? 1817
Catullian Hendecasyllables "Hear, my belovéd, an old Milesian story!—" 1799? 1834
The Homeric Hexameter described and exemplified "Strongly it bears us along in swelling and limitless billows," 1799? 1834
The Ovidian Elegiac Metre described and exemplified "In the hexameter rises the fountain's silvery column;" 1799? 1834
On a Cataract. From a cavern near the summit of a mountain precipice. "Unperishing youth!" 1799? 1834
Tell's Birth-Place Imitated from Stolberg "Mark this holy chapel well!" 1799? 1817
The Visit of the Gods Imitated from Schiller "Never, believe me," 1799? 1817
From the German. ('Know'st thou the land,' &c.) "Know'st thou the land where the pale citrons grow," 1799 1834
Water Ballad. From the French " 'Come hither, gently rowing," 1799 1831, Out. 29
On an Infant which died before Baptism. ('Be rather,' &c.) "'Be, rather than be called, a child of God,'" 1799, Abr. 8 1834
Something Childish, but very Natural. Written in Germany. "If I had but two little wings" 1799, Abr. 23 1800
Home-Sick. Written in Germany. "'Tis sweet to him who all the week" 1799, Mai. 6 1800
Lines written in the Album at Elbingerode in the Hartz Forest. "I stood on Brocken's sovran height, and saw" 1799, Mai. 17 1799, Set.17
The British Stripling's War-Song. Imitated from Stolberg "Yes, noble old Warrior! this heart has beat high," 1799 1799, Ago. 24
Names. [From Lessing.] "I ask'd my fair one happy day," 1799 1803
The Devil's Thoughts. "From his brimstone bed at break of day" 1799 1799, Set.6
Lines composed in a Concert-room "Nor cold, nor stern, my soul! yet I detest" 1799 1799, Set.24
Westphalian Song "When thou to my true-love com'st" 1799? 1802, Set.27
Hexameters. Paraphrase of Psalm xlvi. "Gōd ĭs oŭr Strēngth ănd oŭr Rēfŭge: thērefŏre wīll wĕ nŏt trēmblĕ" 1799 1912
Hymn to the Earth. [Imitated from Stolberg's Hymne an die Erde.] Hexameters "Earth! thou mother of numberless children, the nurse and the mother," 1799 1834
Mahomet "Utter the song, O my soul! the flight and return of Mohammed," 1799? 1834
Love. "All thoughts, all passions, all delights," 1799 1799, Dez. 21
Ode to Georgiana, Duchess of Devonshire, on the Twenty-fourth Stanza in her 'Passage over Mount Gothard' "Splendour's fondly-fostered child!" 1799 1799, Dez. 24
A Christmas Carol "The shepherds went their hasty way," 1799 1799, Dez. 25
Talleyrand to Lord Grenville. A Metrical Epistle "My Lord! though your Lordship repel deviation" 1800 1800, Jan. 10
Apologia pro Vita sua. ('The poet in his lone,' &c.) "The poet in his lone yet genial hour" 1800 1822
The Keepsake "The tedded hay, the first fruits of the soil," 1800? 1802, Set.17
A Thought suggested by a View of Saddleback in Cumberland. "On stern Blencartha's perilous height" 1800 1833
The Mad Monk "I heard a voice from Etna's side;" 1800 1800, Out. 13
[xvi]Inscription for a Seat by the Road Side half-way up a Steep Hill facing South "Thou who in youthful vigour rich, and light" 1800 1800, Out. 21
A Stranger Minstrel Written [To Mrs. Robinson], A few weeks before her death. "As late on Skiddaw's mount I lay supine," 1800, Nov. 1801
Alcaeus to Sappho. "How sweet, when crimson colours dart" 1800 1800, Nov. 24
The Two Round Spaces on the Tombstone. "The Devil believes that the Lord will come," 1800 1800, Dez. 4
The Snow-drop. "The Devil believes that the Lord will come," 1800 1893
On Revisiting the Sea-shore. After Long Absence, Under strong Medical Recommendation not to bathe. "God be with thee, gladsome Ocean!" 1801 1801, Set.15
Ode to Tranquillity "Tranquillity! thou better name" 1801 1801, Dez. 4
To Asra. "Are there two things, of all which men possess," 1801 1893
The Second Birth. "There are two births, the one when Light" 1801? 1893
Love's Sanctuary. "This yearning heart (Love! witness what I say)" 1801? 1893
Dejection: An Ode. "Well! If the Bard was weather-wise, who made" 1802, Abr. 4 1802, Out. 4
The Picture, or the Lover's Resolution "Through weeds and thorns, and matted underwood" 1802 1802, Set.6
To Matilda Betham from a Stranger "Matilda! I have heard a sweet tune played" 1802 1893
Hymn before Sun-rise, in the Vale of Chamouni. "Hast thou a charm to stay the morning-star" 1802 1802, Set.11
The Good, Great Man "'How seldom, friend! a good great man inherits" 1802 1802, Set.23
Inscription for a Fountain on a Heath "This Sycamore, oft musical with bees,—" 1802 1802, Set.24
