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NIME 2004: Hamamatsu, Japan
- Yoichi Nagashima, Michael J. Lyons:
New Interfaces for Musical Expression, NIME-04, Proceedings, Hamamatsu, Japan, June 3-5, 2004. Shizuoka University of Art and Culture 2004, ISBN 4-9902099-0-7
Paper Session 1
- Sidney S. Fels, Linda T. Kaastra, Sachiyo Takahashi, Graeme McCaig:
Evolving Tooka: from Experiment to Instrument. 1-6 - Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Scott Wilson, Perry R. Cook:
The Electronic Sitar Controller. 7-12 - Masami Takahata, Kensuke Shiraki, Yutaka Sakane, Yoichi Takebayashi:
Sound Feedback for Powerful Karate Training. 13-18
Report Session 1
- Martin Kaltenbrunner
, Günter Geiger, Sergi Jordà:
Dynamic Patching for Live Musical Performance. 19-22 - Diana Young, Ichiro Fujinaga:
Aobachi: A New Interface for Japanese Drumming. 23-26
Poster Session 1
- Nick Bryan-Kinns, Patrick G. T. Healey:
Daisyphone: Support for Remote Music Collaboration. 27-30 - Christophe Havel, Myriam Desainte-Catherine:
Modeling an air percussion for composition and performance. 31-34 - Mark J. Nelson, Belinda Thom:
A Survey of Real-Time MIDI Performance. 35-38 - Arshia Cont, Thierry Coduys, Cyrille Henry:
Real-time Gesture Mapping in Pd Environment using Neural Networks. 39-42 - Assaf K. Talmudi:
The Decentralized Pianola: Evolving Mechanical Music Instruments Using a Genetic Algorithm. 43-46 - James Mandelis, Phil Husbands:
Don't Just Play it, Grow it! : Breeding Sound Synthesis and Performance Mappings. 47-50
Report Session 2
- Judith Shatin, David Topper:
Tree Music: Composing with GAIA. 51-54 - Gideon D'Arcangelo:
Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music. 55-58 - Sergi Jordà:
Digital Instruments and Players: Part I - Efficiency and Apprenticeship. 59-63 - Nikita Pashenkov:
A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable. 64-67
Paper Session 2
- Eric Lee, Teresa Marrin Nakra, Jan O. Borchers:
You're The Conductor: A Realistic Interactive Conducting System for Children. 68-73 - M. Sile O'Modhrain, Georg Essl:
PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis. 74-79 - Garth Paine:
Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology. 80-86
Report Session 3
- Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle:
On the Choice of Mappings Based On Geometric Properties. 87-91 - Brian Sheehan:
The Squiggle: A Digital Musical Instrument. 92-95
Poster Session 2
- David Gerhard, Daryl H. Hepting, Matthew McKague:
Exploration of the correspondence between visual and acoustic parameter spaces. 96-99 - Chandrasekhar Ramakrishnan, Jason Freeman, Kristjan Varnik, David Birchfield, Phil Burk, Max Neuhaus:
The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument. 100-103 - Homei Miyashita, Kazushi Nishimoto:
Thermoscore: A New-type Musical Score with Temperature Sensation. 104-107 - Stefania Serafin, Diana Young:
Toward a generalized friction controller: from the bowed string to unusual musical instruments. 108-111 - Philippe Stanislas Zaborowski:
ThumbTec: A New Handheld Input Device. 112-115 - Ryan H. Torchia, Cort Lippe:
Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing. 116-119
RENCON Session
- Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
Rencon 2004: Turing Test for Musical Expression. 120-123 - Haruhiro Katayose, Keita Okudaira:
Using an Expressive Performance Template in a Music Conducting Interface. 124-129 - Hideki Kawahara, Hideki Banno, Masanori Morise:
Acappella synthesis demonstrations using RWC music database. 130-131
Paper Session 3
- Roger B. Dannenberg:
Aura II: Making Real-Time Systems Safe for Music. 132-137 - Ge Wang, Perry R. Cook:
"On-the-fly Programming: Using Code as an Expressive Musical Instrument". 138-143 - Michael Lew:
Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance. 144-149
Report Session 4
- Cornelius Poepel:
Synthesized Strings for String Players. 150-153 - Atau Tanaka:
Mobile Music Making. 154-156
Poster Session 3
- Emmanuel Fléty:
Versatile sensor acquisition system utilizing Network Technology. 157-160 - Lalya Gaye, Lars Erik Holmquist:
In Duet with Everyday Urban Settings: A User Study of Sonic City. 161-164 - Enrique Franco, Niall J. L. Griffith, Mikael Fernström:
Issues for Designing a flexible expressive audiovisual system for real-time performance & composition. 165-168 - Gamhewage C. de Silva, Tamara Smyth, Michael J. Lyons:
A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models. 169-172 - Yoichi Nagashima:
Measurement of Latency in Interactive Multimedia Art. 173-176 - Katsuhisa Ishida, Tetsuro Kitahara, Masayuki Takeda:
ism: Improvisation Supporting System based on Melody Correction. 177-180
Report Session 5
- Eric Singer, Jeff Feddersen, Chad Redmon, Bil Bowen:
LEMUR's Musical Robots. 181-184 - Anthony J. Hornof, Linda Sato:
EyeMusic: Making Music with the Eyes. 185-188 - Mark Argo:
The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation. 189-192 - Matthew Burtner:
A Theory of Modulated Objects for New Shamanic Controller Design. 193-196
Demo Session
- Jean-Marc Pelletier:
A Shape-Based Approach to Computer Vision Musical Performance Systems. 197-198 - Stephen Hughes, Cormac Cannon, M. Sile O'Modhrain:
Epipe : A Novel Electronic Woodwind Controller. 199-200 - Geoffrey C. Morris, Sasha Leitman, Marina Kassianidou:
SillyTone Squish Factory. 201-202 - Hans-Christoph Steiner:
StickMusic: Using haptic feedback with a phase vocoder. 203-204 - Thierry Coduys, Cyrille Henry, Arshia Cont:
TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces. 205-206 - Suguru Goto, Takahiko Suzuki:
The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit". 207-208 - Sook Young Won, Humane Chan, Jeremy Liu:
Light Pipes: A Light Controlled MIDI Instrument. 209-210 - Takuro Mizuta Lippit:
Realtime Sample System for the Turntablist version 2: 16padjoystickcontroller. 211-212 - Michael Eyal Sharon:
The Stranglophone: Enhancing Expressiveness in Live Electronic Music. 213-214 - Tomoko Hashida, Yasuaki Kakehi, Takeshi Naemura:
Ensemble system with i-trace. 215-216
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