15 years after leaving behind their careers as superspies by faking their deaths, Emily (Cameron Diaz) and Matt (Jamie Foxx) have started a family and now live a quiet suburban life with their teenage daughter Alice (McKenna Roberts) and young son Leo (Rylan Jackson) while dealing with parental challenges like teenage rebellion and screentime. After following their daughter to a late night rendezvous at a night club where they use their martial arts training against some aggressive young men, the two are visited by their former handler Chuck (Kyle Chandler) who warns them the video of their fight has gone viral and that both the CIA and arms dealer Gor (Robert Besta) will likely track them down in the hopes of acquiring the ICS, a digital weapon that Matt hid unbeknownst to Emily if in case they ever needed leverage and to keep it from falling in the wrong hands. After Chuck is killed the two flee with their children while dodging assassins and mercenaries as they head to England where the ICS is hidden with Emily's estranged mother Ginny (Glenn Close).
Back in Action is the latest star studded genre film from Netflix and comes to us from writers Seth Gordon and Brendan O'Brien the former of whom also directs. The film marks Foxx's fourth collaboration with the streamer following works like Project Power, Day Shift and they very enjoyable They Cloned Tyrone and also marks the first role for Cameron Diaz since 2014's Annie after the actress took a hiatus due to the travel demands of acting. Back in Action doesn't break any new ground when it comes to this kind of high concept action-comedy film, but despite being pure formula it is elevated by the strong chemistry and comedic timing of Foxx and Diaz.
Back in Action follows a similar framework you've seen with this type of format which can be traced back to things like True Lies from the 90s or Romancing the Stone and its various immitators of the 80s (like American Dreamer for instance). This kind of format has been used time and time again (This Means War, Killers, The Spy Who Dumped Me, Ghosted, etc.) and if you're familiar with the formula it's very much in play here. The opening sequence involving Emily and Matt infiltrating Gor's mansion to obtain the ICS is actually quite well done and features some good choreography even if the plane crash sequence maybe is a tad overdone. It helps that Diaz and Foxx do have really good chemistry with each other and it's a marked improvement from last year's Argylle that had terrible chemistry between its leads and an overly bloated runtime. The first act after the opening sequence is probably the weakest part of the film with some very on the nose "generation gap" humor with Alice and Leo two-dimensional Gen Z and Gen Alpha archetypes whose position is really only to react to the reveal of their parents superspy past without really being fully fleshed characters themselves and it's the kind of thing that feels very "sitcom" in its usage of awkward humor. Once the family is forced on the run it adheres pretty closely to the patterns of this kind of formula action comedy but there are some amusing moments especially with Glenn Close as Emily's mother and some good against type stunt casting where the prior roles associated with two actors help make a pretty obvious twist have more weight than you'd expect.
Back in Action is not a great movie but it's a decent rental especially when you consider prior spy films from last year like Canary Black and Argylle that didn't work at all. If this were a theatrical film, I'd say it's something you can rent and be reasonably entertained. Take that for what you will.
