User reviews

It isn't often that a drama manages to capture such a dark and tragic atmosphere, while still maintaining a deep emotional core. The series chronicles four different stories that tie in thematically and paint a gritty, but fundamentally compelling picture of those unseen tragedies that happen every day in our urban world.

The production was excellent, as was the acting. The entire cast did a great job in delivering gripping performances, but special mention must be made to Olivia Colman and Lennie James, who, as always, never cease to impress. This series is an emotional roller-coaster that will leave a lasting impression on the viewer.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Just what I need...another grim, depressing British drama, spread over four parts just to pile it on that little bit more each night. Set in the sprawling, wanton metropolis of East London, this four part TV drama takes an unflinching, uncompromising nosedive in to the world of those it portrays, taking in a council estate mum (Olivia Colman) and her trouble with her murderous, thuggish sons, a recovering drug addict (Lennie James) trying to reconnect with his estranged daughter, and an illegal immigrant Chinese girl (Katie Leung) who gets by trying to flog dodgy DVDs, only to find her family has missed payments to the crime gang that smuggled her in back home, as well as a lap dancer (Jaime Winstone) who comes to know a polish woman who has something of a connection with the man murdered on the estate.

With next to nothing in the way of humour and light, it's the more fundamental stuff that's going to life this above the periphery, in terms of the writing, dialogue and performances, and once again we have another spell binding performance from Olivia Colman, who manages an East London accent very well over her more pronounced real life vocabulary. As probably the most recognizable other stars, James and Winstone also handle the material well, familiar faces in this type of production. Trying to inter connect all these seemingly unrelated stories together, the writers seem to be aiming for a Pulp Fiction style approach. It works nowhere near as well, but all the same, for what it is, Run will impress it's target audience. You just pray they have a sense of humour. ***

The quality of the first three stories was about as good as I have seen for a miniseries.

I found them realistic and dark but in those three stories there was always the unifying theme that some sliver of human decency was struggling to prevail, even in the most inhospitable of environments. It didn't always win, but that struggle was what made the first three stories relatable and linked them together.

The fourth story is completely different. There is no moral struggle. The protagonist acts completely entitled and is even more unlikable than the two yobs at the beginning of the story. Worse, she is just reading the script - there is nothing real for us to see and no soul for us to care about.

Too bad - the first three story lines were very compelling but the ending was so weak and jolting that it ruins the entire effect.

Run is not the stereotypical television program that many might be used to, and rather than being something that viewers may enjoy, or necessarily be entertained by, it captures the attention of all with its raw, taunt, inescapable poignancy, alongside the authentic characters and environments.

Over the course of each forty three minute episode, the creators and actors alike are able to brilliantly capture the characters to an extent, that by the end, we, the audience, feel as though we have known them all our lives. Each episode tells the story of one particular individual, each story eventually leading into the following episode. Rather than viewing the lives of traditional characters, we encounter individuals stricken by financial woe, poverty and social intolerance. A homeless heroine addict, an illegal Chinese immigrant, a Polish woman forced into a hopeless situation, and a single mother, are the four individuals we are introduced to over the course of the story.

Actors, like the always amazing Lennie James (Line of Duty, The Next Three Days, Columbiana)in his portrayal of the addict Richard as he fights to remain clean is as fantastic as it is heart-breaking, while the outstandingly beautiful Katie Leung (Harry Potter) and her interpretation of Chinese immigrant Ying, is not only powerfully mature, but meaningfully heart-felt. BAFTA award winning actress Olivia Colman (Tyrannosaur, Peep Show) as Carol and Katharina Schuttler (The Promise) as Kasia are equally magnificent in their roles, each of the actors commanding the screen with unflinching effectiveness.

Although on occasion I accurately guessed how an episode would conclude, I was never disappointed by the outcome, with every story remaining true to form. Even though characters are forced to occasionally commit unlawful acts, I never once stopped hoping for them. On more than one occasion I was positively bouncing as a miracle occurred in someone's life, while other times I found myself an inch from the screen, biting at my nails as I was swept up in the intensity of the situation.

With a musical score that fantastically conveys the brutality of the crushing moments the characters are forced to endure, Run reminds us that the concept of hope, is one of the most important, sought after emotions of all.

You don't need to agree with my observations, but I will say this; you, dear reader, will be doing yourself a great disservice if you do not watch this show. The writers of this program have developed something that is as rare as it is powerful; someone, please, buy these gentleman a beer; they certainly deserve it.

I see reviews that aren't complimentary about this series and I get why, to appreciate the level of acting in this, from people such as Olivia Colman and Lenny James, you have to take it to the stripped back level of society, amongst criminal activity, survival and the depths where only the super talented can go. This makes the grit real, it creates empathy on a level that would usually be registered and the sliding door effect, creates the ripple. Great series for those who like actors at their best!

