Fireplace

• Manufactured fireplaces are made with sheet metal or glass fire boxes.
• Electric fireplaces can be built-in replacements for wood or gas or retrofit with log inserts or electric fireboxes.
• A few types are wall mounted electric fireplaces, electric fireplace stoves, electric mantel fireplaces, and fixed or free standing electric fireplaces.

Masonry and prefabricated fireplaces can be fueled by:

• Wood fuel or firewood and other biomass
• Charcoal (carbonized biomass)
• Coal of various grades
• Coke (carbonized coal)
• Smokeless fuel of several types
• Flammable gases: propane, butane, and methane (natural gas is mostly methane, liquefied petroleum gas mostly propane)
• Ethanol (a liquid alcohol, also sold in gels)

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  Traditional Himalayan Tandoor
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  Wood-burning fireplace with fire dogs
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  A gas-powered fireplace
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  Electric fireplace
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  Traditional Serbian Ognjište

Ventless fireplaces (duct free/room-venting fireplaces) are fueled by either gel, liquid propane, bottled gas or natural gas.^{[clarification needed]} In the United States, some states and local counties have laws restricting these types of fireplaces. They must be properly sized to the area to be heated.^[4] There are also air quality control issues due to the amount of moisture they release into the room air, and an oxygen sensor and a carbon monoxide detector are safety essentials.

Direct vent fireplaces are fueled by either liquid propane or natural gas. They are completely sealed from the area that is heated, and vent all exhaust gasses to the exterior of the structure.

Chimney and flue types:

• Masonry (brick or stone fireplaces and chimneys) with or without tile-lined flue.
• Reinforced concrete chimneys. Fundamental design flaws bankrupted the US manufacturers and made the design obsolete. These chimneys often show vertical cracks on the exterior.
• Metal-lined flue: Double- or triple-walled metal pipe running up inside a new or existing wood-framed or masonry chase.

Newly constructed flues may feature a chase cover, a cap, and a spark arrestor at the top to keep small animals out and to prevent sparks from being broadcast into the atmosphere. All gas fireplaces require trained gas service members to carry out installations.

 

 

A wide range of accessories are used with fireplaces, which range between countries, regions, and historical periods. For the interior, common in recent Western cultures include grates, fireguards, log boxes, andirons and pellet baskets, all of which cradle fuel and accelerate combustion. A grate (or fire grate) is a frame, usually of iron bars, to retain fuel for a fire. Heavy metal firebacks are sometimes used to capture and re-radiate heat, to protect the back of the fireplace, and as decoration. Fenders are low metal frames set in front of the fireplace to contain embers, soot and ash. For fireplace tending, tools include pokers, bellows, tongs, shovels, brushes and tool stands. Other wider accessories can include log baskets, companion sets, coal buckets, cabinet accessories and more.

 

Ancient fire pits were sometimes built in the ground, within caves, or in the center of a hut or dwelling. Evidence of prehistoric, man-made fires exists on all five inhabited continents. The disadvantage of early indoor fire pits was that they produced toxic and/or irritating smoke inside the dwelling.

Fire pits developed into raised hearths in buildings, but venting smoke depended on open windows or holes in roofs. The medieval great hall typically had a centrally located hearth, where an open fire burned with the smoke rising to the vent in the roof. Louvers were developed during the Middle Ages to allow the roof vents to be covered so rain and snow would not enter.

Also during the Middle Ages, smoke canopies were invented to prevent smoke from spreading through a room and vent it out through a wall or roof. These could be placed against stone walls, instead of taking up the middle of the room, and this allowed smaller rooms to be heated.

Chimneys were invented in northern Europe in the 11th or 12th century and largely fixed the problem of smoke, more reliably venting it outside. They made it possible to give the fireplace a draft, and also made it possible to put fireplaces in multiple rooms in buildings conveniently. They did not come into general use immediately, however, as they were expensive to build and maintain.

In 1678, Prince Rupert, nephew of Charles I, raised the grate of the fireplace, improving the airflow and venting system. The 18th century saw two important developments in the history of fireplaces. Benjamin Franklin developed a convection chamber for the fireplace that greatly improved the efficiency of fireplaces and wood-burning stoves. He also improved the airflow by pulling air from a basement and venting out a longer area at the top. In the later 18th century, Count Rumford designed a fireplace with a tall, shallow firebox that was better at drawing the smoke up and out of the building. The shallow design also improved greatly the amount of heat transfer projected into the room.

The Aesthetic movement of the 1870s and 1880s favoured a more traditional look based on stone, with simple designs and limited ornamentation. In the 1890s, the Aesthetic movement gave way to the Arts and Crafts movement, which still emphasized quality stone and practical features. Stone fireplaces at this time were a symbol of prosperity, as to some degree they remain today.

Over time, the purpose of fireplaces has changed from one of necessity to one of visual interest.^[5] Early ones were more fire pits than modern fireplaces. They were used for warmth on cold days and nights, as well as for cooking. They also served as a gathering place within the home. These fire pits were usually centered within a room, allowing more people to gather around it.

