A single mother is swept into a dark underworld, while her teenage son discovers a road that leads him to a secret underwater town.A single mother is swept into a dark underworld, while her teenage son discovers a road that leads him to a secret underwater town.A single mother is swept into a dark underworld, while her teenage son discovers a road that leads him to a secret underwater town.
- Awards
- 3 wins & 5 nominations
Thomas McDonald
- Skip
- (as ''Skip' Thomas Pierre McDonald')
Aris Costner
- Marylou a.k.a. Mama Aris
- (as ''Mama A' Costner')
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMatt Smith filmed his scenes during his break away from playing The Doctor on Doctor Who (2005). He had to shave his head for the role of Bully and wore a wig for the last episodes of Doctor Who, which were filmed later on.
- GoofsWhen Bully is under water after the car wreck he is upside down. The heels of his feet are on the car's hood and his head is under water. Yet when he exhales the bubbles go down when they leave his mouth. They should rise.
- Crazy creditsThere is a short scene after the credits in which the street lights switch off again.
- ConnectionsFeatured in Fandor: Ryan Gosling Is a Complicated Heartthrob (2018)
- SoundtracksDeep Purple
Written by Peter De Rose and Mitchell Parish
Performed by Larry Clinton, featuring Mary Dugan
Featured review
It's not often that I am truly perplexed by a film's critical reception. The critical blasting this has gotten truly... perplexes me. I get it, it's not for everyone, but neither is The Tree of Life, or Under The Skin, or even Drive, or countless of other films that managed to get embraced well- enough by many critics, if not most. Sure, the screenplay here needed some work. Sure, it doesn't really seem tightly-woven and it doesn't have any real forward action that seems to be driving the plot. But so what? As a mood piece, this makes the perfect midnight movie. It's visually outstanding, able to capture certain colors and images that I haven't even seen Gosling's good friend Nicolas Winding Refn capture. And yes, this film seems to be heavily influenced by him. I hated Only God Forgives because I found it boring, nonsensical, and totally pretentious, with not an ounce of honest artistry. I found Bronson to be sort of entertaining, but also full of itself. I did like Drive though.
Gosling really shows a certain directorial skill here, even if it's really borrowing from Refn's same style. And unlike Refn's last film, despite how "airy" the screenplay is, the film manages to capture a true emotional core. I actually cared about the three lead characters and felt like I was on this ride with them. The film's deeply ambitious, but it also doesn't feel ponderous or pretentious. I felt like it truly touched on something special that, despite how flawed it is, really made it work. It's somewhat messy, somewhat clumsy, yet I thought it was able to rise above that and work as an actual film, and not just great individual scenes without anything holding them together. Hendricks, De Caestecker, and Ronan are really strong as well and all three manage to hit the perfect pitch for the type of film Gosling wanted to make.
So, what can I say? It's going to be really tough seeing the film get as much hate throughout the year, but I hope it's able to get at least a few more fans and I hope Gosling isn't discouraged from making another film because if he was able to touch the notes that he did here despite all of the flaws, he could very well make a masterpiece soon enough. I can't wait to rewatch this.
Gosling really shows a certain directorial skill here, even if it's really borrowing from Refn's same style. And unlike Refn's last film, despite how "airy" the screenplay is, the film manages to capture a true emotional core. I actually cared about the three lead characters and felt like I was on this ride with them. The film's deeply ambitious, but it also doesn't feel ponderous or pretentious. I felt like it truly touched on something special that, despite how flawed it is, really made it work. It's somewhat messy, somewhat clumsy, yet I thought it was able to rise above that and work as an actual film, and not just great individual scenes without anything holding them together. Hendricks, De Caestecker, and Ronan are really strong as well and all three manage to hit the perfect pitch for the type of film Gosling wanted to make.
So, what can I say? It's going to be really tough seeing the film get as much hate throughout the year, but I hope it's able to get at least a few more fans and I hope Gosling isn't discouraged from making another film because if he was able to touch the notes that he did here despite all of the flaws, he could very well make a masterpiece soon enough. I can't wait to rewatch this.
- Red_Identity
- Apr 7, 2015
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- How to Catch a Monster
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $45,431
- Opening weekend US & Canada
- $20,828
- Apr 12, 2015
- Gross worldwide
- $615,500
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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