STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful
Henry VIII (Jude Law) returns from battle, ailing and injured. His present wife, Katherine Parr (Alicia Vikander) has an alliance with Anne Askew (Erin Doherty), a radical who still preaches the Protestant faith with a group of fellow followers. After executing a friend of Katherine's, she is forced to maintain a solid show of unity with her monarch husband, as he cracks down on the Protestant rebels, and all who support them.
While I did have a brief fixated interest in the Tudors and Stuarts as a young boy, it gradually faded over time. But one that remained ingrained in my, and probably many others who studied the topic, was King Henry VIII, a figure as large in figure as he was in life, the rock and roll king, who played by his own rules and lived his life in full blown bombastic fashion, in a manner that would make Donald Trump and Boris Johnson blush. Director Karim Anouz's historical drama delves into his being with unreserved zeal, portraying him as the tyrannical monster he truly was.
In the lead role, what must be a heavily made up Jude Law portrays said king, completely unrecognisable as a result of his transformation, but still able to deliver quite a compelling performance. In the other central roles, Vikander and Doherty are two powerful, commanding female leads, in roles as vital to the accuracy of the tale as the main character, complimented by a supporting cast including Sam Riley and Eddie Marsan. Anouz certainly doesn't hold back visually either, with some full on sex and violence. Despite all of this, however, there is never enough spark and energy in the script to really give it the power it needs.
In the present turbulent times with 'strongmen' leading everywhere, this is an even more prescient and inspiring idea for a film. The performances are strong and the era recreation is convincing, but they're sadly let down by a script that doesn't match them. ***