An Ode to the Rain Composed Before Daylight, on the Morning Appointed for the Departure of a Very Worthy, but Not Very Pleasant Visitor, Whom It Was Feared the Rain Might Detain "I know it is dark; and though I have lain," 1802 1802, Out. 7
A Day-dream. ('My eyes make pictures,' &c.) "My eyes make pictures, when they are shut:" 1802 1828
Answer to a Child's Question "Do you ask what the birds say? The Sparrow, the Dove," 1802 1802, Out. 16
The Day-dream. From an Emigrant to his Absent Wife "If thou wert here, these tears were tears of light!" 1801-02 1802, Out. 19
The Happy Husband. A Fragment "Oft, oft methinks, the while with thee," 1802? 1817
The Pains of Sleep. "Ere on my bed my limbs I lay," 1803 1816
The Exchange "We pledged our hearts, my love and I,—" 1804 1804, Abr. 16
Ad Vilmum Axiologum. [To William Wordsworth.] "This be the meed, that thy song creates a thousand-fold echo!" 1805? 1893
An Exile. "Friend, Lover, Husband, Sister, Brother!" 1805 1893
Sonnet. [Translated from Marini.] "Lady, to Death we're doom'd, our crime the same!" 1805? 1893
Phantom "All look and likeness caught from earth," 1805 1805, Fev. 8
A Sunset. "Upon the mountain's edge with light touch resting," 1805 1893
What is Life? "Resembles life what once was deem'd of light," 1805 1829
The Blossoming of the Solitary Date-tree A Lament "I seem to have an indistinct recollection of having read either in one" 1805 1828
Separation. "A sworded man whose trade is blood," 1805? 1834
The Rash Conjurer. "Strong spirit-bidding sounds!" 1805? or 1814? 1912
A Child's Evening Prayer. "Ere on my bed my limbs I lay," 1806 1852
Metrical Feet. Lesson for a Boy. "Trōchĕe trīps frŏm lōng tŏ shōrt;" 1806 1834
Farewell to Love "Farewell, sweet Love! yet blame you not my truth;" 1806 1806, Set.27
To William Wordsworth. Composed on the night after his recitation of a poem on the growth of an individual mind. "Friend of the wise! and Teacher of the Good!" 1807, Jan. 1817
An Angel Visitant. "Within these circling hollies woodbine-clad—" 1801? 1836
Recollections of Love. "How warm this woodland wild Recess!" 1807 1817
To Two Sisters. [Mary Morgan and Charlotte Brent] A Wanderer's Farwell "To know, to esteem, to love,—and then to part—" 1807 1807, Dez. 10
Psyche. "The butterfly the ancient Grecians made" 1808 1817
A Tombless Epitaph "'Tis true, Idoloclastes Satyrane!" 1809? 1809, Nov. 23
For a Market-clock. (Impromptu.) "What now, O Man! thou dost or mean'st to do" 1809 1836
The Madman and the Lethargist. An Example "Quoth Dick to me, as once at College" 1809 1912
The Visionary Hope "Sad lot, to have no Hope! Though lowly kneeling" 1810 1817
Epitaph on an Infant. ('Its balmy lips,' &c.) "Its balmy lips the infant blest" 1811 1811, Mar. 20
The Virgin's Cradle-hymn Copied from a print of the virgin in a Roman Catholic village in Germany "Dormi, Jesu! Mater ridet" 1811 1801, Dez. 26
To a Lady offended by a Sportive Observation that Women have no Souls "Nay, dearest Anna! why so grave?" 1811? 1812
Reason for Love's Blindness "I have heard of reasons manifold" 1811? 1828
The Suicide's Argument. "Ere the birth of my life, if I wished it or no," 1811 1828
Time, Real and Imaginary An Allegory "On the wide level of a mountain's head," 1812? 1817
An Invocation. From Remorse [Act III, Scene i, ll. 69-82] "Hear, sweet Spirit, hear the spell," 1812 1813
The Night-scene. " You loved the daughter of Don Manrique" 1813 1817
A Hymn "My Maker! of thy power the trace" 1814 1852
To a Lady, with Falconer's Shipwreck "Ah! not by Cam or Isis, famous streams," 1814 1817
Human Life. On the Denial of Immortality "If dead, we cease to be; if total gloom" 1815? 1817
Song. From Zapolya (Act II, Sc. i, ll. 65–80.) "A Sunny shaft did I behold," 1815 1817
Hunting Song. From Zapolya (Act IV, Sc. ii, ll. 56-71) "Up, up! ye dames, and lasses gay!" 1815 1817
Faith, Hope, and Charity. From the Italian of Guarini "Let those whose low delights to Earth are given" 1815 1817
To Nature "It may indeed be phantasy, when I" 1820? 1836
Limbo. "The sole true Something—This! In Limbo's Den" 1817 1893
Ne Plus Ultra "Sole Positive of Night!" 1826? 1834
The Knight's Tomb "Where is the grave of Sir Arthur O'Kellyn?" 1817? 1834
On Donne's Poetry "With Donne, whose muse on dromedary trots," 1818? 1836
