The Munsters

I always preferred The Munsters over The Addams Family. After hearing a lot of negative reviews about this film, I still decided to watch the movie. Of all the negative rants I have read, the reviews missed one major problem- The cast doesn't have the wit to pull this film off. It's just meh for me.

The original cast (Fred Gwynne, Yvonne DeCarlo and Al Lewis) could run rings around the dialogue given. The new cast seems to not want to bother turning in a performance.

The film has too much of a TV movie feel. It might work well for children but not fans of The Munsters

I can see why Universal chose not to release this film to the theaters.

Well, that sucks. No, not the movie. I just wish it had.

I love 10/10 star movies as equally as I do 1/10 ones. For every The Silence of the Lambs there's The Room. The Birds to Birdemic. Since I had very little interest in this - so much so, I did NOT at all know this movie even being made until the trailer dropped in July, I watched the enormously hated trailer. My eyes even got big because I wanted to see the disaster unfold in front of me.

So, I guess you could say I was disappointed with how not bad it was. Great? NO. Good? Eh. Depends. How bad of a fan are you of the classic 1960s sitcom? On a scale of 1-10, are you a 100? You might be the target audience!

This is the prequel tale of Herman Munster's creation and meeting his soul mate, Lily with her grandfather in tow. Through some sitcomish hijinks, the Munsters are bankrupt and need to, well, just tell jokes and accident their way through to the end credits segment.

Right. Well, I didn't hate it. Sure, some scenes and a ton of jokes didn't work, but this was written, shot and acted like it was just an overlong episode from 1964. This, sadly was not modernized whatsoever. I would've loved if it took the route of The Brady Bunch from the 90s or even The Addams Family, same decade. So, you'll have to accept this humor and style is solely from the mid-60s.

Once that was established early on, I accepted it and admittedly, I chuckled throughout and even busted out laughing a couple of times. The first and one I remember the most was Herman's intro and the piano. Totally caught me off guard.

What's really missing is the children. But this sounds like it was Rob's advertisement for a sequel which would produce the children. Though, it still worked as the introduction of the leads.

I did love how Rob owned the bright colors, Dutch angles and other sitcom tricks of the past decades. Plus, a ton of the background props and signs totally cracked me up.

This is only recommended for those DIE-HARD OG 60s Munsters fans or people who can accept this basically is that series in a nutshell and not freakout on how un-modern it is.

***

Final Thoughts: The show was a favorite of mine in syndication as a child in the 80s. Used to watch this back-to-back with The Addams Family and loved both equally. I truly admired even though these were both sitcoms about fish-outta-water macabre families, they were truly different in tone. So, I appreciated both for their own styles.

The writing is awful, overall, but the plot line wouldn't matter much if the "jokes" were even slightly amusing.

It almost seems like the main goal was to make sure that no one wants more of this garbage!

The costumes were great and the sets were pretty cool, but there wasn't much else positive about this movie.

I do want to mention that Shari Moon Zombie obviously put in some time and research watching Yvonne Decarlo as Lily. It was great to see the same mannerisms and expressions, but most of the performances fall flat. This stands out even more with the over the top nonsense that simply isn't funny at all.

The Munsters is a strange one. The first hour is completely abysmal and is verging on one star territory. The second half picks up and once they become a family and the movie more resembles the tv show, it is a lot better.

All the stuff with Dr. Wolfgang & Floop is played so over the top (like all the movie) it becomes a distraction and takes you out of it. Richard Brake's performance is definitely the worst in the film. The early scenes with 'Nosferatu' were also a bad choice.

The last half hour when the Munsters move into their new home is well done and is almost like a confined episode in itself. I wish the whole movie was like this and not the excruciating first hour we are treated to. It would have been good to see Eddie at least for a little bit or even hint at the idea of him towards the end.

The Munsters is ultimately a frustrating failure as Rob Zombie shows flashes of promise and clearly has a love for the project but the first hour of the movie really is unforgivable.

I'll be honest, the second i saw the obviously out of place title card - my heart sank a little. I interpreted it as a sign of things to come, and i wasn't entirely wrong.

While i did enjoy some aspects of this film, it felt so tonally off, and it wasn't helped by certain cinematic choices. It feels like it tries too hard with the visual humour when the strong suit of The Munsters has always been subtle humour with an alternate take on modern life, but Rob Zombie's choice to structure the film as a cartoon come to life just feels like an unnecessary step to take since you're dealing with what're essentially Universal horror monsters. The transitions are incredibly jarring and they really take you out of the moment, and since they're so frequently spaced throughout the film and get worse with each one it really feels like the film never even has a chance to get going. Which is only made worse but the strange pacing of the plot and and a very sudden ending that comes out of nowhere.

As for the cinematic choices, not concerning transitions, the green lighting is so disheartening. It's unbelievably overused and it takes so much away from some of the more beautifully detailed sets. I can't really think of why it's used so much, other than perhaps as an homage to the green skin of the black and white characters that was always hinted to in the sixties show, but when you have actors caked in colourful makeup the lighting just comes across as another unnecessary presentation choice.

It's not always pleasant to look at and the jokes don't always land, but it does have it's enjoyable moments - such as Richard Brake's overly campy performance channelling Vincent Price from his B movie performances in the Roger Corman 'Poe' movies - yet it's hard to justify the film's existence on that basis since it doesn't have much to offer fans of the source material, and i honestly can't see this depiction of the characters appealing to a new generation of fans.

There have been numerous attempts to reboot this series since the 1960s (and not to doom this movie to failure just yet), but none of them have been successful in their attempt at rebooting the property. However, it still feels as though it has been done better, and on more than one occasion. In 1995, Fox's Halloween TV special "Here Come the Munsters," was a delightful reiteration of The Munsters which provided the family an origin and was effective in spawning another sequel and being as close to the original series as you could get. And more recently the Halloween special in 2012, "Mockingbird Lane," provided the family with a much darker edge that they desperately needed to settle into a new century, and sadly this reboot did fail. But in comparison - especially as Tim Burton's "Wednesday" series is soon to be released - i do think a more serious and darker take on The Munsters is what would have been needed in 2022 instead of a rehash of the original show which just exists as a queer vanity project for a hardcore fan of the show.

I am a huge fan of The Munsters and Rob Zombie's but sadly this just felt a little off to me. And maybe it's just because i really wanted to like it, but can't avoid it's abundantly obvious flaws.

I will give it another chance, since it does have a certain appeal, and i may bump it up to three stars depending on how i like the film when i watch it in black and white. Nevertheless, on a first watch for a big fan, I'm completely split down the middle.