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In this Issue

Table of Contents

  1. Pourquoi je fais des collages
  2. Jeanne Coppel
  3. pp. 389-396
  4. restricted access
  1. ‘The Route of Friendship’: Sculpture
  2. Mathias Goeritz
  3. pp. 397-407
  4. restricted access
  1. Computer-aided Multi-element Geometrical Abstract Paintings
  2. Zdeněk Sýkora, Jaroslav Blažek
  3. pp. 409-413
  4. restricted access
  1. The Aesthetic Potential of the Sensory Modes
  2. Donald Brook, John Ritchie
  3. pp. 415-424
  4. restricted access
  1. On the Relation between Hallucination and Perception
  2. James J. Gibson
  3. pp. 425-427
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  1. Photochromic Glass
  2. Norbert J. Kreidl
  3. pp. 429-432
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  1. Kinetic Art: The Kinoptic System
  2. Valerios Caloutsis
  3. pp. 433-434
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  1. Nos sculptures en acier Cor-Ten
  2. Michèle Goalard, Albert Marchais
  3. pp. 435-437
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  1. My ‘Mobile Hydromural’
  2. Gyula Kosice
  3. pp. 437-438
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  1. Computer Program for Artists: ART I
  2. Katherine Nash, Richard H. Williams
  3. pp. 439-442
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  1. Sonovision: A Visual Display of Sound
  2. S. R. Wagler
  3. pp. 443-445
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  1. Science and the New Culture
  2. Malcolm S. Adiseshiah
  3. pp. 447-451
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  1. La science et la nouvelle culture
  2. Malcolm S. Adiseshiah
  3. pp. 452-457
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  1. A Conversation with Josef Albers
  2. John H. Holloway, John A. Weil
  3. pp. 459-464
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  1. Contre le style
  3. p. 465
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  1. The End of Style
  3. pp. 465-466
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  1. Letter of Thomas Wilfred to J. Handel Evans
  3. p. 467
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  1. Terminology = Terminologie
  3. pp. 469-470
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  1. A Portrait of Isaac Newton by Frank E. Manuel (review)
  2. Grace Marmor Spruch
  3. pp. 471-474
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  1. Grammaire élémentaire de l’image (Elementary Grammar of the Image) by Albert Plécy (review)
  2. David Haberstich
  3. pp. 474-475
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  1. Mathématique de l’esthétique by J. C. Moineau (review)
  2. François Le Lionnais
  3. pp. 475-476
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  1. The Origin of Intellect: Piaget’s Theory by John L. Phillips, Jr. (review)
  2. Jacques Mandelbrojt
  3. pp. 476-477
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  1. The Story of Art by E. H. Gombrich (review)
  2. Norman Narotzky
  3. p. 477
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  1. The Content of Watercolor by Edward Reep (review)
  2. John Elderfield
  3. pp. 477-478
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  1. Art Povera ed. by Germano Celant (review)
  2. Henry P. Raleigh
  3. p. 478
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  1. Studio and Art-room Techniques by John FitzMaurice Mills (review)
  2. Norman Narotzky
  3. pp. 478-479
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  1. The Renaissance City by Giulio Argan, and: The Modern City: Planning in the 19th Century by François Choay, and: Le Corbusier: The Machine and the Grand Design by Norma Evanson, and: Toney Gamier: La Cité Industrielle by Dora Wiebenson (review)
  2. Yona Friedman
  3. p. 479
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  1. Organising the Arts by Peter F. Broxis, and: The Picture Collection, Subject Headings by William J. Dane (review)
  2. Gabriel P. Weisberg
  3. p. 479
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  1. Catalogue of Reproductions of Paintings—1860 to 1969 (review)
  3. p. 480
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  1. International Science-Art News = Art et science: Nouvelles de l’etranger
  2. John H. Holloway
  3. pp. 481-488
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  1. Letters = Lettres
  2. Raoul Michau
  3. pp. 489-494
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  1. Books Received
  3. p. 480
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