A lonely college freshman's life is turned upside-down by her impetuous, adventurous stepsister-to-be.A lonely college freshman's life is turned upside-down by her impetuous, adventurous stepsister-to-be.A lonely college freshman's life is turned upside-down by her impetuous, adventurous stepsister-to-be.
- Awards
- 2 wins & 14 nominations total
- Hallway Girl
- (as Andrea Chen)
- Hallway Girl
- (as Shoba Narayanan)
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Featured reviews
The story was very nice, but the writing's cheap/obvious execution ruins it. There is a famous saying that originates from Anton Chekhov that is commonly used in film schools: "show don't tell." This picture breaks that simple saying in almost all of its lines, as characters will just randomly blurt out how they feel - all while keeping a neutral look on their face.
Baumbach has also made a living out of his quick wit and intellectual humor, but unfortunately in "Mistress America," he decided to throw intellect out the window.
There are a few redeeming factors: its Woody Allen-esque use of camera-work, fitting choice of music, and easy to like characters.
Though it doesn't live up to his previous films, "Mistress America" should be watched by Baumbach fans. If you don't like him, you won't like this; and if you haven't seen his other work, I recommend you watch that instead.
The underrated and most talented Gerwig also stars in the movie as Brooke, a free spirit who's leading a whirlwind of a life, with a myriad of part-time jobs but looking to close a deal on a new restaurant, in the Williamsburg section of NYC.
Lola Kirke co-stars here and gives a fine performance as Tracy, a first year college student at Barnard, aspiring to be a writer but having loads of problems fitting in on campus. Brooke and Tracy are slated to be step sisters when Brooke's father and Tracy's mother marry in the near future.
Thus, when Tracy, at the urging of her mother, calls Brooke and they meet for the first time in Manhattan, Tracy finds herself willingly caught up in the cyclone of Brooke's life. Tracy even finds herself using Brooke as inspiration for her short story that she submits to the prestigious Mobius Literary Society at her college.
All of this seems well and good, but for me the problem with the movie is in the dialogue, which often came across to me as mostly pretentious, whiny, and even mean-spirited at times. Thus, the characters that emerged were so shallow and self-absorbed that I mostly lost interest in what would happen to any of them. When that happens to me as I view a film, I start checking the time wondering when it will be finally over.
Overall, Gerwig and Kirke are solid here, with many actors in supporting roles adding much as well. However, as mentioned the occasional clever or humorous line was overshadowed by dialogue that came across to me as affected and pretentious, leading to surfacy and shallow characters.
The writing and delivery of dialogue in the climax of the film is particularly amazing, with fast, witty exchanges filled with little jokes. Yet, the movie vacillates from hilarity to melancholy without warning the viewer, which makes the film all the more special.
The depiction of and commentary on NYC, youth, etc. is all spot on, making this movie worth the watch.
Finally, the soundtrack is excellent too, giving the movie a very alt/indie feel.
Many negative reviewers sadly fail to appreciate the sophisticated writing and humour, along with the truly wonderful job that the lead actors have done in this unpretentious flick.
Did you know
- GoofsWhen Brooke's former high school classmate Anna Wheeler approaches Brooke and Tracy in the bar, Anna mentions that she and her husband have recently seen the play Other Desert Cities, which began previews at the Booth Theatre on October 12, 2011 and closed on June 17, 2012. If the film occurs during Tracy's first semester of college and culminates with Thanksgiving dinner with Brooke at Veselka, then the film would occur in fall 2011. However, when the would-be stepsisters walk through Times Square, a marquee for the revival of Annie is visible. The most recent Broadway revival ran at the Palace Theatre from October 3, 2012 (first preview) to January 5, 2014.
- Quotes
[Last lines]
Tracy: [narrating] Meadow had made rich fat women less fat, and rich stupid kids less stupid, and lame rich men less lame. And she wanted so badly to be on the other side... to be fat and stupid and lame and rich. But what she couldn't see most of all, more than she couldn't see that she was never going to get the restaurant, was that those people were *nothing* compared to her. They were matches to her bonfire. She was the last cowboy, all romance and failure. The world was changing, and her kind didn't have anywhere to go. Being a beacon of hope for lesser people... is a lonely business.
- SoundtracksSouvenir
Written by Martin Cooper and Paul Humphreys
Performed by Orchestral Manoeuvres in the Dark
Courtesy of Virgin Records Ltd.
Under license from Universal Music Enterprises
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Details
Box office
- Gross US & Canada
- $2,500,431
- Opening weekend US & Canada
- $93,206
- Aug 16, 2015
- Gross worldwide
- $3,341,063
- Runtime1 hour 24 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1