R. D. Rajasekhar

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) The topic of this article may not meet Wikipedia's notability guideline for biographies. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Find sources: "R. D. Rajasekhar" – news · newspapers · books · scholar · JSTOR (September 2018) (Learn how and when to remove this message) This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous. Find sources: "R. D. Rajasekhar" – news · newspapers · books · scholar · JSTOR (March 2018) (Learn how and when to remove this message) (Learn how and when to remove this message)

R. D. Rajasekhar
Born	Mayiladuthurai, Mayiladuthurai district, Tamil Nadu, India
Nationality	Indian
Alma mater	Madras Film Institute[citation needed]
Occupation	Cinematographer
Years active	2001–present

R. D. Rajasekhar is an Indian cinematographer who predominantly works in films of Indian languages such as Tamil, Malayalam, Telugu, and Hindi.^[1] He is a recipient of the Tamil Nadu State Film Award for Best Cinematographer and Filmfare Award for Best Cinematographer – Tamil. He is the member of the Indian Society of Cinematographers (ISC).

After graduating, Rajasekhar found work as an assistant cinematographer, working under Rajiv Menon for about nine years in many advertisement films.

Rajasekhar's debut was in 2001, with the romantic drama Minnale. The camerawork of the advertisement films impressed his former colleague and frequent collaborator, Gautham Vasudev Menon. The film was well received and became extremely popular amongst the youth. Subsequently, Rajasekhar and Gautham vasudev menon teamed up again for the crime thriller, Kaakha Kaakha (2003). It was highly praised for its unique style of visuals and scenic views through the lens, which Rajasekhar achieved through a process known as Bleach bypass, where the silver is retained in the print, creating a washed-outlook that reflected in films. He followed it up with the remake of Kaakha Kaakha, Gharshana (2004), and Manmadhan (2004), which were received well amongst the audience.

In 2005, Rajasekhar began his collaboration with A. R. Murugadoss, which started with Ghajini. It earned him huge recognition and awards for the cinematography. Rajasekhar spent two months fine-tuning the look and de-saturating the overall images. It won him the Best Cinematographer award at the Tamil Nadu State Film Awards in 2005 and was nominated for the Best Cinematographer award in Filmfare Awards South, in 2006.

He made his Malayalam debut with 4 the People (2004). He reunited with A. R. Murugadoss for Akira (2016), the remake of Mouna Guru, having previously worked on Ghajini.

He had been nominated for Filmfare Awards South for Best Cinematographer in 2004, winning the Best Cinematographer on his first Filmfare Awards South in 2003 for Kaakha Kaakha. He also received award from prestigious Tamil Nadu State Film Award for Best Cinematographer for film Ghajini. He shot Imaikkaa Nodigal (2018), for which he won Best Cinematographer in SIIMA Award for Best Cinematographer - Tamil in the same year after the release.