A passionate holiday romance leads to an obsessive relationship when an Australian photojournalist awakens in a Berlin apartment one morning and is unable to leave.A passionate holiday romance leads to an obsessive relationship when an Australian photojournalist awakens in a Berlin apartment one morning and is unable to leave.A passionate holiday romance leads to an obsessive relationship when an Australian photojournalist awakens in a Berlin apartment one morning and is unable to leave.
- Awards
- 1 win & 23 nominations
Viktor Bashmakov
- Benni
- (as Viktor Baschmakov)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFilming began in Berlin, Germany, and eventually moved to Melbourne, Australia, where Teresa Palmer finished her scenes. Immediately after, she began filming on Hacksaw Ridge (2016) in Sydney, Australia.
- GoofsClare actually does have access to her mobile phone after Andi removes her SIM card because it is possible to make an emergency call without one.
- ConnectionsFeatured in Half in the Bag: Black Widow (2021)
- SoundtracksKottbusser Banger
Written by Oliver Van der Lugt
Performed by Polymath
Featured review
So what we have here, is Fifty Shades of Stockholm Syndrome (Google it if you're unsure what that is, the film will make more sense knowing the definition).
Right off the top, waaaay too slowly paced. I get it, it needed to be a little slow, but not 2 hours (that felt like 3) of slow. Had I watched this film at least 1.25x faster speed, and edited properly, it would have been more enjoyable, and shorter.
The directing was OK, the writing needed tweaking (e.g. the ending was too stale for all that tension that was built up) but the cinematography was on point.
The best part of this film was Teresa Palmer in her role... she aced it. Very convincing and played her emotional roller-coaster well. Max Riemelt was stale and I felt his role should have been cast better or he shouldn't have been as 'flat' as he was. The director needed to direct his role better as he was unconvincing.
The screenplay (combined in part with the score) was the only other positive attribute of this film. The tension was constant, and just when you relaxed, it got built up again.
There were however many plot holes - specifically the amount of defensive weapons available for escaping, such as the heavy pots on the stove, glass from any of the two broken windows that she could have hid pieces and slit his throat while he was sleeping etc... and unnecessary sub-plots (e.g. his dad, the parts when other women touched him and he portrayed a germaphobe).
A few ill-informed reviewers stated it was an independent film, of which it was not. Having production companies left right and center backing it such as: Aquarius Films, DDP Studios, Entertainment One, Film Victoria, Fulcrum Media Finance, Memento Films International, Photoplay Film, Screen Australia, and distributed by Entertainment One, Curzon Artificial Eye, Vertical Entertainment and Netflix... it's clearly not an independent film. For a B-type film with that type of backing, it needed to be much better in my opinion.
So rating it as a B-type film, it's a generous 6/10 from me.
Right off the top, waaaay too slowly paced. I get it, it needed to be a little slow, but not 2 hours (that felt like 3) of slow. Had I watched this film at least 1.25x faster speed, and edited properly, it would have been more enjoyable, and shorter.
The directing was OK, the writing needed tweaking (e.g. the ending was too stale for all that tension that was built up) but the cinematography was on point.
The best part of this film was Teresa Palmer in her role... she aced it. Very convincing and played her emotional roller-coaster well. Max Riemelt was stale and I felt his role should have been cast better or he shouldn't have been as 'flat' as he was. The director needed to direct his role better as he was unconvincing.
The screenplay (combined in part with the score) was the only other positive attribute of this film. The tension was constant, and just when you relaxed, it got built up again.
There were however many plot holes - specifically the amount of defensive weapons available for escaping, such as the heavy pots on the stove, glass from any of the two broken windows that she could have hid pieces and slit his throat while he was sleeping etc... and unnecessary sub-plots (e.g. his dad, the parts when other women touched him and he portrayed a germaphobe).
A few ill-informed reviewers stated it was an independent film, of which it was not. Having production companies left right and center backing it such as: Aquarius Films, DDP Studios, Entertainment One, Film Victoria, Fulcrum Media Finance, Memento Films International, Photoplay Film, Screen Australia, and distributed by Entertainment One, Curzon Artificial Eye, Vertical Entertainment and Netflix... it's clearly not an independent film. For a B-type film with that type of backing, it needed to be much better in my opinion.
So rating it as a B-type film, it's a generous 6/10 from me.
- Top_Dawg_Critic
- Jul 29, 2017
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Mất Tích Ở Berlin
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $28,660
- Opening weekend US & Canada
- $22,916
- May 28, 2017
- Gross worldwide
- $397,783
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 2.39 : 1
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