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23rd NIME 2023: Mexico City, Mexico
- 23rd International Conference on New Interfaces for Musical Expression, NIME 2023, Mexico City, Mexico, May 31 - June 3, 2023. nime.org 2024
- Jack Armitage, Thor Magnusson, Andrew McPherson:
Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical Needs. - Pedro Pablo Lucas, Stefano Fasciani:
A Human-Agents Music Performance System in an Extended Reality Environment. - Nathan Villicaña-Shaw, Dale A. Carnegie, Jim W. Murphy, Mo H. Zareei:
Explorator Genus: Designing Transportable Mechatronic Sound Objects for Outdoor Installation Art. - Andreas Förster
, Alarith Uhde, Mathias Komesker, Christina Komesker, Irina Schmidt:
LoopBoxes - Evaluation of a Collaborative Accessible Digital Musical Instrument. - Nathan Villicaña-Shaw, Dale A. Carnegie, Jim W. Murphy, Mo H. Zareei:
Legatus: Design and Exhibition of Loudspeaker-Based, Environmentally-Reactive, Soundscape Augmentation Artifacts in Outdoor Natural Environments. - S. M. Astrid Bin:
Where Few NIMEs Have Gone Before: Lessons in instrument design from Star Trek. - Romain Michon, Joseph Bizien, Maxime Popoff, Tanguy Risset:
Making Frugal Spatial Audio Systems Using Field-Programmable Gate Arrays. - Marcelo M. Wanderley:
Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIME. - Teodoro Dannemann, Nick Bryan-Kinns, Andrew McPherson:
Self-Sabotage Workshop: a starting point to unravel sabotaging of instruments as a design practice. - Teodoro Dannemann:
Music jamming as a participatory design method. A case study with disabled musicians. - Eduardo A. L. Meneses, Thomas Piquet, Jason Noble, Marcelo M. Wanderley:
The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs. - Joaquín R. Díaz Durán, Laia Turmo Vidal, Ana Tajadura-Jiménez:
Joakinator: An Interface for Transforming Body Movement and Perception through Machine Learning and Sonification of Muscle-Tone and Force.. - Brady Boettcher, Eduardo A. L. Meneses, Christian Frisson, Marcelo M. Wanderley, Joseph W. Malloch:
Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. - Raul Masu, Fabio Morreale, Alexander Refsum Jensenius:
The O in NIME: Reflecting on the Importance of Reusing and Repurposing Old Musical Instruments. - Torin Hopkins, Emily Doherty, Netta Ofer, Suibi Che-Chuan Weng, Peter Gyory, Chad Tobin, Leanne M. Hirshfield, Ellen Yi-Luen Do:
Stringesthesia: Dynamically Shifting Musical Agency Between Audience and Performer Based on Trust in an Interactive and Improvised Performance. - Ted Moore, Jean Brazeau:
Serge Modular Archive Instrument (SMAI): Bridging Skeuomorphic & Machine Learning Enabled Interfaces. - Yichen Wang, Mingze Xi, Matt Adcock, Charles Patrick Martin
Mobility, Space and Sound Activate Expressive Musical Experience in Augmented Reality. - Anna-Kaisa Kaila, Petra Jääskeläinen, Andre Holzapfel:
Ethically Aligned Stakeholder Elicitation (EASE): Case Study in Music-AI. - Juan Ignacio Mendoza Garay:
The Rearranger Ball: Delayed Gestural Control of Musical Sound using Online Unsupervised Temporal Segmentation. - Francesco Ardan Dal Rì, Francesca Zanghellini, Raul Masu:
Sharing the Same Sound: Reflecting on Interactions between a Live Coder and a Violinist. - Paul Buser, Kasey Pocius, Linnea Kirby, Marcelo M. Wanderley:
Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub. - Teresa Pelinski, Rodrigo Diaz, Adan L. Benito Temprano, Andrew McPherson:
Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform. - Juan Mariano Ramos, Pablo Ernesto Riera, Esteban Calcagno:
An embedded wavetable synthesizer for the electronic bandoneon with parameter mappings based on acoustical measurements. - Claudio Panariello, Chiara Percivati
"WYPYM": A Study for Feedback-Augmented Bass Clarinet. - Jaehoon Choi:
Brushing Interface - DIY multi-touch interface for expressive gestural performance. - Suso Romaris:
DIGITL A Reduction of Guitar. - Nicolo Merendino, Giacomo Lepri, Antonio Rodà, Raul Masu:
Redesigning the Chowndolo: a Reflection-on-action Analysis to Identify Sustainable Strategies for NIMEs Design. - Michael Mulshine, Ge Wang, Chris Chafe, Jack Atherton, Terry Feng, Celeste Betancur:
WebChucK: Computer Music Programming on the Web. - Fernando Lopez-Lezcano, Michael Mulshine:
Affordable Speaker Arrays for Education and Artists. - Albert-Ngabo Niyonsenga, Marcelo M. Wanderley:
Tools and Techniques for the Maintenance and Support of Digital Musical Instruments. - Suraj Jaiswal, Vipul Arora:
HarMIDI: Sensor System To Read MIDI from Indian Harmoniums. - Victor Shepardson, Thor Magnusson:
The Living Looper: Rethinking the Musical Loop as a Machine Action-Perception Loop. - Hugo Scurto, Ludmila Postel:
Soundwalking Deep Latent Spaces. - Behzad Haki, Teresa Pelinski, Marina Nieto Giménez, Sergi Jordà:
Completing Audio Drum Loops with Symbolic Drum Suggestions. - Notto J. W. Thelle, Bernt Isak Wærstad:
Co-Creatives Spaces: The machine as a collaborator. - Erik Stifjell:
A FLexible musical instrument Augmentation that is Programmable, Integrated in a Box (FLAPIBox). - Alexandros Drymonitis
LiveLily: An Expressive Live Sequencing and Live Scoring System Through Live Coding With the Lilypond Language. - Seyed Mojtaba Karbasi, Alexander Refsum Jensenius, Rolf Inge Godøy, Jim Torresen:
Exploring Emerging Drumming Patterns in a Chaotic Dynamical System using ZRob. - Tommy Davis, Kasey Pocius, Vincent Cusson, Marcelo M. Wanderley, Philippe Pasquier:
eTud, be: case studies in playing with musical agents. - Lucie F. Jones, Jeffrey Boyd, Jeremy Brown, Hua Shen:
A Wearable Technology For Wind Musicians: Does It Matter How You Breathe?. - Carla Sophie Tapparo, Brooke Chalmers, Victor Zappi:
Leveraging Android Phones to Democratize Low-level Audio Programming. - Matthew Goodheart:
Reembodied Sound and Transducer-actuated Instruments in Refraction Interlude. - Iran Sanadzadeh, Chloë Sobek:
A sustained relationship with large instruments - a case against the convenient interface. - Patty J. Preece, Melania Jack, Giacomo Lepri:
Oscillations: Composing a Performance Ecosystem through a Sonic Cyberfeminist Lens . - Anne Hege, Curtis Ullerich:
Principles of Instrument and System Design for LaptOperas. - Théo Jourdan, Baptiste Caramiaux:
Machine Learning for Musical Expression: A Systematic Literature Review. - Théo Jourdan, Baptiste Caramiaux:
Culture and Politics of Machine Learning in NIME: A Preliminary Qualitative Inquiry. - Jack Armitage, Thor Magnusson, Andrew McPherson:
A Scale-Based Ontology of Musical Instrument Design. - Eevee Zayas-Garin, Charlotte Nordmoen, Andrew McPherson:
Transmitting Digital Lutherie Knowledge: The Rashomon Effect for DMI Designers. - Olivia B. Smith, Matthew Rodger, Maarten van Walstijn, Miguel Ortiz:
Sound guiding action: the effect of timbre on learning a new percussive DMI for beginner musicians. - Halldór Úlfarsson:
Ergodynamics of String Feedback. - Derek Holzer
Laser Phase Synthesis. - Kobi Hartley, Steve Hodges, Joe Finney:
Jacdac-for-Max: Plug-and-Play Physical Prototyping of Musical Interfaces. - Nicola Privato
Magnetic Interactions as a Somatosensory Interface. - Diemo Schwarz:
Touch Interaction for Corpus-based Audio-Visual Synthesis. - Tom Mudd, Akira Brown:
Musical pathways through the no-input mixer. - Jeffrey Snyder, Davis Polito, Matthew Wang:
The Electrosteel: An Electronic Instrument Inspired by the Pedal Steel Guitar. - John Bowers, John Richards, Tim Shaw, Robin Foster, Akihiro Kubota:
Raw Data, Rough Mix: Towards an Integrated Practice of Making, Performance and Pedagogy. - Colin Malloy, George Tzanetakis:
Steelpan-specific pitch detection: a dataset and deep learning model. - Daniel Jones:
AbletonOSC: A unified control API for Ableton Live. - Adan L. Benito Temprano, Teodoro Dannemann, Andrew McPherson:
Exploring the (un)ambiguous guitar: A Qualitative Study on the use of Gesture Disambiguation in Augmented Instrument Design. - Jonathan Diaz:
Sensattice: An emerging collaborative and modular sound sculpture. - Anastasia Clarke:
Shard-Speakers: An Inquiry into the History, Sonic Properties, and Musical Possibilities of Quartz Crystal Singing Bowls. - William Christopher Payne, Matthew Kaney, Yuhua Cao, Eric Hao Xu, Xinran Shen, Katrina Lee, Amy Hurst:
Live Coding Ensemble as Accessible Classroom. - Michal Seta, Dirk J. Stromberg, D. Andrew Stewart:
Building hybrid performances with DMIs, Hubs and Faust. - Erin M. Gee:
The BioSynth - an affective biofeedback device grounded in feminist thought. - David Fierro, Alain Bonardi, Atau Tanaka:
FAUST Multiplatform toolbox for Body Brain Digital Musical Instruments. - Hugh A. von Arnim
The Feedback Mop Cello: An Instrument for Interacting with Acoustic Feedback Loops. - Raghavasimhan Sankaranarayanan, Nitin Hugar, Qinying Lei, Thomas Ottolin, Hardik Goel, Gil Weinberg:
Mixboard - A Co-Creative Mashup Application for Novices. - Nicholas Canny:
The implementation of envelope based complex mapping strategies to extend and augment human control. - John M. Bowers:
A Hapless But Entertaining Roar: Developing a Room Feedback System through Artistic Research and Aesthetic Reflection. - Douglas Bowman Jr., Daniel Manesh, Sang Won Lee:
SHARP: Supporting Exploration and Rapid State Navigation in Live Coding Music. - Courtney Brown, Thomas Dudgeon, Cezary Gajewski:
Dinosaur Choir: Designing for Scientific Exploration, Outreach, and Experimental Music. - Takuto Fukuda, Marcelo M. Wanderley:
T-Patch: a software application for T-Stick Digital Musical Instruments. - Yue Yang, Zhaowen Wang, Zijin Li:
MuGeVI: A Multi-Functional Gesture-Controlled Virtual Instrument. - Costa K. Colachis Glass, Fabio Morreale:
TAILSPIN: An Inquiry into the Audio-Visual Feedback Equilibrium. - Jonathan Lane-Smith, Derrek Chow, Sahand Ajami, Jeremy R. Cooperstock:
The Hapstrument: A Bimanual Haptic Interface for Musical Expression. - Sergey K. Kasich:
Morphological evolution of musical interface: design case studies. - Aoi Uyama, Danny Hynds, Dingding Zheng, George Chernyshov, Tatsuya Saito, Kai Kunze, Kouta Minamizawa:
Feel What You Don't Hear: A New Framework for Non-aural Music Experiences. - Atau Tanaka:
The EAVI ExG Muscle/brain hybrid physiological sensing. - Rodrigo Diaz, Charalampos Saitis, Mark B. Sandler:
Interactive Neural Resonators. - Teodoro Dannemann, Nick Bryan-Kinns:
The Sabotaging Piano: key-to-pitch remapping as a source of new techniques in piano improvisation. - Hugh Aynsley, Tom Mitchell, Dave Meckin:
Participatory Conceptual Design of Accessible Digital Musical Instruments using Generative AI. - Jonathan Pigrem, Jennifer MacRitchie, Andrew McPherson:
Instructions Not Included: Dementia-Friendly approaches to DMI Design. - William Francis Wilson, Niccolò Granieri, Islah Ali-MacLachlan
Time's up for the Myo? The smartwatch as a ubiquitous alternative for audio-gestural analyses.. - Adam G. Schmidt, Michael Gurevich:
The Hummellaphone: An Electromagnetically Actuated Instrument and Open-Source Toolkit. - Juan C. Duarte Regino:
AUGURY : an interface for generating soundscapes inspired by ancient divination. - Gerardo Meza:
Exploring the potential of interactive Machine Learning for Sound Generation: A preliminary study with sound artists. - Sophie Rose:
CALM: Mapping yoga practice for gestural control to externalise traumatic experiences. - Eric Easthope:
SnakeSynth: New Interactions for Generative Audio Synthesis. - Ilya Borovik, Vladimir Viro:
Real-Time Co-Creation of Expressive Music Performances Using Speech and Gestures. - Budhaditya Chattopadhyay:
Dhvāni: Sacred Sounds and Decolonial Machines. - José M. Corredera:
EMG Sonification as a Tool for Functional Rehabilitation of Spinal-Cord Injury.. - Atsuya Kobayashi, Ryo Nishikado, Nao Tokui:
Improvise+=Chain: Listening to the Ensemble Improvisation of an Autoregressive Generative Model. - Sebastian Löbbers, George Fazekas:
SketchSynth: a browser-based sketching interface for sound control. - Johann Diedrick:
The Harvester: A DIY Sampler and Synthesizer - Demo. - Juan Pablo Martinez-Avila:
Kraakavera: A Tribute to Michel Waisvisz. - Ranger Y. Liu, Satchel Peterson, Richard T. Lee, Mark Santolucito:
MaxPy: An open-source Python package for text-based generation of MaxMSP patches. - Xavier Barriga-Abril, Andres Basantes:
Missing the hubbub: Memory and Identity in the Interactive Audio.
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