Directed by
Dawn Porter |
Writing Credits (in alphabetical order)
Matthew Hamachek | ||
Dawn Porter |
Produced by
Summer Damon | ... | co-producer |
Julie Goldman | ... | producer |
Carolyn Hepburn | ... | line producer |
Dawn Porter | ... | producer |
Music by
Paul Brill |
Cinematography by
Chris Hilleke |
Editing by
Matthew Hamachek |
Sound Department
Christopher Barnett | ... | re-recording mixer / supervising sound editor |
Jonathan Borland | ... | sound effects editor (as Jon Borland) |
Al Nelson | ... | sound consultant |
James Peterson | ... | sound recordist |
Tony Villaflor | ... | mix technician (as Tony Villalfor) |
Christopher Barnett | ... | sound designer (uncredited) |
John Countryman | ... | audio/video transfer: or video services (uncredited) |
Doug Ford | ... | engineering services (uncredited) |
Ryan J. Frias | ... | digital editorial support (uncredited) |
Michael Levine | ... | audio/video transfer (uncredited) |
Brian Long | ... | engineering services (uncredited) |
Charlotte Moore | ... | post production sound accountant (uncredited) |
Eva Porter | ... | client services (uncredited) |
Visual Effects by
Allison Brownmoore | ... | motion designer (as Allison Moore) |
Editorial Department
Christopher Clements | ... | story consultant |
Will Cox | ... | colorist |
Lulu Friesdat | ... | additional editing |
Hannah Gregg | ... | assistant editor |
Phil A. Raymond | ... | associate editor (uncredited) |
Music Department
Greg Cahn | ... | composer: theme music |
Ozzy Doniz | ... | composer: theme music |
Ruwanga 'Ru' Samath | ... | composer: additional music |
Additional Crew
D.K. Dang | ... | production staff |
Thanks
Phil Benson | ... | special thanks |
John Countryman | ... | special thanks |
Doug Ford | ... | special thanks |
Ryan J. Frias | ... | special thanks (as Ryan Friis) |
Ryan Harrington | ... | special thanks |
Lilly Hartley | ... | special thanks |
Michael Levine | ... | special thanks |
Brian Long | ... | special thanks |
Eva Porter | ... | special thanks |