Flexibility

Over on A List Apart, you can read the first chapter from Tim’s new book, Flexible Typesetting.

I was lucky enough to get an advance preview copy and this book is ticking all my boxes. I mean, I knew I would love all the type nerdery in the book, but there’s a bigger picture too. In chapter two, Tim makes this provacative statement:

Typography is now optional. That means it’s okay for people to opt out.

That’s an uncomfortable truth for designers and developers, but it gets to the heart of what makes the web so great:

Of course typography is valuable. Typography may now be optional, but that doesn’t mean it’s worthless. Typographic choices contribute to a text’s meaning. But on the web, text itself (including its structural markup) matters most, and presentational instructions like typography take a back seat. Text loads first; typography comes later. Readers are free to ignore typographic suggestions, and often prefer to. Services like Instapaper, Pocket, and Safari’s Reader View are popular partly because readers like their text the way they like it.

What Tim describes there isn’t a cause for frustration or despair—it’s a cause for celebration. When we try to treat the web as a fixed medium where we can dictate the terms that people must abide by, we’re doing them (and the web) a disservice. Instead of treating web design as a pre-made contract drawn up by the designer and presented to the user as a fait accompli, it is more materially honest to treat web design as a conversation between designer and user. Both parties should have a say.

Or as Tim so perfectly puts it in Flexible Typesetting:

Readers are typographers, too.

Have you published a response to this? :

Responses

Related links

A short history of body copy sizes on the Web

A look at the trend towards larger and larger font sizes for body copy on the web, culminating with Resilient Web Design.

There are some good arguments here for the upper limit on the font size there being too high, so I’ve adjusted it slightly. Now on large screens, the body copy on Resilient Web Design is 32px (2 times 1em), down from 40px (2.5 times 1em).

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Tim Brown: Coming soon: Flexible Typesetting

Fellow web type nerds: Tim Brown brings very good tidings indeed!

My new book is called Flexible Typesetting, and it will be published by A Book Apart this summer. I absolutely cannot wait for you to read it, because we have so much to talk about.

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Web Typography: Designing Tables to be Read, Not Looked At · An A List Apart Article

An extract from Richard’s excellent book, this is a deep dive into styling tables for the web (featuring some CSS I had never even heard of).

Tables can be beautiful but they are not works of art. Instead of painting and decorating them, design tables for your reader.

(It also contains a splendid use of the term “crawl bar.”)

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User Interfaces for Variable Fonts · An A List Apart Article

A good introduction to variable fonts, and an exploration of the possible interface elements we might use to choose our settings: toggles? knobs? sliders? control pads?

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Previously on this day

9 years ago I wrote dConstruct 2015 podcast: Ingrid Burrington

Time travel, terminators, and network infrastructure.

10 years ago I wrote Responding

A pair of responsive design events in London.

11 years ago I wrote August in America, day seven

Philadelphia, Pennsylvania.

12 years ago I wrote Laboratory conditions

The testlab setup.

21 years ago I wrote Reflections

There’s a new picture by Jessica up at The Mirror Project.

22 years ago I wrote Tales of the Plush Cthulhu

"After vigintillions of years plush Cthulhu was loose once more, and ravening for delight. How He slavered and gibbered! And the stuffed animals fled or went mad at the sight of Him."

22 years ago I wrote The Spiders

From E-Sheep comes one of the best comics I’ve read on or off the internet: The Spiders.