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Table of Contents

  1. On Teaching a Fundamental Sculpture Course
  2. Peter Lipman-Wulf
  3. pp. 193-197
  4. restricted access
  1. Relating Art to Science and Technology: An Educational Experiment at the Massachusetts Institute of Technology (M.I.T.)
  2. Robert Preusser
  3. pp. 199-206
  4. restricted access
  1. Acrylic Sculpture
  2. John Safer
  3. pp. 207-212
  4. restricted access
  1. Projective Geometry in the Colour Drawings of H. P. Nightingale
  2. Charles Nightingale
  3. pp. 213-217
  4. restricted access
  1. The Social Challenge to Art in America
  2. Gifford Phillips
  3. pp. 219-225
  4. restricted access
  1. Urban Sculpture: A Kind of Therapy
  2. Peter F. Smith
  3. pp. 227-232
  4. restricted access
  1. On Gibson’s and Goodman’s Accounts of Depiction
  2. Dennis Couzin
  3. pp. 233-235
  4. restricted access
  1. Paintings on Themes Taken from Astronautics
  2. Hans-Gunther Cremers, Anna C. Funk
  3. pp. 237-238
  4. restricted access
  1. Aspects of Reality in my Paintings
  2. Stephen Greene
  3. pp. 239-240
  4. restricted access
  1. Spacichromes: Stabiles of Colored Glass
  2. Jacques Gruber
  3. pp. 241-242
  4. restricted access
  1. On Sculpture and Architecture
  2. Henry Moore, Dolores Mitchell
  3. pp. 243-246
  4. restricted access
  1. Sociology of the Tension Between Culture and Science at the Level of Rapid Transition
  2. Mikhail Drobyshev
  3. pp. 247-255
  4. restricted access
  1. Notes on Soviet Aesthetics
  2. N. Goncharenko
  3. pp. 257-260
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  1. Terminology
  3. pp. 261-262
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  1. Order and Life by Joseph Needham (review)
  2. Stephen Jay Gould
  3. p. 267
  4. restricted access
  1. Mind and Brain: A Philosophy of Science by Arturo Rosenblueth, and: Man and Memory:Breakthroughs in the Science of the Human Mind by D. S. Halacy, Jr (review)
  2. David Rosenboom
  3. pp. 267-268
  4. restricted access
  1. Problem Solving and Creativity in Individuals and Groups by Norman R. F. Maier (review)
  2. Florence Vidal
  3. pp. 268-269
  4. restricted access
  1. Magnetism: An Introductory Survey by E. W. Lee (review)
  2. Peter M. Levy
  3. p. 269
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  1. Cybernetics by F.H. George (review)
  2. Michael Holt
  3. pp. 269-270
  4. restricted access
  1. Holography by H. Arthur Klein (review)
  2. Margaret Benyon
  3. p. 270
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  1. Art and Society 1: War by Ken Baynes, and: Art and Society 2: Work by Ken Baynes and Alan Robinson (review)
  2. Alfonz Lengyel
  3. p. 271
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  1. The Art of Black Africa by Elsy Leuzinger (review)
  2. Jack D. Flam
  3. pp. 271-272
  4. restricted access
  1. Interaction of Color by Josef Albers (review)
  2. Arthur Karp
  3. p. 272
  4. restricted access
  1. The Elements of Drawing by John Ruskin, and: Drawing Systems by Fred Dubery and John Willats (review)
  2. Rod Hackney
  3. pp. 272-273
  4. restricted access
  1. Anatomy and Perspective by Charles Oliver, Anatomy for Artists by Frederic Taubes, Dynamic Anatomy by Burne Hogarth, Drawing the Human Head by Burne Hogarth, Anatomy and Drawing by Victor Perard (review)
  2. Norman Narotzky
  3. pp. 273-274
  4. restricted access
  1. The Tamarind Book of Lithography: Art and Technique by Garo Antreasian and Clinton Adams (review)
  2. Marcel Salinas
  3. pp. 274-275
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  1. The Technique of Kinetic Art by John Tovey (review)
  2. David Smith
  3. p. 275
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  1. Change in Art Education by Dick Field (review)
  2. Peter Lipman-Wulf
  3. p. 276
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  1. Practical Gemstone Craft by Helen Hutton (review)
  2. Jehangir S. Bhownagary
  3. p. 277
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  1. Scrimshaw by Carson I. A. Ritchie (review)
  2. Winefride Wilson
  3. pp. 277-278
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  1. A Collector’s Guide to Prints and Printmakers, from Dürer to Picasso by F. Salamon (review)
  2. Carson I. A. Ritchie
  3. p. 278
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  1. Letters
  3. pp. 281-287
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  1. The Visual Artist and the Law, and: Art Censorship: A Chronology of Proscribed and Prescribed Art by Jane Clapp (review)
  2. Ira M. Low, James J. McGillan
  3. pp. 276-277
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  1. Books Received
  3. pp. 278-279
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