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Philippe Esling
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2020 – today
- 2024
- [c16]Sarah Nabi
, Philippe Esling
Embodied exploration of deep latent spaces in interactive dance-music performance. MOCO 2024: 12 - [i28]Nils Demerlé, Philippe Esling, Guillaume Doras, David Genova:
Combining audio control and style transfer using latent diffusion. CoRR abs/2408.00196 (2024) - [i27]Giovanni Bindi, Philippe Esling:
Unsupervised Composable Representations for Audio. CoRR abs/2408.09792 (2024) - 2023
- [c15]Ninon Devis, Nils Demerlé, Sarah Nabi, David Genova, Philippe Esling:
Continuous Descriptor-Based Control for Deep Audio Synthesis. ICASSP 2023: 1-5 - [c14]Constance Douwes, Giovanni Bindi, Antoine Caillon, Philippe Esling, Jean-Pierre Briot:
Is Quality Enoughƒ Integrating Energy Consumption in a Large-Scale Evaluation of Neural Audio Synthesis Models. ICASSP 2023: 1-5 - [i26]Chris Donahue, Antoine Caillon, Adam Roberts, Ethan Manilow, Philippe Esling, Andrea Agostinelli, Mauro Verzetti, Ian Simon, Olivier Pietquin, Neil Zeghidour, Jesse H. Engel:
SingSong: Generating musical accompaniments from singing. CoRR abs/2301.12662 (2023) - [i25]Ninon Devis, Nils Demerlé, Sarah Nabi, David Genova, Philippe Esling:
Continuous descriptor-based control for deep audio synthesis. CoRR abs/2302.13542 (2023) - 2022
- [i24]Joseph Turian, Jordie Shier, Humair Raj Khan, Bhiksha Raj, Björn W. Schuller, Christian J. Steinmetz, Colin Malloy, George Tzanetakis, Gissel Velarde, Kirk McNally
HEAR 2021: Holistic Evaluation of Audio Representations. CoRR abs/2203.03022 (2022) - [i23]Antoine Caillon, Philippe Esling:
Streamable Neural Audio Synthesis With Non-Causal Convolutions. CoRR abs/2204.07064 (2022) - [i22]Axel Chemla-Romeu-Santos, Philippe Esling:
Challenges in creative generative models for music: a divergence maximization perspective. CoRR abs/2211.08856 (2022) - [i21]Axel Chemla-Romeu-Santos, Philippe Esling:
Creative divergent synthesis with generative models. CoRR abs/2211.08861 (2022) - 2021
- [j3]Carmine-Emanuele Cella
Dynamic Computer-Aided Orchestration in Practice with Orchidea. Comput. Music. J. 45(4): 40-56 (2021) - [c13]Joseph Turian, Jordie Shier, Humair Raj Khan, Bhiksha Raj, Björn W. Schuller, Christian J. Steinmetz, Colin Malloy, George Tzanetakis, Gissel Velarde, Kirk McNally, Max Henry, Nicolas Pinto, Camille Noufi, Christian Clough, Dorien Herremans, Eduardo Fonseca, Jesse H. Engel, Justin Salamon, Philippe Esling, Pranay Manocha, Shinji Watanabe, Zeyu Jin, Yonatan Bisk:
HEAR: Holistic Evaluation of Audio Representations. NeurIPS (Competition and Demos) 2021: 125-145 - [e1]Joseph Turian, Björn W. Schuller, Dorien Herremans, Katrin Kirchhoff, L. Paola García-Perera, Philippe Esling:
HEAR: Holistic Evaluation of Audio Representations, Virtual Event, December 13-14, 2021. Proceedings of Machine Learning Research 166, PMLR 2021 [contents] - [i20]Théis Bazin, Gaëtan Hadjeres, Philippe Esling, Mikhail Malt:
Spectrogram Inpainting for Interactive Generation of Instrument Sounds. CoRR abs/2104.07519 (2021) - [i19]Constance Douwes, Philippe Esling, Jean-Pierre Briot:
A Multi-Objective Approach for Sustainable Generative Audio Models. CoRR abs/2107.02621 (2021) - [i18]Mathieu Prang, Philippe Esling:
Signal-domain representation of symbolic music for learning embedding spaces. CoRR abs/2109.03454 (2021) - [i17]Antoine Caillon, Philippe Esling:
RAVE: A variational autoencoder for fast and high-quality neural audio synthesis. CoRR abs/2111.05011 (2021) - 2020
- [c12]Philippe Esling, Naotake Masuda, Axel Chemla-Romeu-Santos:
FlowSynth: Simplifying Complex Audio Generation Through Explorable Latent Spaces with Normalizing Flows. IJCAI 2020: 5273-5275 - [c11]Philippe Esling, Théis Bazin, Adrien Bitton, Tristan Carsault, Ninon Devis:
Ultra-light deep MIR by trimming lottery tickets. ISMIR 2020: 550-557 - [c10]Lisa Kawai, Philippe Esling, Tatsuya Harada:
Attributes-Aware Deep Music Transformation. ISMIR 2020: 670-677 - [i16]Axel Chemla-Romeu-Santos, Stavros Ntalampiras, Philippe Esling, Goffredo Haus, Gérard Assayag:
Cross-modal variational inference for bijective signal-symbol translation. CoRR abs/2002.03862 (2020) - [i15]Adrien Bitton, Philippe Esling, Tatsuya Harada:
Vector-Quantized Timbre Representation. CoRR abs/2007.06349 (2020) - [i14]Philippe Esling, Ninon Devis, Adrien Bitton, Antoine Caillon, Axel Chemla-Romeu-Santos, Constance Douwes:
Diet deep generative audio models with structured lottery. CoRR abs/2007.16170 (2020) - [i13]Philippe Esling, Théis Bazin, Adrien Bitton, Tristan Carsault, Ninon Devis:
Ultra-light deep MIR by trimming lottery tickets. CoRR abs/2007.16187 (2020) - [i12]Antoine Caillon, Adrien Bitton, Brice Gatinet, Philippe Esling:
Timbre latent space: exploration and creative aspects. CoRR abs/2008.01370 (2020) - [i11]Adrien Bitton, Philippe Esling, Tatsuya Harada:
Neural Granular Sound Synthesis. CoRR abs/2008.01393 (2020) - [i10]Philippe Esling, Ninon Devis:
Creativity in the era of artificial intelligence. CoRR abs/2008.05959 (2020)
2010 – 2019
- 2019
- [c9]Cyran Aouameur, Philippe Esling, Gaëtan Hadjeres:
Neural Drum Machine : An Interactive System for Real-time Synthesis of Drum Sounds. ICCC 2019: 92-99 - [c8]Jean-François Ducher, Philippe Esling:
Folded CQT RCNN For Real-time Recognition of Instrument Playing Techniques. ISMIR 2019: 708-714 - [c7]Tristan Carsault, Andrew McLeod, Philippe Esling, Jérôme Nika, Eita Nakamura, Kazuyoshi Yoshii:
Multi-Step Chord Sequence Prediction Based On Aggregated Multi-Scale Encoder-Decoder Networks. MLSP 2019: 1-6 - [i9]Adrien Bitton, Philippe Esling, Antoine Caillon, Martin Fouilleul:
Assisted Sound Sample Generation with Musical Conditioning in Adversarial Auto-Encoders. CoRR abs/1904.06215 (2019) - [i8]Philippe Esling, Naotake Masuda, Adrien Bardet, Romeo Despres, Axel Chemla-Romeu-Santos:
Universal audio synthesizer control with normalizing flows. CoRR abs/1907.00971 (2019) - [i7]Cyran Aouameur, Philippe Esling, Gaëtan Hadjeres:
Neural Drum Machine : An Interactive System for Real-time Synthesis of Drum Sounds. CoRR abs/1907.02637 (2019) - [i6]Tristan Carsault, Andrew McLeod, Philippe Esling, Jérôme Nika, Eita Nakamura, Kazuyoshi Yoshii:
Multi-Step Chord Sequence Prediction Based on Aggregated Multi-Scale Encoder-Decoder Network. CoRR abs/1911.04972 (2019) - [i5]Tristan Carsault, Jérôme Nika, Philippe Esling:
Using musical relationships between chord labels in automatic chord extraction tasks. CoRR abs/1911.04973 (2019) - 2018
- [c6]Tristan Carsault, Jérôme Nika, Philippe Esling:
Using Musical Relationships Between Chord Labels in Automatic Chord Extraction Tasks. ISMIR 2018: 18-25 - [c5]Philippe Esling, Axel Chemla-Romeu-Santos, Adrien Bitton:
Bridging Audio Analysis, Perception and Synthesis with Perceptually-regularized Variational Timbre Spaces. ISMIR 2018: 175-181 - [i4]Philippe Esling, Axel Chemla-Romeu-Santos, Adrien Bitton:
Generative timbre spaces with variational audio synthesis. CoRR abs/1805.08501 (2018) - [i3]Adrien Bitton, Philippe Esling, Axel Chemla-Romeu-Santos:
Modulated Variational auto-Encoders for many-to-many musical timbre transfer. CoRR abs/1810.00222 (2018) - [i2]Léopold Crestel, Philippe Esling, Lena Heng, Stephen McAdams:
A database linking piano and orchestral MIDI scores with application to automatic projective orchestration. CoRR abs/1810.08611 (2018) - 2017
- [c4]Pierre Talbot, Carlos Agón, Philippe Esling:
Interactive computer-aided composition with constraints. ICMC 2017 - [c3]Léopold Crestel, Philippe Esling, Lena Heng, Stephen McAdams:
A Database Linking Piano and Orchestral MIDI Scores with Application to Automatic Projective Orchestration. ISMIR 2017: 592-598 - 2016
- [i1]Léopold Crestel, Philippe Esling:
Live Orchestral Piano, a system for real-time orchestral music generation. CoRR abs/1609.01203 (2016) - 2013
- [j2]Philippe Esling, Carlos Agón:
Multiobjective Time Series Matching for Audio Classification and Retrieval. IEEE Trans. Speech Audio Process. 21(10): 2057-2072 (2013) - 2012
- [j1]Philippe Esling, Carlos Agón:
Time-series data mining. ACM Comput. Surv. 45(1): 12:1-12:34 (2012) - 2010
- [c2]Philippe Esling, Grégoire Carpentier, Carlos Agón:
Dynamic Musical Orchestration Using Genetic Algorithms and a Spectro-Temporal Description of Musical Instruments. EvoApplications (2) 2010: 371-380 - [c1]Philippe Esling, Carlos Agón:
Composition Of Sound Mixtures With Spectral Maquettes. ICMC 2010
Coauthor Index
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last updated on 2024-10-22 20:12 CEST by the dblp team
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