Israel's Lament A Hebrew Dirge, chaunted in the Great Synagogue, St. James's Place, Aldgate, on the day of the Funeral of her Royal Highness the Princess Charlotte. By Hyman Hurwitz, Master of the Hebrew Academy, Highgate: with a Translation in English Verse, by S. T. Coleridge, Esq., 1817.' "Mourn, Israel! Sons of Israel, mourn!" 1817 1817
Fancy in Nubibus, or the Poet in the Clouds. "O! it is pleasant, with a heart at ease," 1817 1818, Fev. 7
The Tears of a Grateful People "Oppress'd, confused, with grief and pain," 1820 1820
Youth and Age. "Verse, a breeze mid blossoms straying," 1823-1832 1834
The Reproof and Reply Or, The Flower-Thief's Apology, for a robbery committed in Mr. and Mrs. ——'s garden, on Sunday morning, 25 May 1823, between the hours of eleven and twelve. ""Fie, Mr. Coleridge!—and can this be you?" 1823 1834
First Advent of Love. "O fair is Love's first hope to gentle mind!" 1824 1834
The Delinquent Travellers "Some are home-sick—some two or three," 1824 1912
Work without Hope. "All Nature seems at work. Slugs leave their lair—" 1825, Fev. 21 1828
Sancti Dominici Pallium. A Dialogue between Poet and Friend. Found Written on the Blank Leaf at the Beginning of Butler's. 'book of the Church' (1825) "I note the moods and feelings men betray," 1825 or 1826 1827, Mai. 21
Song. ('Though veiled,' &c.) "Though veiled in spires of myrtle-wreath," 1825 1828
A Character. "A bird, who for his other sins" 1825 1834
The Two Founts. Stanzas Addressed to a Lady on Her Recovery With Unblemished Looks, From a Severe Attack of Pain "'Twas my last waking thought, how it could be" 1826 1827
Constancy to an Ideal Object "Since all that beat about in Nature's range," 1826? 1817
The Pang more Sharp than All. An Allegory "He too has flitted from his secret nest," 1825-6? 1834
Duty surviving Self-love. The only sure Friend of declining Life. "Unchanged within, to see all changed without," 1826 1828
Homeless "'O! Christmas Day, Oh! happy day!" 1826 1827, Jan.
Lines suggested by the last Words of Berengarius; ob. Anno Dom. 1088 "No more 'twixt conscience staggering and the Pope" 1826? 1827
Epitaphium Testamentarium "Quae linquam, aut nihil, aut nihili, aut vix sunt mea. Sordes" 1826 1827
Ἔρως ἀεὶ λάληθρος ἑταῖρος "In many ways does the full heart reveal" 1826 1827
The Improvisatore; or, 'John Anderson, My Jo, John' "Yes, yes! that boon, life's richest treat" 1827 1828
To Mary Pridham [afterwards Mrs. Derwent Coleridge]. "Dear tho' unseen! tho' I have left behind" 1827 1827, Out. 16
Alice du Clos; or, The Forked Tongue. A Ballad. One word with two meanings is the traitor's shield and shaft: and a slit tongue be his blazon!'—Caucasian Proverb. "'The Sun is not yet risen," 1828? 1834
Love's Burial-place "Lady. If Love be dead—" 1828 1828
Lines: To a Comic Author, on an Abusive Review "What though the chilly wide-mouth'd quacking chorus" 1825? 1834
Cologne "In Köhln, a town of monks and bones" 1828 1834
On my Joyful Departure from the same City "As I am a Rhymer" 1828 1834
The Garden of Boccaccio "Or late, in one of those most weary hours," 1828 1829
Love, Hope, and Patience in Education. "O'er wayward childhood would'st thou hold firm rule," 1829 1830
To Miss A. T. "Verse, pictures, music, thoughts both grave and gay," 1829 1850
Lines written in Commonplace Book of Miss Barbour, Daughter of the Minister of the U. S. A. to England "Child of my muse! in Barbour's gentle hand" 1829, Ago. 1829, Dez. 19
Song, ex improviso, on hearing a Song in praise of a Lady's Beauty "'Tis not the lily-brow I prize," 1830 1830
Love and Friendship Opposite "Her attachment may differ from yours in degree," 1830? 1834
Not at Home "That Jealousy may rule a mind" 1830? 1834
Phantom or Fact. A Dialogue in Verse "A lovely form there sate beside my bed," 1830? 1834
Desire. "Where true Love burns Desire is Love's pure flame;" 1830? 1834
Charity in Thought "To praise men as good, and to take them for such," 1830? 1834
Humility the Mother of Charity "Frail creatures are we all! To be the best," 1830? 1834
[Coeli Enarrant.] "The stars that wont to start, as on a chace," 1830? 1912
Reason ['Finally, what is Reason? You have often asked me: and this is my answer':—] "Whene'er the mist, that stands 'twixt God and thee," 1830 1830
Self-knowledge —E coelo descendit γνῶθι σεαυτόν.—Juvenal, xi. 27. "Γνῶθι σεαυτόν!—and is this the prime" 1832 1834
