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3rd CIC 1995: Scottsdale, AZ, USA
- 3rd Color and Imaging Conference, CIC 1995, Scottsdale, Arizona, USA, November 7-10, 1995. Society for Imaging Science and Technology 1995, ISBN 0-89208-188-0
- Robert W. G. Hunt:
Color Reproduction - Past, Present and Future. 1-3 - David H. Brainard, Doron Sherman:
Reconstructing Images from Trichromatic Samples: From Basic Research to Practical Applications. 4-10 - Phil Q. Jin, Joel Pokorny, Vivianne C. Smith:
Effect of Spatial Frequency on Chromatic Induction. 11-14 - Qasim Zaidi, Jeremy S. De Bonet, Branka Spehar:
Perceived Grey-Levels in Complex Configurations. 14-17 - Mark D. Fairchild, Richard L. Alfvin:
Precision of Color Matches and Accuracy of Color-Matching Functions in Cross-Media Color Reproduction. 18-21 - Naoya Katoh:
Appearance Match between Soft Copy and Hard Copy under Mixed Chromatic Adaptation. 22-25 - Brian V. Funt:
Linear Models and Computational Color Constancy. 26-29 - Shoji Tominaga:
Using Reflectance Models for Surface Estimation. 29-33 - David Slater, Glenn Healey:
Illumination-Invariant Recognition of Local Color Distributions using Linear Models for Spectral Reflectance. 34-36 - Werner Praefcke, Thomas Keusen:
Optimized Basis Functions for Coding Reflectance Spectra Minimizing the Visual Color Difference. 37-40 - David H. Marimont, Brian A. Wandell:
Chromatic Aberration, Linear Models, and Matching Color Images. 41-44 - Graham D. Finlayson, Subho S. Chatterjee, Brian V. Funt:
Color Angle Invariants for Object Recognition. 44-47 - Karsten Schlüns, Matthias Teschner:
Fast Separation of Reflection Components and its Application in 3D Shape Recovery. 48-51 - Gregory P. Crawford, Thomas G. Fiske, Louis D. Silverstein:
Reflective Color Displays for Imaging Applications. 52-58 - Liang-Chy Chien, Frédric Vicéntini, Y. Lin, Uwe Müller:
Color Pixelization of Cholesteric Materials. 58-59 - Eileen M. Korenic, Stephen D. Jacobs, Sadeg M. Faris, Le Li:
Colorimetry of Fractured Cholesteric Liquid Crystal Polymers. 60-62 - David H. Brainard, Koichiro Ishigami:
Factors Influencing the Appearance of CRT Colors. 62-66 - Paul Chen, H. Joel Trussell:
Color Filter Design For Multiple Illuminants and Detectors. 67-70 - Patrick Emmel, Roger D. Hersch, Victor Ostromoukhov:
A Grid-Based Method for Predicting the Behaviour of Colour Printers. 71-77 - Patrick G. Herzog, Bernhard Hill:
A New Approach to the Representation of Color Gamuts. 78-81 - Hubert Konik, Alain Trémeau, Bernard Laget:
Multiresolution Color Image Analysis. 82-85 - Hiroaki Kotera, Hideto Motomura, Teruo Fumoto:
Color Dithering Back to the Roberts' Modulation. 86-89 - Chae-Soo Lee, Kyeong-Man Kim, Eung-Joo Lee, Yeong-Ho Ha:
Color Quantization and Dithering Method Based on HVS Characteristics. 90-92 - Karen M. Braun, Mark D. Fairchild:
Evaluation of Five Color-Appearance Transforms Across Changes in Viewing Conditions and Media. 93-96 - Shih-Liang Chang, Yuan-Te Liu, Der-Zong Yeh:
A Method to Estimate Fractional Areas of Neugebauer Primary Colors. 97-100 - Teruo Fumoto, Katsuhiro Kanamori, Osamu Yamada, Hideto Motomura, Hiroaki Kotera, Makoto Inoue:
SLANT/PRISM Convertible Structured Color Processor MN5515. 101-105 - Hideaki Haneishi, Tsutomu Hirao, Akihiro Shimazu, Yoichi Miyake:
Colorimetric Precision in Scanner Calibration Using Matrices. 106-108 - Juha Katajamäki, Pekka Laihanen, Hannu Saarelma:
Classification of Images for Automatic Colour Correction. 109-111 - Thomas Keusen, Werner Praefcke:
Multispectral Color System with an Encoding Format Compatible to the Conventional Tristimulus Model. 112-114 - Seung-ok Park, Hongsuk Kim, Jung Man Park, Jae Kwon Eem:
Development of Spectral Sensitivity Measurement System of Image Sensor Devices. 115-118 - Alain Trémeau, V. Pugnet, Éric Dinet, Bernard Laget:
A Local Color Correlation Measure for Color Image Comparison. 119-122 - Glenn Healey, Lizhi Wang:
Using Linear Models for the Illumination-Invariant Classification of Color Textures. 123-125 - Takami Satonaka, Koji Asari, Shinichi Katsu, Tatsuo Otsuki, Takaaki Baba:
A Real-time Object Correction Algorithm using Cellular Neural Network for Interactive Color Image Processor. 126-129 - Elena A. Fedorovskaya, Huib de Ridder, Sergej Yendrikhovskij, Frans J. J. Blommaert:
Multidimensional Structure of Colorfulness: Chroma Variation in Color Images of Natural Scenes. 130-133 - Anthony J. Maeder:
Rapid Colour Image Reconstruction Using Colour Quadtress. 133-135 - Uwe Meyer-Gruhl, Carsten Steger:
Improvements for Color Dithering. 136-139 - Huib de Ridder:
Naturalness and Image Quality: Influence of Chroma Variation at Various Lightness Levels. 140-142 - Alastair Reed, Ron Cotner:
Adaptive Interpolation. 143-148 - Bruce Glasgow, Thomas McElwain, Lon Pringle:
Spectral Digitization of Color Photographic Paper Through Dye Density Estimation. 148-151 - J. A. Stephen Viggiano, Nathan Moroney:
Color Reproduction Algorithms and Intent. 152-154 - Gary Dispoto, Michael Stokes:
Limitations in Communicating Color Appearance with the ICC Profile Format. 155-159 - George B. Pawle:
Inside the ICC Color Device Profile. 160-163 - Robert F. Poe:
Aesthetic Considerations in Tone and Color Management. 164-168 - Peter H. Smith:
The Imager for Mars Pathfinder (IMP)Experiment. 169-171 - Devon G. Crowe, Peter H. Smith:
Calibration of the Imager for Mars Pathfinder (IMP). 172-173 - Makoto Matsuki, Daniel T. Lee, Andrew H. Mutz, Hiroaki Ikegami:
Soft-Copy and Palette-Color Extension for Color Facsimile Standards. 174-177 - Hitoshi Urabe, Makoto Tsugita, Kouji Ichikawa:
Image-designing and Color Management for Digital Still Camera and Printer System. 178-181 - Joann M. Taylor, Lawrence D. Picciano:
Color Imaging in Telemedicine: Current Trends & Future Needs. 181-185 - Tatsuya Shiobara, Shixin Zhou, Hideaki Haneishi, Yoichi Miyake:
Improved Color Reproduction of Electronic Endoscopes. 186-190 - Robert H. Johnston, Roger L. Easton Jr., Keith T. Knox, Reiner Eschbach, Joseph Tusinski, Mihai Cuciurean Zapan:
Digital Image Restoration Technology as Applied to Ancient Degraded Textual Material Using Color Imaging Systems. 191-194 - Lindsay W. MacDonald, Ján Morovic:
Assessing the Effects of Gamut Compression in the Reproduction of Fine Art Paintings. 194-200
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