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In this Issue

Table of Contents

  1. Arts, Humanities and Complex Networks Reach Critical Threshold
  2. Maximilian Schich, Isabel Meirelles
  3. p. 440
  4. restricted access
  1. @Caltech: Art, Science and Technology, 1969–1971
  2. Stephen Nowlin
  3. pp. 443-447
  4. restricted access
  1. Color Plates
  3. p. 449
  4. restricted access
  1. Reactions to Imagery Generated Using Computational Aesthetic Measures
  2. Prasad Gade, Mary Galvin, James O’Sullivan, Paul Walsh, Órla Murphy
  3. pp. 453-460
  4. restricted access
  1. Dance Becoming Knowledge: Designing a Digital “Body”
  2. James Leach, Scott Delahunta
  3. pp. 461-467
  4. restricted access
  1. Suggestions for a Parametric Typology of Dance
  2. Donna Jo Napoli, Lisa Kraus
  3. pp. 468-476
  4. restricted access
  1. The Last Word Is: ImaginationA Study of the Spatial Aspects of Edgard Varèse’s Work, Part II: Visual Evidence
  2. Roger Reynolds
  3. pp. 477-485
  4. restricted access
  1. R. Buckminster Fuller, the Expo ’67 Pavilion and the Atoms for Peace Program
  2. Rebecca Dalvesco
  3. pp. 486-492
  4. restricted access
  1. Holograms: The Story of a Word and Its Cultural Uses
  2. Sean Johnston
  3. pp. 493-499
  4. restricted access
  1. Arts, Humanities and Complex Networks 2015
  2. Maximilian Schich, Isabel Meirelles
  3. p. 500
  4. restricted access
  1. Modeling Structure and Content: Socio-Semantic Network Analysis of the Mahābhārata
  2. Frederik Elwert, Sven Sellmer
  3. p. 501
  4. restricted access
  1. Stylometric Networks and Fake Authorships
  2. Jeremi K. Ochab
  3. p. 502
  4. restricted access
  1. Visualizing and Analyzing Complex and Dynamic Networks of Flemish Tapestry Entrepreneurs (1640–1720)
  2. Koenraad Brosens, Jan Aerts, Klara Alen, Astrid Slegten, Fred Truyen
  3. p. 503
  4. restricted access
  1. Differential Hive Plots: Seeing Networks Change
  2. Martin Krzywinski, Ka Ming Nip, Inanc Birol, Marco Marra
  3. p. 504
  4. restricted access
  1. Visualizing the Evolution of Programming Languages
  2. Sergi Valverde
  3. p. 505
  4. restricted access
  1. Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 3
  2. Angus Forbes, Fanny Chevalier
  3. p. 506
  4. restricted access
  1. Soybots: Mobile Micro-Gardens
  2. Shannon C. McMullen, Fabian Winkler
  3. pp. 507-508
  4. restricted access
  1. Expressive Cartography, Boundary Objects and the Aesthetics of Public Visualization
  2. Patricio Dávila, Dave Colangelo, Maggie Chan, Robert Tu
  3. pp. 509-510
  4. restricted access
  1. Shanghai Metro Flow: Multiple Perspectives into a Subway System
  2. Till Nagel, Benedikt Groß
  3. pp. 511-512
  4. restricted access
  1. Hearts and Minds: The Interrogations Project
  2. Daria Tsoupikova, Scott Rettberg, Roderick Coover, Arthur Nishimoto
  3. pp. 513-514
  4. restricted access
  1. PhD in Art and Design
  2. Ken Friedman, Jack Ox
  3. pp. 515-519
  4. restricted access
  1. An Alternative Approach to Establishing a Studio Doctorate in Fine Art
  2. Virginia Maksymowicz, Blaise Tobia
  3. pp. 520-525
  4. restricted access
  1. Case Study: The Development and Evolution of the Creative Arts Practice-led PhD at the University of Melbourne, Victorian College of the Arts
  2. Diane Zeeuw
  3. pp. 526-527
  4. restricted access
  1. Top-Rated LABS Abstracts 2016
  2. Sheila Pinkel
  3. p. 528
  4. restricted access
  1. Other-Worlds: Encounters with the Visual Perception of Lungfishes through Science and Art
  2. Audrey Appudurai
  3. p. 529
  4. restricted access
  1. A Machine that Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork
  2. Benjamin David Robert Bogart
  3. p. 530
  4. restricted access
  1. Bioart as a Space for Identity Conceptualization: Figuring the Human Body under the Scope of Biotechnologies
  2. Marianne Cloutier
  3. p. 530
  4. restricted access
  1. Exploring the Cognitive Correlates of Artistic Practice Using a Parameterized Non-Photorealistic Toolkit
  2. Steve DiPaola
  3. pp. 531-452
  4. restricted access
  1. Postgenomic Identity: Art and Biopolitics
  2. Heather Dewey-Hagborg
  3. p. 531
  4. restricted access
  1. Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art
  2. Helen Gregory
  3. p. 532
  4. restricted access
  1. Digital Debris of Internet Art: An Allegorical and Entropic Resistance to the Epistemology of Search
  2. Nils Jean
  3. p. 533
  4. restricted access
  1. Affect and the Experimental Design of Domestic Products
  2. Guy Keulemans
  3. p. 533
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  1. Quality of Aesthetic Experience and Implicit Modulating Factors
  2. Wendy Ann Mansilla
  3. p. 534
  4. restricted access
  1. The Strange Dance: 9 Evenings:
  2. Robin Oppenheimer
  3. p. 535
  4. restricted access
  1. The Harmonic Pattern Function: A Mathematical Model Integrating Synthesis of Sound and Graphical Patterns
  2. Lance Putnam
  3. p. 535
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  1. Listening Art: Making Sonic Artworks That Critique Listening
  2. Camille Robinson
  3. p. 536
  4. restricted access
  1. Vastal: The Vivoarts School for Transgenic Aesthetics, Ltd.
  2. Adam Zaretsky
  3. p. 536
  4. restricted access
  1. Imagining Extinction: The Cultural Meanings of Endangered Species by Ursula K. Heise (review)
  2. Michael Punt, Hannah Drayson, Dene Grigar, Jane Hutchinson, Jan Baetens
  3. pp. 537-538
  4. restricted access
  1. Rogue Archives: Digital Cultural Memory and Media Fandom by Abigail De Kosnik (review)
  2. Jan Baetens
  3. pp. 538-539
  4. restricted access
  1. The Ordinary Man of Cinema by Jean Louis Schefer (review)
  2. Will Luers
  3. pp. 539-540
  4. restricted access
  1. The Selected Letters of John Cage ed. by Laura Kuhn (review)
  2. Ellen Pearlman
  3. pp. 540-541
  4. restricted access
  1. The Hidden Third by Basarab Nicolescu (review)
  2. Rob Harle
  3. p. 542
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  1. The Apparently Marginal Activities of Marcel Duchamp by Elena Filipovic (review)
  2. Edith Doove
  3. pp. 542-544
  4. restricted access
  1. Mirror Affect: Seeing Self, Observing Others in Contemporary Art by Cristina Albu (review)
  2. Ana Peraica
  3. p. 544
  4. restricted access
  1. The New Ecology: Rethinking a Science for the Anthropocene by Oswald J. Schmitz (review)
  2. Amy Ione
  3. pp. 545-547
  4. restricted access
  1. The Participatory Condition in the Digital Age ed. by Darin Barney et al. (review)
  2. Gabriela Galati
  3. pp. 547-548
  4. restricted access
  1. The Ancient Origins of Consciousness: How the Brain Created Experience by Todd E. Feinberg and Jon M. Mallatt (review)
  2. Craig Hilton
  3. pp. 548-549
  4. restricted access
  1. The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction ed. by Grant Wythoff (review)
  2. Jan Baetens
  3. pp. 549-550
  4. restricted access
  1. Leonardo Reviews Online
  3. pp. 550-551
  4. restricted access
  1. The Network: Recaps and Announcements from the Leonardo Community
  3. pp. 552-553
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  1. Cognitive Innovation and the Cognitive Turn
  2. Michael Punt
  3. pp. 554-555
  4. restricted access