1. Naum Kleiman - Mémoires européennes du Goulag
Naum Kleiman was born in Kishinev [Romania, now Chișinău, Moldova] in December 1937. His paternal grandparents lived in Bessarabia, then part of Romania.
Naum Kleiman was born in Kishinev [Romania, now Chișinău, Moldova] in December 1937. His paternal grandparents lived in Bessarabia, then part of Romania. They were arrested in 1941 after the region was annexed by the USSR. His grandfather was sent to the Ivdel camp (Ivdel’lag) in the Urals, and his grandmother was deported to Central Asia. The grandfather died soon after, following a hunger strike, and the grandmother was saved by her son, who bribed local officials to have her declared dead.
2. Naum Kleiman - Historical records and family trees - MyHeritage
Naum married Raquel Kleiman (born Levy). They had 2 children. Naum passed away.
Access our collection of historical records and explore the family history of Naum Kleiman. Begin your journey with just a few clicks.
3. Vera Rumyantseva-Kleiman (ed.): V dome mastera. Mir Sergeia ...
For more than 40 years it has been well kept by Naum Kleiman and his daughter, Vera Rumyantseva-Kleiman, as a unique environment for research and ...
Not many filmmakers could universally and undisputedly be called masters of their art. Sergei Eisenstein, however, was not only one of the most complex minds in the history of filmmaking and a master of his art but also an expert teacher to generations of students in Moscow and abroad. However, his film theories, lectures, screenplays, drawings, and memoirs mostly remained unpublished during his lifetime. Now, alongside multi-volume editions of Eisenstein’s writings available in many languages, there are thousands of articles and hundreds of books on Eisenstein that have been written over the last few decades, while Moscow archives like RGALI (the Russian State Archive for Literature and Arts) hold thousands more pages of unpublished documents. And yet, there is another great collection of materials associated with Eisenstein: an apartment filled with his personal items, such as books, furniture, photographs, works of art, and hundreds of objects brought back to Moscow from many corners of the Soviet Union, from all over Europe, the USA, and Mexico. But even in Russia, with its rich tradition of the ‘dom-muzei’ in the homes of celebrities, exhibition of archival materials and personal belongings of artists, writers, musicians, and filmmakers in their original living spaces and contexts, such as “the master’s home”, is very rare. Therefore, the publication of Rumyantseva-Kleiman’s book V dome mastera. Mir Sergeia Eizensteina / In the Master’s Home. The World of Sergei Eisenste...
4. Naum Kleiman's Eisenstein on Paper - Artforum
Sergei Eisenstein's 1942 sketch for the scene of repentance for Ivan the Terrible. Eisenstein on Paper: Graphic Works by the Master of Film, by Naum Kleiman.
Sergei Eisenstein’s 1942 sketch for the scene of repentance for Ivan the Terrible. Eisenstein on Paper: Graphic Works by the Master of Film, by Naum Kleiman. London: Thames & Hudson,…
5. Interview with the Director – Cinema a public affair
Naum Kleiman manages Eisenstein's estate. What role does it play in Russian culture today? Many see Eisenstein as a Soviet propagandist or as part of a history ...
INTERVIEW WITH THE DIRECTOR
6. Meeting with film historian Naum Kleiman in Berlin 21 April 2024
Naum Kleiman is a film scholar, film historian, member of the European Film ... the singer with her husband Vitya Isaev and live band will reach the USA.
Order tickets online for Meeting with film historian Naum Kleiman in Berlin by best price on Kontramarka.de ✔ Also order tickets by phone call ☎ +49 30 7871 2860 ✔ Free eTicket delivery to e-mail and home delivery across Europe.
7. A letter to Dmitry Medvedev concerning Naum Kleiman - BFI
30 okt 2014 · An open letter to the Russian Prime Minister about Russian film heritage from Mark Cousins, Tilda Swinton and Thierry Fremaux.
An open letter to the Russian Prime Minister about Russian film heritage from Mark Cousins, Tilda Swinton and Thierry Fremaux.
8. Naum Kleiman: Eisenstein on Paper review - a lavish journey into the ...
17 dec 2017 · And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription? more Books.
"From drawing, via the theatre, to the cinema". Naum Kleiman's introductory qualification of Sergey Eisenstein's own self-perceived line in his Film Form is one that he follows in a necessarily selective and well-organised biography of the director as graphic artist, acompanied by over 500 previously unpublished illustrations.
9. Naum Kleiman - Wikidata
Naum Kleiman on today's Gosfilmofond VIDEO asv2024-04.webm 1 min 23 s, 1,920 × 1,080; 45.65 MB. 0 references. sex or gender · male. 1 reference.
Russian film critic
10. Vera Rumyantseva-Kleiman (ed.): V dome mastera. Mir Sergeia ...
25 apr 2021 · Sergei Eisenstein, Naum Kleiman, Soviet Union, Moscow, Film Museum, the ... Adelheid Heftberger, Ana Grgic, Editorial: On Making the Work of Women ...
Review
11. Bezhin Meadow - The Criterion Channel
All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein's wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of ...
Directed by Sergei Eisenstein • 1937 • Soviet Union Banned and destroyed by Stalin in 1937, BEZHIN MEADOW is the story of a boy killed by his father for informing on him. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 ...
12. Sergei M. Eisenstein – Naum Kleiman - Akademibokhandeln
In his writings, Eisenstein presents the main coordinates of a history of the ... partner, samt att våra partner använder pseudonymiserade personuppgifter ...
One of the iconic figures of the twentieth-century cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin. His craft as director and film editor left a distinct mark on such key figures of the Western cinema as Nicolas Roeg, Francis Ford Coppola, Sam Peckinpah and Akiro Kurosawa. This comprehensive volume of Eisensteins writings is the first ever English-language edition of his newly discovered notes for a general history of the cinema, a project he undertook in 1946-47 before his death in 1948. In his writings, Eisenstein presents the main coordinates of a history of the cinema without mentioning specific directors or films: what we find instead is a vast genealogy of all the media and of all the art forms that have preceded cinemas birth and accompanied the first decades of its history, exploring the same expressive possibilities that cinema has explored and responding to the same, deeply rooted urges cinema has responded to. Cinema appears here as the heir of a very long tradition that includes death masks, ritual processions, wax museums, diorama and panorama, and as a medium in constant transformation, that far from being locked in a stable form continues to redefine itself. The texts by Eisenstein are accompanied by a series of critical essays written by some of the worlds most qualified Eisenstein scholars.
13. Tokyo Story in Moscow: Bringing Ozu to the World | Nippon.com
25 feb 2014 · Naum Kleiman, film critic and director of the prestigious Moscow State Central Cinema Museum, was instrumental in introducing the films of Ozu Yasujirō to ...
Naum Kleiman, film critic and director of the prestigious Moscow State Central Cinema Museum, was instrumental in introducing the films of Ozu Yasujirō to Russia. Here he looks back on his first encounter with Ozu and the reactions of audiences to his pioneering retrospective in Moscow.
14. Sergei M. Eisenstein | Amsterdam University Press
... of Film, Radio and Television*, 2017 Vol. 37. Naum Kleiman, Antonio Somaini (red.) Sergei M. Eisenstein. Notes for a General History of Cinema. Sovjetregisseur ...
Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 – een jaar voor zijn dood – aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een virtuele wereldkaart van alle aan de bioscoop gerelateerde media, en ontwikkelt op hetzelfde moment een methode voor het schrijven van een geschiedenis die net als de cinema is gebaseerd op montage. De teksten van Eisenstein worden begeleid door een reeks kritische essays, geschreven door enkele van ’s werelds meest gekwalificeerde Eisensteinkenners.