LIKE IF READ
the artist known as virtualdotshelf
tags ->
#my mind - my posts
#ext - exteriors
#int - interiors
#art - art
#my art - my art
#wt - beauty and love type posts
#wom - my universe
@virtualdotshelf- my art account
https://www.glasskeycaps.com/ - my website (Under construction)
been stewing on an analytical approach to fiction which I call “is this book afraid of me?” and in order to answer this question you determine how hard the book is trying to make sure you don’t come after the writer on twitter
the fucked-up part is that I specifically notice this in like, BIPOC or queer romances because their authors a) are more likely to be harassed online b) tend to care about writing inclusive and intersectional books more, both of which are totally valid reasons, but unfortunately a book that is scared to be misunderstood is also scared to challenge the reader or allow for too much nuance or grey areas or character flaws and I am sorry to say that it often makes for less compelling stories because it means shying away from ambiguities and complexities in an effort to reassure me, the reader, that everyone here is a Good Person engaging in Healthy Behaviours and Relationships
AGE OF ADZ – WOW!!!!!!!!!
I want to beat Wil Wheaton for telling every loser here that “Democrat Party” is a right wing dog whistle
that fictional man is not a daddy dom he is tearing up during tender missionary sex. some of you in the x reader tag really need to get your heads around this.
writing prose is incredibly difficult to me. i think its just not really my thing. i think stupid, flowery dialogue is more my thing. when it comes to moving a scene forward im always thinking about it so visually; what is a character doing? where are they moving? How are they sitting? What is their face doing? i think my inability to fully understand human emotions and motivations plays into this. when im drawing or scripting a comic its a lot easier for me to be more loose with intention, and i prefer that whether its out of insecurity or feeling its more honest, or interesting, or just fits better with what i want to say with a story
its also very possible I just need to read more again and practice at it. this is definitely a consequence of me mostly reading comics/watching tv and movies more than just reading text. my brain is going to construct narratives better based on what’s been fed into it. but i suck so bad at reading still i havent read a book in months
writing prose is incredibly difficult to me. i think its just not really my thing. i think stupid, flowery dialogue is more my thing. when it comes to moving a scene forward im always thinking about it so visually; what is a character doing? where are they moving? How are they sitting? What is their face doing? i think my inability to fully understand human emotions and motivations plays into this. when im drawing or scripting a comic its a lot easier for me to be more loose with intention, and i prefer that whether its out of insecurity or feeling its more honest, or interesting, or just fits better with what i want to say with a story
i really really really need to go on a road trip with people and have the entirety of Illinois playing and screaming it at the top of our lungs
nociceptrix-deactivated20241108:
Lowkey I fw Maslow he knows all the shit I like
it feels so good to work on the comic when i can sit down and do it. i wish my brain didnt suck so badd because this project is awesome and im so happy to be a part of it
UGH TUMBLR SUCKS WHY CANT I UPLOAD MY MP3S
conner omalley videos are like if deus ex was written by brandon cronenberg