This four-parter is set in and around an area of poverty in London; we have four stories that do not intertwine so much as bolt together at either end, with one character connecting to the next in a way. The four stories sees a mother struggling with two teenage boys and a history of male violence; a recovering junkie trying to get back with his estranged daughter; a Chinese illegal selling DVDs to pay off a debt, and forced to do much worse when she falls short; and a Polish cleaner who finds herself needing money and turning to arranged marriages to help. All of the stories are very gritty and downbeat in their tone; there is not a lot of cheer or joy in these films and as the free paper The Metro observed at the time, it was very odd scheduling to show the series in the height of the summer in 2013, which had great weather, sporting achievement in Wimbledon and the Ashes and generally a great positive air to the country – into which these tales of misery were dropped.

For me watching them in October 2014, they perhaps fit a bit better as the nights close in and the UK settles into a typically grey and wet Autumn. The series itself really doesn't need any distractions from the grim grittiness – because it really goes all out for that tone and needs the viewer to be in the mood for that. From the very first episode we have senseless violence, lots of swearing and very little sense of hope or positive vibes; this continues through the episodes as none of the stories hold back from where they are or where they are going – we are firmly in grim, gritty territory here, make no mistake. If anything I think it really does push it too far; at 45 minutes (without adverts) the plots are pretty contained and really have no space for small moments, so if violence or despair can be unleashed, it certainly will be – and soon. The excessiveness is not necessarily gratuitousness, but it does mean that it is very direct, very full- on and doesn't have many smaller touches or nuance to draw the viewer in – you're either with it or you're not.

Fortunately one of the areas where the film does very well is with the casting, and it is here where a lot of good work is done to offset the blunt grimness of the material. This is most evident in the first film where we have the nation's favorite Olivia Colman showing why she does despair better than most. Okay her character is blunt and has obvious 'look, we're gritty' dialogue full of swearing, but she brings out a great character, showing small things about violence in particular (she is a victim of male violence but also happen to use that fear on others when it suits her). The final scene in her episode in particular is excellent. Lennie James is almost as good, as indeed is Leung, who is a long way from Hogwarts here. Schüttler is okay but the least engaging of the episodes, while below this level the characters are a bit more generic and, while they are delivered well, they have less to work with and are more functional, in line with the material given them.

Run is worth a look if you are after a grim and gritty self- contained drama, because on this front it really does a decent job. However it is very one-note in its material and presentation, and it is only its good fortune to have some very good lead performances in there that rise it above the level it would otherwise have been at.

This 4 part drama is not for the jolly hearted but instead more for serious lovers of honest drama. It pulls no punches and is as gritty as it gets. Gut wrenching from all members of the cast. Sadly this excellent seems to have passed by now forgotten.

This one will surprise you. It is gritty and actually sad assuming that it is a reflection of the dark side of the UK. Well acted. There is no happy ending just deep reflection on how some people just have bad luck. You are left with hoping for the best. Should have had a sequel.

Love how this series of separate episodes each connect with each other, whilst you witness the impact of ripple effect.

Quite dark, gritty and everything great about British drama! You will either love it for it's raw truth, or hate it for its tone.

It isn't that all art has to say something I suppose...but the relentlessly downbeat quartet of stories here seems to have little to recommend it. Yes, I know there are lives this grim. So? Am I looking too hard for morals in stories?

There is no significant link between these stories, as though there were enough "art" in a couple happenstance connections (that lead nowhere) to warrant telling them together. I was unmoved and unimpressed. There is some fine acting in episode one, but the other stories were hard to make it through. This portrayal of lower classes in London will always stick with me (and maybe that is enough for making a series?) but there is nothing here to recommend passing along

A new four-part drama aired on TV over 4 consecutive nights. From the adverts it looked brilliant, I was intrigued as to how all the stories would 'link' together and I liked how they was all shown quickly.

To be fair it did start off very well, the 1st episode was great. The storyline was gripping and it had all the makings of a proper British drama.....then it all went down hill for me. The next 3 episodes just seemed completely irrelevant, the way they linked was mainly through something minimal.

I expected this to be something where you see the same story from 4 different people's perspectives but it was just a mess to me and incredibly dull. The best thing about the series was Olivia Colman's performance.

Overall a very disappointing series. 4/10.

Real life is and always be a tangle of cynical story's and there are no happy endings for those on the struggling side.

This series tells that very well.

These stories aren't of people on the fringes of society, rather they depict the heartbreak, ruin, and broken lives of many just struggling to survive. If you're into that sort of thing, you'll get your kicks. Otherwise, you just might feel like slitting your throat.

The acting is good, but the stories are just too dark and brutal for me. I watch TV to be entertained, not to be horrified by what I see. That doesn't mean that this isn't well done, it's just not for me. There's not really any meaningful connection between the episodes, but that's not a failing. Just assume they are four independent shows.