Hermann Ludwig Blankenburg

In 1904, a march he had written years before was submitted to a Hawkes & Son march competition. Hawkes chose Blankenburg's march as the winner, from over 500 submitted, with the proviso the title be changed from "Deutschlands Fürsten" (Germany's Princes) to "Abschied der Gladiatoren" (The Gladiators' Farewell). The march became popular, and Hawkes (also Boosey & Hawkes) would publish several more of Blankenburg's compositions, including "Adlerflug", "Festjubel", "Territorial", and "Mein Regiment" (the latter said to be the composer's own favorite march).

In the 1920s and 30s Blankenburg's marches attained European fame. Instead of accepting commissions, he composed marches when inspired. After World War II his compositional efforts dropped off. Despite the military titles of many of his marches and his short military band service, Blankenburg's compositions were never accorded official recognition by Germany's military authorities.

Blankenburg is likely the most prolific march composer in history. For twenty years he composed at least one march a week^{[citation needed]}. His one thousandth march was composed in 1928: "Der Tausendkünstler" (Jack of All Trades), dedicated to fellow composer Paul Lincke. He continued to compose marches until 1948^{[citation needed]}. Blankenburg numbered his march compositions at 1,328, but he was careless in assigning opus numbers or in completing compositions. He also renamed some older marches with new titles. The highest known opus number is 1275 (the march "Semper Paratus" likely published in 1936^{[citation needed]}) and the lowest is 9 (for "Fliegerhelden Marsch"). There are long gaps in the sequence of opus numbers and many marches have no opus number assigned.

At least 300 of his marches were published (by thirty different publishers), but many more are lost or destroyed^{[citation needed]}. Over 100 of Blankenburg's marches were recorded in the Heritage of the March series.

His marches are all in the characteristic German style. He was fond of soaring euphonium countermelodies, which require a highly competent euphonium section prepared to perform in the upper register of the instrument. His marches also stress the piccolo, clarinet, and cornet sections.

A few months before his 81st birthday, Blankenburg intended to compose another march, but he died in Wesel in 1956 before completing the piece.

Opinions vary on the quality of his marches. Composer and arranger Gay Corrie has said it is difficult to tell his marches apart but found the euphonium countermelodies and woodwind figures admirable^{[citation needed]}. Commander Charles Brendler of the United States Navy Band 1942-1962 considered him the greatest march writer who ever lived^{[citation needed]}.

At the age of 60, he was made an honorary citizen of Thamsbrück. In 1976, Wesel changed the name of the street where he lived from Gartenstrase to Blankenburg-strasse to commemorate the 100th anniversary of his birth. There is also a street in the community of Haldern in Rees, Germany named for the composer.

• "Abschied der Gladiatoren" (The Gladiators´ Farewell; originally titled Deutschlands Fürsten)
• "Adlerflug" (The Eagle's Flight)
• "Germanentreue" (Germanic Loyalty)
• "Gruss an Thüringen" (Greetings to Thuringia)
• "Klar zum Gefecht" (Ready for Battle)
• "Frühlingskinder" (Children of Springtime)
• "Treue Waffengefahrten" (Loyal Comrades)
• "Unter Kaisers Fahnen" (Under the Emperor's Banner)

• Rehrig, William H. The Heritage Encyclopedia of Band Music" Waterville, Ohio: Integrity Press, 1991 (article by Robert Hoe, Jr. in volume 1).
• Smith, Norman E. March Music Notes. Lake Charles, Louisiana: Program Note Press, 1986.

• Partial list of marches by Blankenburg