A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.
- Awards
- 3 nominations
Babis Hatzidakis
- Stall Keeper
- (as Babis Chatzidakis)
Stella Fyrogeni
- Barmaid
- (as Stela Fyrogeni)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaViggo Mortensen on his character's wardrobe: "I particularly liked the white linen suit that you see in the poster that Chester wears, and in a way that's another character in the movie because the journey of that beautiful cream-colored linen suit, on the Acropolis in the sunshine in the beginning, this immaculate, perfect, fits perfectly, looks great. You see that suit at the very end of the story, and that suit's been through it, it's a bit torn, it's frayed, it's not as clean as it was, it's suffered almost as much as the man wearing the suit."
- GoofsIn the beginning Rydal recounts the legend of Aegeus on the steps of the Acropolis and says that it was there that Aegeus jumped to his death after his son, Theseus returned from Crete and forgot to change the black sails to white to denote his success. This is untrue; you would not be able to see the Aegean from the Acropolis, anyway. According to the legend Aegeus was waiting for the ships to arrive at Cape Sounion and when he saw the black sails he plunged into the sea (which is called the Aegean Sea after him). It is unlikely that a tour guide would not know how to recount the legend properly.
- Quotes
Chester MacFarland: I'm sorry I disappointed you.
- Crazy creditsAfter the production company logos, there are no opening credits.
- ConnectionsFeatured in Film '72: Episode dated 5 March 2014 (2014)
Featured review
I have to applaud Hosseini's directorial debut. "The Two Faces Of January" takes us mostly to the 1960's Greece, with three main characters in focus.
Beautifully shot, this visually stunning period-piece (if I can call it that) relies on story and characters rather than trying to impress with extravagant plot twists and special effects. The narrative is very well balanced and restrained from the hyperactive traps of modern cinematic storytelling.
Good acting from everyone involved and my compliments to the music composer too, for providing a very fitting soundtrack.
This is classic film making. Nothing innovative but very beautiful to look at, a fitting choice to watch on a lonely evening.
Beautifully shot, this visually stunning period-piece (if I can call it that) relies on story and characters rather than trying to impress with extravagant plot twists and special effects. The narrative is very well balanced and restrained from the hyperactive traps of modern cinematic storytelling.
Good acting from everyone involved and my compliments to the music composer too, for providing a very fitting soundtrack.
This is classic film making. Nothing innovative but very beautiful to look at, a fitting choice to watch on a lonely evening.
- spaceman88
- Sep 28, 2014
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Tháng Giêng Hai Mặt
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $31,000,000 (estimated)
- Gross US & Canada
- $507,463
- Opening weekend US & Canada
- $43,116
- Sep 28, 2014
- Gross worldwide
- $13,551,951
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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By what name was The Two Faces of January (2014) officially released in India in English?
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