Metacritic reviews

The film successfully argues that it’s through sensory details that we access the deeper aspects of our lives.

Palansky had the good sense to let the performances elevate the material, never letting this turn into another cheesy, predictably twisty yarn.

Heading a troupe of excellent actors bringing their A games to this decidedly B-movie material, Dinklage and his fellow performers are a pleasure to watch selling the hell out of this sci-fi-tinged whodunit.

Despite its obviously strong philosophical and emotional interest in the nature of memory, the picture is most satisfying as a whodunit, observing Dinklage's deeply empathetic interviews with those who've been wounded, not helped, by a procedure that was meant to be therapeutic.

Despite a soulful turn by Dinklage and some thoughtful themes and emotions, the film, capped by an anti-climactic ending, never coheres into the gripping, mind-bending package that was clearly intended.

The final effect is akin to that of a Hallmark card inscribed by Christopher Nolan, and it’s that earnest self-importance of tone that finally makes this light sci-fi effort a bit of a trudge, despite Dinklage’s committed and empathetic performance.

Dinklage is a terrific actor who’s always engaging to watch, and he elevates this screenplay’s plot holes and lame dialogue.

The limitations of Palansky and co-writer Mike Vukadinovich's shared vision are, realistically, the biggest problem with Rememory.

Rememory somehow managed to attract Peter Dinklage, Julia Ormond, and other established performers, and yet it completely lets them down.

A hodgepodge of pseudoscientific twaddle and variously shifty murder suspects, Rememory satisfies neither as science fiction nor as psychological drama.