The plot: An obnoxious man-child attempts an ill-fated romance with an equally broken woman, while coming to certain realizations about his life.
Dark Horse is not an easy movie to watch, but when have any Todd Solondz movies been easy to watch? His unflinching, brutally honest portrayals of flawed people make him popular with the indie crowd, but it's difficult to recommend his movies to anyone else. It's difficult not to identify with the parade of eternal losers of Solondz's movies, no matter how flawed they are, because, really, these people are us. We might try to deny it, of course, but the truth of the matter is that his movies are just too uncomfortably real for many people to enjoy. You might not be an awkward, depressed girl or an obnoxious, entitled man-child, but there's probably some aspect that you can relate to. If not, then you probably know someone like this. Solondz knows who we are, and he knows our society.
Dark Horse continues a rather surreal and artistic direction for Solondz. Fantasy, dreams, and reality all freely intermix. It might leave some audiences a bit confused, but it's usually pretty obvious which are which. In fact, I really enjoyed some of these scenes, because they opened the door to really inventive narrative and metaphor. In some ways, it was like David Lynch, but without the free-form stream-of-consciousness. These scenes really illustrate the characters better than any traditional scene could. The hilariously banal conversations are another nice touch. Anyone who appreciates irony will certainly enjoy them, though the irony-impaired, I think, will possibly hate this movie.
Solondz's characters have arguably never before been so depressed, bitter, and broken. If you're looking for an uplifting story, full of inspirational and likable characters, this is not the movie for you. Solondz is the undisputed master of strangely sympathetic portraits of society's biggest losers and weirdos. This one will hit pretty close to home for many geeks.
