jromanbaker

The dialogue is not great and the acting is average to good, and the characters were all too well-off for my liking. But despite that I sensed gay actors were probably involved in its making and that is a bonus. I did not like their lives as represented here much, but who am I to judge ? Most popular heterosexual mainstream films have the same kind of supposed glamour, and that as they say is Hollywood. The plot is easy to follow. Four guys go away for Christmas, exchanging apartments and they find love. One apartment in Los Angeles and the other in an obscure place that looked like a cute Romanian town. It borders on the unbelievable, but then a lot of films do and we accept the fantasy. Samer Salem as a writer was in my opinion the best actor, and Taylor Frey was fun and at the same time irritating to watch. All four find love and how often does that happen either in life or on film? To sum up it is escapist fantasy and so are most of Vincente Minnelli films and Douglas Sirk. This film is arguably lacking their magic, but it does have a lot of wish fulfilment and to a large extent this is the Hollywood ethos, and most do not complain about that.

The stop motion scorpions, and other nasty creatures released after a volcanic eruption are truly revolting and merciless killers towards each other and humans in this rather unpleasant film. Without giving away too many descriptions the chasing of a child by one of them, and the derailment of a train eating and destroying the victims within made me want to turn my head away. This is a monster film in every sense of the word and unlike others in this genre it does not have a shred of humour in it. Richard Denning and Mara Corday act as best as they can, but are totally eclipsed by the volcanic creatures. Mexico City then becomes under threat and so it goes on. Edward Ludwig directed capably and he made two other films of note, ' Sangaree ' and ' Flame of the Islands. ' The latter film is well worth the watch, but this one is totally adult in its violence, and in my opinion still not suitable for children. In the UK it had an X certificate ( Adults Only ) and seen without cuts.

The beginning of the 1960's introduced a lot of interesting British films, and in my opinion ' West 11 ' is one of the finest. Alfred Lynch was one of the best actors of this period and arguably he was not given enough roles as fine as this. Michael Winner is not among my favourite directors, but somehow he captured well the life of ordinary young people of the pre-swinging sixties London extremely well. The acting is top notch and so is the depiction of the Notting Hill Gate area. By 2024 standards it looks basic but then again ordinary people could afford to live there. The story is simple; a young man tired of routine jobs falls in with a richer man played excellently by Eric Portman who wants to murder his wife, and homes in on Alfred Lynch to do it. Without being at all sensationalist we witness the consequences. The script is finely written, and among the other actors Diana Dors is moving as a woman who feels she can no longer rely on her looks, but does so with stoical resignation. I have no idea why this film is underrated, as it is again in my opinion as good if not better than trendy films such as ' Look Back in Anger ' and ' A Taste of Honey' which I thought were badly cast. An essential London film.