THE FRAME is the second film from writer-director Jamin Winans and it represents a significant improvement over its predecessor, INK, on all fronts. The basics of the plot, which is very hard to describe as it is without giving away too much information, is that there are two people, Alex and Sam, who are each going through some difficulties in their lives. Through some weird turn of events they end up meeting and eventually help each other come to terms with their pasts and current realities. I'm possibly missing something, but that was the gist of what I got out of it. The film speaks to the theme of our past defining who we are, to ourselves and others. Both Alex and Sam are in situations that they feel trapped in because of where they've been, but it takes meeting the other to discover that they are the authors of their own stories. And somehow, a dirty, black-clad man with a wrinkled hat who sprays ink on things has something to do with it. I think that to really grasp the fullness of what Winans is doing here requires more than one viewing, and I'll probably return to it at some point. For now, though, I'm just digesting it. In comparison to INK, though, THE FRAME is a much better film. It benefits from a slightly bigger budget, and the camera-work and editing are all improved. Even the acting, while not spectacular, is better than it was in INK. There aren't a whole lot of visual effects, but one effect of people turning into ink did look pretty cool. There's also some playing around with aspect ratios towards the end. Overall, THE FRAME was a visually creative, unique sci-fi/fantasy film that explores themes of redemption and overcoming doubts with sensitivity and a little flair. If you liked INK, then you should check this out but I would also recommend it to anyone who wants something the likes of which they haven't seen before.