Many flaws were found in early fireplace designs. Along with the Industrial Revolution, came large-scale housing developments, necessitating a standardization of fireplaces. The most renowned fireplace designers of this time were the Adam Brothers: John Adam, Robert Adam, and James Adam. They perfected a style of fireplace design that was used for generations. It was smaller, more brightly lit, with an emphasis on the quality of the materials used in their construction, instead of their size.

By the 1800s, most new fireplaces were made up of two parts, the surround and the insert. The surround consisted of the mantelpiece and side supports, usually in wood, marble or granite. The insert was where the fire burned, and was constructed of cast iron often backed with decorative tiles. As well as providing heat, the fireplaces of the Victorian era were thought to add a cosy ambiance to homes.^[6] In the US state of Wisconsin, some elementary classrooms would contain decorated fireplaces to ease children's transition from home to school.^[7]

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  Gothic fireplace in the Hôtel de préfecture du Cher, Bourges, France, by Guy de Dammartin or Drouet de Dammartin, 15th century
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  Gothic fireplace in the Palace of Poitiers, Poitiers, France, unknown architect or sculptor, 15th century
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  Renaissance fireplace, unknown architect or sculptor, 16th century, limestone, Château des ducs de Bar, Bar-le-Duc, France
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  Renaissance fireplace in the Hôtel Tornié-Barassy (Rue de la Madeleine no. 3), Toulouse, France, unknown architect or sculptor, 16th century^[8]
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  Baroque fireplace in the Salon d'Hercule, Palace of Versailles, Versailles, France, probably by Robert de Cotte, c.1710
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  Rococo fireplace in the Hôtel Biron (Rue de Varenne no. 77), Paris, by Jean Aubert, 1727–1732
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  Rococo fireplace in the Oval Salon of the Princesse in the Hôtel de Soubise (Rue des Francs-Bourgeois no. 60), Paris, by Germain Boffrand, 1740
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  Neoclassical fireplace in the Bibliothèque de Louis XVI, Palace of Versailles, designed by Ange-Jacques Gabriel and decorated with bronzes made by Pierre Gouthière, 1774
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  Neoclassical marble fireplace in the green dining room of Catherine Palace, Tsarskoye Selo, Russia, by Charles Cameron, 1779
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  Beaux-Arts fireplace in the Hôtel de la Païva (Avenue des Champs-Élysées no. 25), Paris, designed by Pierre Manguin and sculpted by Eugène Delaplanche, 1856–1866
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  Rococo Revival fireplace in the room 538 of the Louvre Palace, Paris, unknown architect or sculptor, 19th century
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  Gothic Revival fireplace in the banqueting hall of the Cardiff Castle, Cardiff, UK, by William Burges, 1873
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  Victorian style "sitting room" with a fireplace in the Sherlock Holmes Museum, London
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  Russian Revival fireplace, by Mikhail Vrubel, 1899–1900, majolica, Palais des Beaux-Arts de Lille, Lille, France
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  Art Nouveau fireplace, by Émile Muller & Cie, c.1900, stoneware and enamel, Musée départemental de l'Oise, Beauvais, France
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  Rococo Revival fireplace in Strada Bocșa no. 4, Bucharest, Romania, unknown architect, c.1900
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  Romanian Revival fireplace in the Gheorghe Petrașcu House (Piața Romană no. 5), Bucharest, by Spiru Cegăneanu, 1912^[9]
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  Art Deco fireplace in the boudoir from the Hôtel du Collectionneur at the 1925 Paris Exhibition, by Émile-Jacques Ruhlmann
• Video of an antique fireplace in a historical building in Akita, Japan

 

Some fireplace units incorporate a blower, which transfers more of the fireplace's heat to the air via convection, resulting in a more evenly heated space and a lower heating load. Fireplace efficiency can also be increased with the use of a fireback, a piece of metal that sits behind the fire and reflects heat back into the room. Firebacks are traditionally made from cast iron, but are also made from stainless steel.^[10]

 

Most older fireplaces have a relatively low efficiency rating. Standard, modern, wood-burning masonry fireplaces though have an efficiency rating of at least 80% (legal minimum requirement, for example, in Salzburg, Austria).^[11] To improve efficiency, fireplaces can also be modified by inserting special heavy fireboxes designed to burn much cleaner and can reach efficiencies as high as 80% in heating the air. These modified fireplaces are often equipped with a large fire window, enabling an efficient heating process in two phases. During the first phase the initial heat is provided through a large glass window while the fire is burning. During this time the structure, built of refractory bricks, absorbs the heat. This heat is then evenly radiated for many hours during the second phase. Masonry fireplaces without a glass fire window only provide heat radiated from its surface. Depending on the outside temperature, 1 to 2 daily firings are sufficient to ensure a constant room temperature.

