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Ratings175
JumeirahSun's rating
Reviews17
JumeirahSun's rating
While The Horse in the Gray Flannel Suit is not great cinema by any means, it will appeal to horse lovers. I enjoyed it, and if I had seen it as a kid I bet I would have loved it. The horse that plays Aspercel is gorgeous, and there is lots of handsome horseflesh around in general. I miss how movies used to feature horses that looked like what they were meant to be (this movie, the Black Stallion) instead of using another breed or different type and assuming the public wouldn't notice if it didn't look or perform like it ought (Black Beauty, Seabiscuit). Also, the riding looks reasonably realistic and the action is fairly accurate to what hunters and jumpers do (and did then).
The human performances are okay--all about what you'd expect from a 1960s Disney movie with such a goofy premise. Young Kurt Russell is cute as a button and just as likable as he is today.
The human performances are okay--all about what you'd expect from a 1960s Disney movie with such a goofy premise. Young Kurt Russell is cute as a button and just as likable as he is today.
I found this movie exhilarating. I'm with you, Bill Maher! That said, this film attempts to cover the basic tenets and idiocies of several of the major religions, namely Catholicism, Judaism, and Islam. It also encompasses evangelical/American/born-again-type Jesus-focused religion, which considers itself "Christian" but I have never understood that title, since Catholics revere Jesus also. But anyway...
Maher is a smart man, and I would like to think that he considered the points I feel were left out of the movie and chose not to include them for the sake of condensing the film. However, there are several facts that I think would have made an even stronger case against mass religion in general:
1. Although Maher mentions several times that the Judeo-Christian Bible was written by men, and therefore contains the fallacies of men, he does not bring up the fact that the Bible has been constantly rewritten, translated from language to language, and amended to suit the needs of those in charge of its distribution -- for most of history since Christ, this was the Catholic Church and its founders. And for those of you who don't know, translation is not an exact science. Languages just do not translate word for word, and the accuracy of the translation depends on the skill, vocabulary, and motives of the translator (a human being, don't forget).
2. Catholicism was successful because it incorporated many old religions. Greek and Roman gods are just a few of those who have direct equivalents among the Catholic saints. Mahar discusses the inherent flaw in a monotheistic religion with bunches of demigods, but he does not point out that Catholicism deliberately found supposedly Catholic replacements for the more ancient, household-type gods. Why? Because those who wanted the religion to succeed decided that people would be more likely to convert to it if it weren't too different from what they were used to. Why did these men want the religion to succeed? For the same reasons that people promote religions today: to gain money and power, particularly in the form of influence. Maher reminds us that the story of Jesus Christ included many elements of older heroes or gods, but the film presents this as a matter of fact, not pointing out that Catholicism was built upon the success of these preceding stories and histories. The types of dramas that move the human spirit have not changed over thousands of years--they have simply been retold and reinterpreted.
3. My third point is more of a question. I was raised as a "nouveau" American Catholic, so I feel that I know a little bit about that religion, but I know next to nothing about Islam. However, it is my understanding that Mohammed did not want images of himself used to promote his teachings. Is this why some Muslims get so mad when an image, ridiculing or not, of the prophet is publicized? I wish Maher had included this, as he did talk a lot about the violence specified in the Koran.
This is a terrific film. It is funny and has a great soundtrack. My hat is off to Maher for his nerve in interviewing people who become belligerent when their religion is questioned. I guess it partly comes from being a comedian--one must have guts and a thick skin! The message of the film, however, is not humorous at all. It is truly terrifying to think of all the murder, torture, and oppression that is perpetuated in the name of religion. Why then, is someone who calls himself "Godly" or "religious" considered to be a person with wholesome morals?
Maher is a smart man, and I would like to think that he considered the points I feel were left out of the movie and chose not to include them for the sake of condensing the film. However, there are several facts that I think would have made an even stronger case against mass religion in general:
1. Although Maher mentions several times that the Judeo-Christian Bible was written by men, and therefore contains the fallacies of men, he does not bring up the fact that the Bible has been constantly rewritten, translated from language to language, and amended to suit the needs of those in charge of its distribution -- for most of history since Christ, this was the Catholic Church and its founders. And for those of you who don't know, translation is not an exact science. Languages just do not translate word for word, and the accuracy of the translation depends on the skill, vocabulary, and motives of the translator (a human being, don't forget).
2. Catholicism was successful because it incorporated many old religions. Greek and Roman gods are just a few of those who have direct equivalents among the Catholic saints. Mahar discusses the inherent flaw in a monotheistic religion with bunches of demigods, but he does not point out that Catholicism deliberately found supposedly Catholic replacements for the more ancient, household-type gods. Why? Because those who wanted the religion to succeed decided that people would be more likely to convert to it if it weren't too different from what they were used to. Why did these men want the religion to succeed? For the same reasons that people promote religions today: to gain money and power, particularly in the form of influence. Maher reminds us that the story of Jesus Christ included many elements of older heroes or gods, but the film presents this as a matter of fact, not pointing out that Catholicism was built upon the success of these preceding stories and histories. The types of dramas that move the human spirit have not changed over thousands of years--they have simply been retold and reinterpreted.
3. My third point is more of a question. I was raised as a "nouveau" American Catholic, so I feel that I know a little bit about that religion, but I know next to nothing about Islam. However, it is my understanding that Mohammed did not want images of himself used to promote his teachings. Is this why some Muslims get so mad when an image, ridiculing or not, of the prophet is publicized? I wish Maher had included this, as he did talk a lot about the violence specified in the Koran.
This is a terrific film. It is funny and has a great soundtrack. My hat is off to Maher for his nerve in interviewing people who become belligerent when their religion is questioned. I guess it partly comes from being a comedian--one must have guts and a thick skin! The message of the film, however, is not humorous at all. It is truly terrifying to think of all the murder, torture, and oppression that is perpetuated in the name of religion. Why then, is someone who calls himself "Godly" or "religious" considered to be a person with wholesome morals?