Forbearance "Gently I took that which ungently came" 1832? 1834
Love's Apparition and Evanishment An Allegoric Romance "Like a lone Arab, old and blind," 1833 1834
To the Young Artist Kayser of Kaserwerth "Kayser! to whom, as to a second self," 1833 1834
My Baptismal Birth-day "God's child in Christ adopted,—Christ my all,—" 1833 1834
Epitaph. "Stop, Christian passer-by!—Stop, child of God," 1833, Nov. 9 1834
An Apology for Spencers "Said William to Edmund I can't guess the reason" 1796, Mar. 21 1796, Mar. 25 Epigrama
On a Late Marriage between an Old Maid and French Petit Maître "Tho' Miss ——'s match is a subject of mirth," Desconhecida 1796, Abr. 2 Epigrama
On an Amorous Doctor "From Rufa's eye sly Cupid shot his dart" Desconhecida 1796, Abr. 2 Epigrama
Of smart pretty Fellows,' &c. "Of smart pretty Fellows in Bristol are numbers, some" Desconhecida 1912 Epigrama
On Deputy —— "By many a booby's vengeance bit" Desconhecida 1798, Jan. 2 Epigrama
To be ruled like a Frenchman,' &c. "To be ruled like a Frenchman the Briton is loth," 1798 1912 Epigrama
On Mr. Ross, usually Cognominated Nosy "I fancy whenever I spy Nosy" 1799 1912 Epigrama
Bob now resolves,' &c. "Bob now resolves on marriage schemes to trample," Desconhecida 1912 Epigrama
Say what you will, Ingenious Youth' "Say what you will, Ingenious Youth!" 1799 1893 Epigrama
If the guilt of all lying,' &c. "If the guilt of all lying consists in deceit," 1800 1800 Epigrama
On an Insignificant "No doleful faces here, no sighing—" 1799 1893 Epigrama
There comes from old Avaro's grave' "There comes from old Avaro's grave" 1799 1829 Epigrama
On a Slanderer "From yonder tomb of recent date," 1799 1893 Epigrama
Lines in a German Student's Album "We both attended the same College," Desconhecida 1856 Epigrama
[Hippona] "Hippona lets no silly flush" 1799 August, 29 1799, Ago. 29 Epigrama
On a Reader of His Own Verses "Hoarse Mævius reads his hobbling verse" Desconhecida 1799, Set.7 Epigrama
[iv]On a Report of a Minister's Death "Last Monday all the Papers said" Desconhecida 1799, Set.18 Epigrama
[Dear Brother Jem] "Jem writes his verses with more speed" Desconhecida 1799, Set.23 Epigrama
Job's Luck "Sly Beelzebub took all occasions" 1799 1801, Set.26 Epigrama
On the Sickness of a Great Minister "Pluto commanded death to take away" Desconhecida 1799, Out. 1 Epigrama
[To a Virtuous Oeconomist] "You're careful o'er your wealth 'tis true:" Desconhecida 1799, Out. 28 Epigrama
[L'Enfant Prodigue] "Jack drinks fine wines, wears modish clothing," Desconhecida 1799, Nov. 16 Epigrama
On Sir Rubicund Naso A Court Alderman and Whisperer of Secrets "Speak out, Sir! you're safe, for so ruddy your nose" Desconhecida 1799, Dez. 7 Epigrama
To Mr. Pye "Your poem must eternal be," Desconhecida 1800, Jan. 24 Epigrama
[Ninety-Eight] "O would the Baptist come again" Desconhecida 1800 Epigrama
Occasioned by the Former "I hold of all our viperous race" Desconhecida 1800 Epigrama
[A Liar by Profession] "As Dick and I at Charing Cross were walking," Desconhecida 1800 Epigrama
To a Proud Parent "Thy babes ne'er greet thee with the father's name;" Desconhecida 1800 Epigrama
Rufa "Thy lap-dog, Rufa, is a dainty beast," Desconhecida 1800 Epigrama
On a Volunteer Singer "Swans sing before they die—'twere no bad thing" Desconhecida 1800 Epigrama
Occasioned by the Last "A joke (cries Jack) without a sting—" Desconhecida 1800 Epigrama
Epitaph on Major Dieman "Know thou who walks't by, Man! that wrapp'd up in lead, man," 1800? 1912 Epigrama
On the Above "As long as ere the life-blood's running," 1800? 1912 Epigrama
Epitaph on a Bad Man (1st Version) "Of him that in this gorgeous tomb doth lie," Desconhecida 1801, Set.22 Epigrama
Epitaph on a Bad Man (2nd Version) "Under this stone does Walter Harcourt lie," Desconhecida 1912 Epigrama
Epitaph on a Bad Man (3rd Version) W. H. EHEU! "Beneath this stone does William Hazlitt lie," Desconhecida 1830, Set.10 Epigrama
To a Certain Modern Narcissus "Do call, dear Jess, whene'er my way you come;" Desconhecida 1801, Dez. 16 Epigrama
To a Critic Who Extracted a Passage from a poem without adding a word respecting the context, and then derided it as unitelligible. "Most candid critic, what if I," Desconhecida 1801, Dez. 16 Epigrama
Always Audible "Pass under Jack's window at twelve at night" Desconhecida 1801, Dez. 19 Epigrama