A literature review published in the Journal of Toxicology and Environmental Health concludes that there are a wide variety of health risks posed by residential wood combustion. It states:

With regard to adults, studies show that prolonged inhalation of wood smoke contributed to chronic bronchitis, chronic interstitial lung disease, pulmonary arterial hypertension and corpulmonale (Pulmonary heart disease), and altered pulmonary immune defense mechanisms. While adverse effects on adults are notable, children appear to be at greatest risk. Many studies that focused specifically on RWC [Residential Wood Combustion] have concluded that young children living in homes heated by a wood-burning stove had a greater occurrence of moderate and severe chronic respiratory symptoms than children of the same age and sex who did not live in homes heated with a wood burning stove. Exposure of preschool children living in homes heated with wood burning stoves or in houses with open fireplaces yielded these effects: decreased pulmonary lung function in young asthmatics; increased incidence of acute bronchitis and severity/frequency of wheezing and coughing; and increased incidence, duration, and possibly severity of acute respiratory infections. Residential wood combustion emissions also contain sulfur oxides, nitrogen oxides, carbon monoxide and potentially carcinogenic compounds including polycyclic aromatic hydrocarbons, benzene, formaldehyde and dioxins. Some of these pollutants are known to cause cancer but their effects on human health via exposure to wood smoke have not been extensively studied.^[12]

The Washington State Department of Ecology also published a booklet explaining why wood smoke can be dangerous. It explains that human lung and respiratory systems are unable to filter particulates emitted by wood combustion, which penetrate deeply into the lungs. For months, carcinogens can continue to cause changes and structural damage within the respiratory system. Young children, seniors, pregnant women, smokers and individuals with respiratory diseases are most vulnerable. Wood smoke can cause disease and even death in children, because it is associated with lower respiratory tract infections.^[3] Home fireplaces have caused fatal carbon monoxide poisoning.^[13]

Propane, butane, and methane are all flammable gases used in fireplaces (natural gas is mostly methane, liquefied petroleum gas mostly propane). If they are allowed to accumulate unburned, gases can cause asphyxia by displacing air,^[16] and gas explosions.^{[citation needed]} Ethanol (a liquid, also sold in gels) fires can also cause severe burns.^[17]

Burning hydrocarbons can decrease indoor air quality. Emissions include airborne particulate matter (such as black carbon) and gases like nitrogen oxide. These harm health: they weaken the immune system, and increase infections, blood pressure, cardiovascular diseases, and insulin resistance. Some forms of fuel are more harmful than others.^[18]

Burning hydrocarbon fuels incompletely can produce carbon monoxide, which is highly poisonous and can cause death and long-term neurological disorders.^[19]

Burning any hydrocarbon fuel releases carbon dioxide and water vapor. Other emissions, such as nitrogen oxides and sulfur oxides, can be harmful to the environment.

 

Several of these terms may be compounded with chimney or fireplace such as chimney-back.

• Andiron—Either one of two horizontal metal bars resting on short legs intended to support firewood in a hearth.^[20]
• Arch—An arched top of the fireplace opening.^[21]
• Ash dump—An opening in a hearth to sweep ashes for later removal from the ash pit.^[21]
• Back (fireback)—The inside, rear wall of the fireplace of masonry or metal that reflects heat into the room.^[21]
• Brick trimmer—A brick arch supporting a hearth or shielding a joist in front of a fireplace.^[21]
• Chimney breast—The part of the chimney which projects into a room to accommodate a fireplace.^[21]
• Crane—Metal arms mounted on pintles, which swing and hold pots above a fire.
• Damper—A metal door to close a flue when a fireplace is not in use.
• Flue—The passageway in the chimney.^[21]
• Hearth—The floor of a fireplace. The part of a hearth which projects into a room may be called the front or outer hearth.^[21]
• Hearthstone—A large stone or other materials used as the hearth material.
• Insert—The fireplace insert is a device inserted into an existing masonry or prefabricated wood fireplace.^[22]
• Jamb—The side of a fireplace opening.^[21]
• Mantel—Either the shelf above a fireplace or the structure to support masonry above a fireplace^[23]
• Smoke shelf—A shelf below the smoke chamber and behind the damper. It collects debris and water falling down the flue.^[24]
• Throat (waist)—The narrow area above a fireplace usually where the damper is located.^[21]
• Wing—The sides of a fireplace above the opening near the throat.^[21]

• Adams, Sean Patrick (May 15, 2014). Home Fires: How Americans Kept Warm in the Nineteenth Century. Baltimore: Johns Hopkins University Press. ISBN 9781421413570. OCLC 917156248.
• Putnam, John Pickering (1882). The Open Fire-place in All Ages (2nd ed.). Boston: James R. Osgood.
• Orton, Vrest (January 1969). Observations on the Forgotten Art of Building a Good Fireplace: The Story of Sir Benjamin Thompson, Count Rumford, an American Genius & His Principles of Fireplace Design which Have Remained Unchanged for 174 Years (2nd ed.). Alan C. Hood & Company. ISBN 9780911469172.

• "Fireplace". Merriam-Webster.com Dictionary. Merriam-Webster.

 

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