Tolkien

"A safe fairyland is untrue to all worlds." J.R.R. Tolkien

Although the name Tolkien conjures up thoughts of fantastical tales about hobbits, rings, and magic of the highest order, there's little magic and much reality in the new biography, Tolkien. Yet there is much romance, in fact a genial part of an otherwise difficult life.

In reality this story of J.R.R. Tolkien (Nicholas Hoult), up until he becomes well-known for his fantasies while he is bringing up four children and loving his "elfin" princess, Edith (Lily Collins), has a magic of its own. At the same time, it acknowledges the serious shortcomings of an impecunious genius struggling to be heard in the din of class restrictions and WWI.

Besides the delightful early courtship of Tolkien and Edith, the best romance in a long time as far as I am concerned, is the romance of his boy's club. It started before the four culturally gifted young men enter Oxford and Cambridge and goes through the war, which decimated their little intellectual "fellowship." The support they gave each other, the companionable joy, has rarely been so lovingly captured on film. Lamentably, the boys never develop fully as characters, perhaps because of time restrictions.

Satisfying is his discovery by rhetoric professor Wright (Derek Jacobi), who eventually acknowledges Tolkien's genius with language. For those skeptical about the importance of education, watch Tolkien come alive in Wright's hands.

Although these early years seem accurately reported, the joy of this film is in seeing the slow but inexorable growth from a small boy raptly listening to his mother's fantastical readings to a young man doodling heroic figures on horses and scratching out inchoate stories that will give birth to some of the most influential literature in the Western world.

"If you really want to know what Middle-earth is based on, it's my wonder and delight in the earth as it is, particularly the natural earth." Tolkien

The story and the excellent cinematography alone make for agood film. For some reason they forced in elements that had the effect of pandering to the weak minded. The film would have been much improved if these elements were left out.

It's enough to see a fellowship develop in the prep school and the visual scenes of WWI without CG of dragon silhouettes and ghosts in gas clouds. We audience members can make connections on our own and guess at what inspired him. I doubt he was thinking about dragons while seeing an actual flamethrower used in warfare.

The real story was in the details and they were good.

The film is satisfying for the most part - I just wished there was another hour tagged onto the ending which would show us how he created some of his legendarium.

The film mainly focuses on his friendships and romance with Edith in school - very little of the war was shown. Also showed his relationships with a couple of his teachers.

You will easily see in the film how things connected to his books - hidden references as well obvious ones.

Very good movie if you like biographies, romances and/or Tolkien.

8/10

Tolkien recounts the defining people and moments of the author's life.

Since the Lord of the Rings and the Hobbit movies interest has increased in Tolkien himself. While this film is no adventure it is both funny and touching as the subject evolves like one of the characters in his stories. This is interesting and I did enjoy it.

I'd have preferred it if the timeline had stretched a little bit further and covered more of his life than it does. The flash-forwards were well done up to that point.

I liked, 'Get off the lawn!'

...because it represents more than a biopic. Because it gives a bitter - poetic portrait of familiar things. From friendship to bitter choices, from love to discover of vocation, from war to the most significant small things defining you. Because it is real well acted and has inspired script and propose a version of Tolkien ' s life more touching and precise than I expect. A film about war and passion and friendship and love , seductive for the game of nuances and for a sort of...magic. And, sure, Nicholas Hould seems the most wise option for the roles of real, real special writers.