Fergus20
Joined Feb 2021
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Reviews11
Fergus20's rating
This show is odd. It's either a hit or a miss-I'm not exaggerating. Some moments and episodes can be slow, boring, poorly edited, and overly dramatic. Others, however, are nothing short of masterpieces.
When this show gets it right, it tells stories of life, death, happiness, and sadness through what are essentially CCTV cameras. The shots are masterful, the editing is skillful and deeply emotional, and the overall execution can be among the very best in non-fiction TV.
However, some episodes can be painfully mediocre, almost as if produced by a different team. That's why I can't give the show a perfect 10/10.
When this show gets it right, it tells stories of life, death, happiness, and sadness through what are essentially CCTV cameras. The shots are masterful, the editing is skillful and deeply emotional, and the overall execution can be among the very best in non-fiction TV.
However, some episodes can be painfully mediocre, almost as if produced by a different team. That's why I can't give the show a perfect 10/10.
Crafting a compelling show is an art form in itself. Narrating a story using color, camera angles, dialogue, and performances constitutes an art form, irrespective of whether viewers recognize it as such.
"Fleabag" is undeniably a pinnacle of television artistry, weaving emotions through its use of color, camera work, dialogue, and acting. The show's ability to evoke a range of feelings from tragedy to comedy is reminiscent of a masterful painting. Central to its brilliance is the ingenious use of the fourth wall, drawing viewers into Fleabag's world and allowing for personal interpretation.
Critics dismissing this technique as a mere 'gimmick' fail to appreciate its integral role in elevating the show to a work of art. While the first season may have felt experimental, by the second season, "Fleabag" finds its stride, introducing compelling new characters and showcasing stellar performances from the cast.
One of the show's strengths lies in its pacing; it never drags, leaving viewers eagerly anticipating each episode while avoiding the fatigue that can come with overstaying its welcome. Ultimately, "Fleabag" is a sensational piece of television that leaves audiences craving more, a testament to its artful storytelling and unforgettable characters.
"Fleabag" is undeniably a pinnacle of television artistry, weaving emotions through its use of color, camera work, dialogue, and acting. The show's ability to evoke a range of feelings from tragedy to comedy is reminiscent of a masterful painting. Central to its brilliance is the ingenious use of the fourth wall, drawing viewers into Fleabag's world and allowing for personal interpretation.
Critics dismissing this technique as a mere 'gimmick' fail to appreciate its integral role in elevating the show to a work of art. While the first season may have felt experimental, by the second season, "Fleabag" finds its stride, introducing compelling new characters and showcasing stellar performances from the cast.
One of the show's strengths lies in its pacing; it never drags, leaving viewers eagerly anticipating each episode while avoiding the fatigue that can come with overstaying its welcome. Ultimately, "Fleabag" is a sensational piece of television that leaves audiences craving more, a testament to its artful storytelling and unforgettable characters.