Pondere non Numero "Friends should be weigh'd, not told; who boasts to have won" Desconhecida 1801, Dez. 26 Epigrama
The Compliment Qualified "To wed a fool, I really cannot see" Desconhecida 1801, Dez. 26 Epigrama
What is an Epigrama,' &c. "What is an Epigrama? a dwarfish whole," Desconhecida 1802, Set.23 Epigrama
Charles, grave or merry,' &c. "Charles, grave or merry, at no lie would stick," Desconhecida 1802, Set.23 Epigrama
An evil spirit's on thee, friend,' &c. "An evil spirit's on thee, friend! of late!" Desconhecida 1802, Set.23 Epigrama
Here lies the Devil,' &c. "Here lies the Devil—ask no other name." Desconhecida 1802, Set.23 Epigrama
To One Who Published in Print, &c. What has been entrusted to him by my Fireside "Two things hast thou made known to half the nation," Desconhecida 1802, Set.23 Epigrama
Scarce any scandal,' &c. "Scarce any scandal, but has a handle;" Desconhecida 1802, Set.23 Epigrama
Old Harpy,' &c. "Old Harpy jeers at castles in the air," Desconhecida 1802, Set.23 Epigrama
To a Vain Young Lady "Didst thou think less of thy dear self" Desconhecida 1802, Set.23 Epigrama
A Hint to Premiers and First Consuls FROM AN OLD TRAGEDY, VIZ. AGATHA TO KING ARCHELAUS "Three truths should make thee often think and pause;" Desconhecida 1802, Set.27 Epigrama
From me, Aurelia,' &c. "From me, Aurelia! you desired" Desconhecida 1802, Out. 2 Epigrama
For a House-Dog's Collar "When thieves come, I bark: when gallants, I am still—" Desconhecida 1802, Out. 2 Epigrama
In vain I praise thee, Zoilus' "In vain I praise thee, Zoilus!" Desconhecida 1802, Out. 2 Epigrama
Epitaph on a Mercenary Miser "A poor benighted Pedlar knock'd" Desconhecida 1802, Out. 9 Epigrama
A Dialogue between an Author and his Friend "Come; your opinion of my manuscript" Desconhecida 1802, Out. 11 Epigrama
Μωροσοφία, or Wisdom in Folly "Tom Slothful talks, as slothful Tom beseems," Desconhecida 1802, Out. 11 Epigrama
Each Bond-street buck,' &c. "Each Bond-street buck conceits, unhappy elf!" Desconhecida 1802, Out. 11 Epigrama
From an Old German Poet "That France has put us oft to rout" Desconhecida 1802, Out. 11 Epigrama
On the Curious Circumstance, That in the German, &c. The Sun is feminine, and the moon is masculine "Our English poets, bad and good, agree" Desconhecida 1802, Out. 11 Epigrama
Spots in the Sun "My father confessor is strict and holy," Desconhecida 1802, Out. 11 Epigrama
When Surface talks,' &c. "When Surface talks of other people's worth" Desconhecida 1802, Out. 11 Epigrama
To my Candle To Farewell Epigrama "Good Candle, thou that with thy brother, Fire," Desconhecida 1802, Out. 11 Epigrama
Epitaph on Himself "Here sleeps at length poor Col., and without screaming—" Desconhecida 1848 Epigrama
The Taste of the Times "Some whim or fancy pleases every eye;" 1806? 1904, Jan. 9 Epigrama
On Pitt and Fox "Britannia's boast, her glory and her pride," Desconhecida 1904, Jan. 6 Epigrama
An excellent adage,' &c. "An excellent adage commands that we should" Desconhecida 1809, Nov. 12 Epigrama
Comparative Brevity of Greek and English "χρυσὸν ἀνὴρ εὑρὼν ἔλιπε βρόχον, αὐτὰρ ὁ χρυσὸν" Desconhecida 1812 Epigrama
On the Secrecy of a Certain Lady "'She's secret as the grave, allow!'" Desconhecida 1814, Jan. 3 Epigrama
Motto for a Transparency, &c. (1st Version) &c corresponds to DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'—June 29, 1814. "We've fought for Peace, and conquer'd it at last," Desconhecida 1836 Epigrama
Motto for a Transparency, &c. (2nd Version) &c corresponds to DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'—June 29, 1814. "We've conquered us a Peace, like lads true metalled:" Desconhecida 1836 Epigrama
Money, I've heard,' &c. "Money, I've heard a wise man say," Desconhecida 1893 Epigrama
[v]Modern Critics "No private grudge they need, no personal spite," Desconhecida 1817 Epigrama
Written in an Album "Parry seeks the Polar ridge," Desconhecida 1834 Epigrama
To a Lady who requested me to Write a Poem upon Nothing "On nothing, Fanny, shall I write?" Desconhecida 1822, Fev. 22 Epigrama
Sentimental "The rose that blushes like the morn," Desconhecida 1877 Epigrama
So Mr. Baker,' &c. "So Mr. Baker heart did pluck—" Desconhecida 1836 Epigrama
Authors and Publishers " 'A heavy wit shall hang at every lord,'

"

Desconhecida 1825, Dez. 10 Epigrama
