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George Fazekas
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2020 – today
- 2025
- [i20]Jingjing Tang, Erica Cooper, Xin Wang, Junichi Yamagishi, George Fazekas:
Towards An Integrated Approach for Expressive Piano Performance Synthesis from Music Scores. CoRR abs/2501.10222 (2025) - [i19]Marco Pasini, Stefan Lattner, George Fazekas:
Music2Latent2: Audio Compression with Summary Embeddings and Autoregressive Decoding. CoRR abs/2501.17578 (2025) - 2024
- [c10]Marco Pasini, Stefan Lattner, George Fazekas:
Music2Latent: Consistency Autoencoders for Latent Audio Compression. ISMIR 2024: 111-119 - [c9]Soumya Sai Vanka, Christian J. Steinmetz, Jean-Baptiste Rolland, Joshua D. Reiss, George Fazekas:
Diff-MST: Differentiable Mixing Style Transfer. ISMIR 2024: 563-570 - [c8]Julien Guinot, Elio Quinton, George Fazekas:
Semi-Supervised Contrastive Learning of Musical Representations. ISMIR 2024: 571-579 - [c7]Benno Weck, Ilaria Manco, Emmanouil Benetos, Elio Quinton, George Fazekas, Dmitry Bogdanov:
MuChoMusic: Evaluating Music Understanding in Multimodal Audio-Language Models. ISMIR 2024: 825-833 - [i18]Soumya Sai Vanka, Christian J. Steinmetz, Jean-Baptiste Rolland, Joshua D. Reiss, George Fazekas:
Diff-MST: Differentiable Mixing Style Transfer. CoRR abs/2407.08889 (2024) - [i17]Benno Weck
, Ilaria Manco, Emmanouil Benetos, Elio Quinton, George Fazekas, Dmitry Bogdanov:
MuChoMusic: Evaluating Music Understanding in Multimodal Audio-Language Models. CoRR abs/2408.01337 (2024) - [i16]Marco Pasini, Stefan Lattner, George Fazekas:
Music2Latent: Consistency Autoencoders for Latent Audio Compression. CoRR abs/2408.06500 (2024) - [i15]Elona Shatri, George Fazekas:
Knowledge Discovery in Optical Music Recognition: Enhancing Information Retrieval with Instance Segmentation. CoRR abs/2408.15002 (2024) - [i14]Soumya Sai Vanka, Lennart Hannink, Jean-Baptiste Rolland, George Fazekas:
Diff-MSTC: A Mixing Style Transfer Prototype for Cubase. CoRR abs/2411.06576 (2024) - [i13]Elona Shatri, Kalikidhar Palavala, George Fazekas:
Synthesising Handwritten Music with GANs: A Comprehensive Evaluation of CycleWGAN, ProGAN, and DCGAN. CoRR abs/2411.16405 (2024) - [i12]Elona Shatri, Daniel Raymond, George Fazekas:
Low-Data Classification of Historical Music Manuscripts: A Few-Shot Learning Approach. CoRR abs/2411.16408 (2024) - [i11]Marco Pasini, Javier Nistal, Stefan Lattner, George Fazekas:
Continuous Autoregressive Models with Noise Augmentation Avoid Error Accumulation. CoRR abs/2411.18447 (2024) - 2023
- [c6]Sebastian Löbbers, George Fazekas:
SketchSynth: a browser-based sketching interface for sound control. NIME 2023 - [c5]Matthew Rice, Christian J. Steinmetz, George Fazekas, Joshua D. Reiss:
General Purpose Audio Effect Removal. WASPAA 2023: 1-5 - [i10]Yuqiang Li, Shengchen Li, George Fazekas:
An Comparative Analysis of Different Pitch and Metrical Grid Encoding Methods in the Task of Sequential Music Generation. CoRR abs/2301.13383 (2023) - [i9]Soumya Sai Vanka, Maryam Safi, Jean-Baptiste Rolland, George Fazekas:
Adoption of AI Technology in the Music Mixing Workflow: An Investigation. CoRR abs/2304.03407 (2023) - [i8]Jingjing Tang
Reconstructing Human Expressiveness in Piano Performances with a Transformer Network. CoRR abs/2306.06040 (2023) - [i7]Eleanor Row
JAZZVAR: A Dataset of Variations found within Solo Piano Performances of Jazz Standards for Music Overpainting. CoRR abs/2307.09670 (2023) - [i6]Matthew Rice, Christian J. Steinmetz, George Fazekas, Joshua D. Reiss:
General Purpose Audio Effect Removal. CoRR abs/2308.16177 (2023) - [i5]Marco Pasini, Stefan Lattner, George Fazekas:
Self-Supervised Music Source Separation Using Vector-Quantized Source Category Estimates. CoRR abs/2311.13058 (2023) - 2022
- [c4]Yuqiang Li, Shengchen Li, George Fazekas:
How Music features and Musical Data Representations Affect Objective Evaluation of Music Composition: A Review of CSMT Data Challenge 2020. ISMIR 2022: 93-99 - [c3]Huan Zhang, Jingjing Tang, Syed Rm Rafee, Simon Dixon, George Fazekas, Geraint A. Wiggins:
ATEPP: A Dataset of Automatically Transcribed Expressive Piano Performance. ISMIR 2022: 446-453 - [c2]Ilaria Manco, Emmanouil Benetos, Elio Quinton, George Fazekas:
Contrastive Audio-Language Learning for Music. ISMIR 2022: 640-649 - [i4]John Muradeli, Cyrus Vahidi, Changhong Wang, Han Han, Vincent Lostanlen, Mathieu Lagrange, George Fazekas:
Differentiable Time-Frequency Scattering in Kymatio. CoRR abs/2204.08269 (2022) - 2021
- [c1]George Fazekas:
Ontology based Machine Learning in Semantic Audio Applications - Abstract. ISIC 2021: 14-15 - [i3]Brendan D. O'Connor, Simon Dixon, George Fazekas:
An Exploratory Study on Perceptual Spaces of the Singing Voice. CoRR abs/2111.08196 (2021) - [i2]Brendan D. O'Connor, Simon Dixon, George Fazekas:
Zero-shot Singing Technique Conversion. CoRR abs/2111.08839 (2021) - 2020
- [i1]Cyrus Vahidi, George Fazekas, Charalampos Saitis, Alessandro Palladini:
Timbre Space Representation of a Subtractive Synthesizer. CoRR abs/2009.11706 (2020)
Coauthor Index
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