The Alternative "This way or that, ye Powers above me!" Desconhecida Desconhecida Epigrama
In Spain, that land,' &c. "In Spain, that land of Monks and Apes," Desconhecida 1871 Epigrama
Inscription for a Time-piece "Now! It is gone—Our brief hours travel post," Desconhecida 1844 Epigrama
On the Most Veracious Anecdotist, &c. "Tom Hill, who laughs at Cares and Woes," Desconhecida 1912 Epigrama
Nothing speaks but mind,' &c. "Nothing speaks our mind so well" Desconhecida 1912 Epigrama
Epitaph of the Present Year on the Monument of Thomas Fuller "A Lutheran stout, I hold for Goose-and-Gaundry" 1833, Nov. 28 1912 Epigrama
My Godmother's Beard "So great the charms of Mrs. Mundy," 1791? 1888 Jeux d'esprit
Lines to Thomas Poole "Repeaating Such verse as Bowles, heart honour'd Poet sang,' 1796 1893 Jeux d'esprit
To a Well-known Musical Critic, &c "O ——! O ——! of you we complain" 1798, Jan. 4 1798, Jan. 4 Jeux d'esprit
To T. Poole: An Invitation "Plucking flowers from the Galaxy" 1797, Jan. 1888 Jeux d'esprit
Song, To be Sung by the Lovers of all the noble liquors, &c "Ye drinkers of Stingo and Nappy so free," Desconhecida 1801, Set.18 Jeux d'esprit
Drinking versus Thinking Or, a Song Against the New Philosophy "My Merry men all, that drink with glee" Desconhecida 1801, Set.25 Jeux d'esprit
The Wills of the Wisp A Sapphic. Vix ea nostra voco "Lunatic Witch-fires! Ghosts of Light and Motion!" Desconhecida 1801, Dez. 1 Jeux d'esprit
To Captain Findlay "When the squalls were flitting and fleering" 1804, Mai. 4 1912 Jeux d'esprit
On Donne's Poem 'To a Flea' "Be proud as Spaniards! Leap for pride ye Fleas!" 1811 1912 Jeux d'esprit
[Ex Libris S. T. C.] "This, Hannah Scollock! may have been the case;" 1814, Nov. 25 Desconhecida Jeux d'esprit
ΕΓΩΕΝΚΑΙΠΑΝ "Eu! Dei vices gerens, ipse Divus,; 1815 1817 Jeux d'esprit
The Bridge Street Committee "Jack Snipe" Desconhecida 1836 Jeux d'esprit
Nonsense Sapphics "Here's Jem's first copy of nonsense verses," Desconhecida 1850 Jeux d'esprit
To Susan Steele, &c. "My dearest Dawtie!" 1829 1912 Jeux d'esprit
Association of Ideas I.—By Likeness "Fond, peevish, wedded pair! why all this rant?" 1830? 1835 Jeux d'esprit
Association of Ideas II.—Association by Contrast "Phidias changed marble into feet and legs." 1830? 1835 Jeux d'esprit
Association of Ideas III.—Association by Time "I touch this scar upon my skull behind," 1830? 1835 Jeux d'esprit
Verses Trivocular "Of one scrap of science I've evidence ocular." Desconhecida 1912. Jeux d'esprit
Cholera Cured Before-hand Or a premonition promulgated gratis for the use of the Useful Classes, specially those resident in St. Giles's, Saffron Hill, Bethnal Green, etc.; and likewise, inasmuch as the good man is merciful even to the beasts, for the benefit of the Bulls and Bears of the Stock Exchange. "Pains ventral, subventral," 1832, Jul. 26 1834 Jeux d'esprit
To Baby Bates "You come from o'er the waters," Desconhecida 1893 Jeux d'esprit
To a Child "Little Miss Fanny," 1834 1888, Jan 28 Jeux d'esprit
An Experiment for a Metre ('I heard a Voice,' &c.) "I heard a voice pealing loud triumph to-day:" 1801 1912. Experimentos Métricos
Trochaics "Thus she said, and, all around," 1801 1912. Experimentos Métricos
The Proper Unmodified Dochmius (i. e. antispastic Catalectic) "Bĕnīgn shōōtĭng stārs, ĕcstātīc dĕlīght." 1801 1912. Experimentos Métricos
Iambics "No cold shall thee benumb," 1801 1912. Experimentos Métricos
Nonsense ('Sing, impassionate Soul,' &c.) "Sing impassionate Soul! of Mohammed the complicate story:" Desconhecida 1912. Experimentos Métricos
A Plaintive Movement "Go little Pipe! for ever I must leave thee," 1814, Out. 1912. Experimentos Métricos
An Experiment for a Metre ('When thy Beauty appears') "When thy Beauty appears," Desconhecida 1912. Experimentos Métricos
Nonsense Verses ('Ye fowls of ill presage') [An Experiment For a Metre] "Ye fowls of ill presage," Desconhecida 1912. Experimentos Métricos
Nonsense ('I wish on earth to sing') [An Experiment For a Metre] "I wish on earth to sing" Desconhecida 1912. Experimentos Métricos
There in some darksome shade' "There in some darksome shade" 1801 1893 Experimentos Métricos
Once again, sweet Willow, wave thee' "Once again, sweet Willow, wave thee!" Desconhecida 1893 Experimentos Métricos
Songs of Shepherds, and rustical Roundelays' "Songs of Shepherds and rustical Roundelays," Desconhecida 1912. Experimentos Métricos
A Metrical Accident "Then Jerome did cal" 1826, Jul. 7 1912. Experimentos Métricos
O'er the raised &c "O'er the raised earth the gales of evening sigh;" 1797? 1852 Fragmentos
Sea-ward, &c "Sea-ward, white gleaming thro' the busy scud" Desconhecida 1912 Fragmentos
Over my Cottage "The Pleasures sport beneath the thatch;" 1799 1893 Fragmentos
In the lame and limping metre of a barbarous Latin poet— "Est meum et est tuum, amice! at si amborum nequit esse," 1801, Nov. 1 1816 Fragmentos
Names do not &c "Names do not always meet with Love," 1801, Dez. 1912. Fragmentos
The Moon, &c "The Moon, how definite its orb!" 1801? 1893 Fragmentos
Such love as &c "Such love as mourning Husbands have" 1803, Set. 1912. Fragmentos
[The Night-Mare Death in Life] "I know 'tis but a dream, yet feel more anguish" 1803? 1912. Fragmentos
Bright clouds &c "Bright clouds of reverence, sufferably bright," 1803 1893 Fragmentos
A Beck in Winter "Over the broad, the shallow, rapid stream," 1804, Jan. 1912. Fragmentos
I from the &c "I from the influence of thy Looks receive," 1804 1912. Fragmentos
What never is &c "What never is, but only is to be" 1804-5 1912. Fragmentos
This silence of &c "The silence of a City, how awful at Midnight!" 1804-5 1912. Fragmentos
O beauty &c "O beauty in a beauteous body dight!" 1805 1893 Fragmentos
O th'Oppressive &c "O th' Oppressive, irksome weight" 1805 1893 Fragmentos
Twas not a &c "'Twas not a mist, nor was it quite a cloud," 1797, Dez. 1893 Fragmentos
[Not a Critic—But a Judge] "Whom should I choose for my Judge? the earnest, impersonal reader," 1805 1912. Fragmentos
A sumptuous and &c "A sumptuous and magnificent Revenge." 1806, Mar. 1893 Fragmentos
[De Profundis Clamavi] "Come, come thou bleak December wind," 1806, Jun. 7 1875 Fragmentos
As some vast &c "As some vast Tropic tree, itself a wood," 1806-7 1912. Fragmentos
Let Eagle bid &c "Let Eagle bid the Tortoise sunward soar—" 1807 1888 Fragmentos
The body &c "The body, Eternal Shadow of the finite Soul," Desconhecida 1912. Fragmentos
Or Wren &c "Or Wren or Linnet," 1807, Mai. 1912. Fragmentos
The reed roof'd &c "The reed roof'd village still bepatch'd with snow" 1798 1912. Fragmentos
And in Life's &c "And in Life's noisiest hour" 1807 1912. Fragmentos
You mould my &c "You mould my Hopes you fashion me within:" 1807 1912. Fragmentos
And my heart &c "And my heart mantles in its own delight." Desconhecida 1912. Fragmentos
The spruce and limber &c "The spruce and limber yellow-hammer" 1807 1912. Fragmentos
Fragment of an Ode on Napoleon "O'erhung with yew, midway the Muses mount" 1808? 1912. Fragmentos
The singing kettle &c "The singing Kettle and the purring Cat," 1803 1893 Fragmentos
Two wedded hearts &c "Two wedded hearts, if ere were such," 1808 1893 Fragmentos
Sole Maid &c "Sole Maid, associate sole, to me beyond" 1809 1893 Fragmentos
Epigrama on Kepler "No mortal spirit yet had clomb so high" 1799 1912. Fragmentos
When Hope but &c "When Hope but made Tranquillity be felt:" 1810 1893 Fragmentos
I have experienced &c "I have experienced" 1810 1893 Fragmentos
As when the new &c "As when the new or full Moon urges" 1811 1893 Fragmentos
O mercy, &c "O mercy, O me, miserable man!" 1811 1912. Fragmentos
A low dead Thunder &c "A low dead Thunder mutter'd thro' the night," 1811 1893 Fragmentos
His own far countenance &c "His own fair countenance, his kingly forehead," 1812 Desconhecida Fragmentos
[Ars Poetica] "'Behold yon row of pines, that shorn and bow'd" 1815 1817 Fragmentos
Translation of the First Strophe of Pindar's Second Olympic "Ye harp-controlling hymns!" 1815 1817 Fragmentos
O! Superstition &c "O! Superstition is the giant shadow" 1816 1893 Fragmentos
Translation of a Fragment of Heraclitus "Not hers To win the sense by words of rhetoric,

"

1816 Desconhecida Fragmentos
Truth I pursued &c "Truth I pursued, as Fancy sketch'd the way," Desconhecida 1818 Fragmentos
Imitated from Aristophanes "Great goddesses are they to lazy folks," 1817 1818 Fragmentos
Let clumps of earth &c "Let clumps of earth, however glorified," 1820 1893 Fragmentos
To Edward Irving "Friend pure of heart and fervent! we have learnt" 1824 1825 Fragmentos
[Luther—De Dæmonibus] "'The angel's like a flea," 1826 1839 Fragmentos
The Netherlands "Water and windmills, greenness, Islets green;—" 1828, Jun. 1912. Fragmentos
Elisa "Sweet Gift! and always doth Elisa send" 1833 1912. Fragmentos
Profuse Kindness "What a spring-tide of Love to dear friends in a shoal!" Desconhecida / Sem data 1834 Fragmentos
I stand alone &c "I stand alone, nor tho' my heart should break," Desconhecida 1893 Fragmentos
Napoleon "The Sun with gentle beams his rage disguises," Desconhecida 1912. Fragmentos
Thicker than rain-drops &c "Thicker than rain-drops on , Nov. thorn." Desconhecida / Sem data 1912. Fragmentos
His native accents &c "His native accents to her stranger's ear," Desconhecida / Sem data 1893 Fragmentos
Each crime that &c "Each crime that once estranges from the virtues" Desconhecida / Sem data Desconhecida Fragmentos
Where'er I find &c "Where'er I find the Good, the True, the Fair," Desconhecida / Sem data 1893 Fragmentos
A wind that &c "A wind that with Aurora hath abiding" Desconhecida / Sem data 1893 Fragmentos
What boots to &c "What boots to tell how o'er his grave" Desconhecida / Sem data Desconhecida Fragmentos
[xxii]The Three Sorts of Friends "Though friendships differ endless in degree," Desconhecida / Sem data 1835 Fragmentos
If fair by &c "If fair by Nature" Desconhecida 1912. Fragmentos
Bo-Peep and I Spy— "In the corner one—" 1826 1912. Fragmentos
A Simile "As the shy hind, the soft-eyed gentle Brute" Desconhecida / Sem data 1912. Fragmentos
Baron Guelph of Adelstan. A Fragment "For ever in the world of Fame" Desconhecida / Sem data 1912. Fragmentos

Coleção dos Trabalhos

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A edição padrão atual é The Collected Works of Samuel Taylor Coleridge, editada por Kathleen Coburn e muitos outros de 1969 a 2002. Esta coleção apareceu em 16 volumes como Bollingen Series 75, publicada de várias maneiras pela Princeton University Press e Routledge & Kegan Paul.[7] O conjunto é dividido da seguinte forma em outras partes, resultando em um total de 34 volumes impressos separados:

  1. Lectures 1795 on Politics and Religion (1971);
  2. The Watchman (1970);
  3. Essays on his Times in the Morning Post and the Courier (1978) em 3 vols;
  4. The Friend (1969) em 2 vols;
  5. Lectures, 1808–1819, on Literature (1987) em 2 vols;
  6. Lay Sermons (1972);
  7. Biographia Literaria (1983) em 2 vols;
  8. Lectures 1818–1819 on the History of Philosophy (2000) em 2 vols;
  9. Aids to Reflection (1993);
  10. On the Constitution of the Church and State (1976);
  11. Shorter Works and Fragmentos (1995) em 2 vols;
  12. Marginalia (1980 and following) em 6 vols;
  13. Logic (1981);
  14. Table Talk (1990) em 2 vols;
  15. Opus Maximum (2002);
  16. Poetical Works (2001) em 6 vols (parte 1 – Edição de leitura em 2 vols; parte 2 - Texto Variorum em 2 vols; parte 3 - Plays em 2 vols).

Além disso, as cartas de Coleridge estão disponíveis em: The Collected Letters of Samuel Taylor Coleridge (1956–71), ed. Earl Leslie Griggs, 6 vols. (Oxford: Clarendon Press).

Referências
  1. a b c d e f g h i j k l m n o Lefebure, Molly (2013). Private lives of the ancient mariner: Coleridge and his children. Cambridge: Lutterworth Press. ISBN 978-0718893002
  2. a b c d e f g h i j k l m n o Coleridge, Samuel Taylor (1 de jun. de 2005). Symons, Arthur, ed. Poems of Coleridge. [S.l.: s.n.] 
  3. a b c d e f g h i j k l m n o Waldegrave, Katie (2013). The Poets' Daughters: Dora Wordsworth and Sara Coleridge. London: Windmill Books. p. 21. ISBN 978-0099537342
  4. a b c d e f g h i j k l m n o Hough, Barry; Davis, Howard (2010). Coleridge's Laws: A Study of Coleridge in Malta. Open Books Publishers. ISBN 9781906924133
  5. a b c d e f g h i j k l m n o Beer, John B. Coleridge the Visionary (London: Chatto and Windus, 1970)
  6. «The Project Gutenberg eBook of The Complete Poetical Works of Samuel Taylor Coleridge, (1 and 2), by Samuel Taylor Coleridge.». www.gutenberg.org. Consultado em 25 de julho de 2024 
  7. «Series | Princeton University Press». press.princeton.edu (em inglês). Consultado em 25 de julho de 2024 

Ligações externas

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Commons
Commons
O Commons possui imagens e outros ficheiros sobre Samuel Taylor Coleridge
Wikiquote
Wikiquote
O Wikiquote possui citações de ou sobre: Samuel Taylor Coleridge

Materiais de arquivo

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