A physical therapist falls for the basketball player she is helping recover from a career-threatening injury.A physical therapist falls for the basketball player she is helping recover from a career-threatening injury.A physical therapist falls for the basketball player she is helping recover from a career-threatening injury.
- Awards
- 1 win & 11 nominations total
Mike Fratello
- Mike Fratello
- (as Michael R. Fratello)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn the original shoot Kanye West and Amber Rose shot a courtside scene at one of the games. Before the movie was released Kanye had his Taylor Swift moment at the Grammy's which could be why his scene was cut.
- GoofsThe scene where Leslie meets Scott while pumping gas after the game. You are not allowed to pump your own gas in NJ and OR, so she couldn't have been doing so in East Rutherford.
- Quotes
Leslie Wright: He can't even open up the gas tank until I hooked him up.
- SoundtracksDreaming
Written by Nikki Leonti and Rich Skillz (as Richard "Rich Skillz" Velonskis)
Performed by Nikki & Rich
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
Featured review
Both Leslie Wright and cousin Morgan Alexander are big Nets fans; however while Leslie is a fan of the team, Morgan is more interested in landing herself a husband and becoming a NBA-wife. When Leslie chances upon a meeting at a gas station with loyal Nets point guard Scott McKnight, she gets an invite to his birthday party and of course Morgan springs into action. Morgan has the looks to capture her man but Leslie appears to have more in common with him. When Scott gets injured, Leslie is employed as live-in physiotherapist supporting his attempts to save his NBA career.
I didn't expect Just Wright to be a great film but I was happy to meet it on its own genre ground and play by its rules. The reason for this was my ongoing interest in Common's acting career; this is perhaps founded in bitterness since he has only done one album since he started focusing on the acting (and it was rubbish) – so I'm keen to see the projects that make the loss (IMO) of such a great artist worthwhile. Since he was the leading man here I thought perhaps this would be the one. The problems with it start immediately as the plot is overly messy, getting a lot of establishment done very quickly – meeting Scott, proposing to Morgan, getting injured, getting Leslie into the job; all work done just to get to the "once they spend time together they find one another" part of the film that we all know is coming. This rather serious and rapid stuff gives the first half of the film an overly earnest air that it doesn't warrant, can't carry and never escapes.
The second half of the film see the film become about the professional couple of Leslie and Scott and this focuses on them being together and finding a chemistry. It is obvious and a bit cheesy but it is what the whole film should have been like (and the film be only 90 minutes long as well). However this is not to say that this part is particularly good either – the main problem is that the material is not particularly inspired, nor is it particularly charming. It is this second quality that is missing most because this sort of film needs charm to make the formula work. Sadly the material doesn't produce it and the chemistry between the two leads is not all it should be.
This is not down to Latifah though, because she works her sparkle for every last drop – she literally gives 100% in every scene and it does show. Common, on the other hand, misjudges his material – partly because he has to deal with more of the "earnest plotting" in the first half. He carries his character too serious and too earnestly to get the mood right. He works "OK" with Latifah but the chemistry just doesn't work as well as it should and it is partly his fault. Patton looks good despite having a terrible character who is all about being a plot device in the weaker first half. Meanwhile the cast is packed with faces from black entertainment (Rashad, Grier) and lots of NBA players showing up – presumably to make the film more marketable thanks to their presence.
Just Wright does start to get a bit better in the second half when the messy and serious plot setting is done and Latifah's sheer work-rate starts to win the viewer over, but she cannot do it alone and indeed she doesn't. It is not an awful film but it should have been more formula focused, stayed closely to the genre and have delivered the material to match the effort put in by Latifah. Sadly this is another film that makes Universal Mind Control feel like an even worse album than it was.
I didn't expect Just Wright to be a great film but I was happy to meet it on its own genre ground and play by its rules. The reason for this was my ongoing interest in Common's acting career; this is perhaps founded in bitterness since he has only done one album since he started focusing on the acting (and it was rubbish) – so I'm keen to see the projects that make the loss (IMO) of such a great artist worthwhile. Since he was the leading man here I thought perhaps this would be the one. The problems with it start immediately as the plot is overly messy, getting a lot of establishment done very quickly – meeting Scott, proposing to Morgan, getting injured, getting Leslie into the job; all work done just to get to the "once they spend time together they find one another" part of the film that we all know is coming. This rather serious and rapid stuff gives the first half of the film an overly earnest air that it doesn't warrant, can't carry and never escapes.
The second half of the film see the film become about the professional couple of Leslie and Scott and this focuses on them being together and finding a chemistry. It is obvious and a bit cheesy but it is what the whole film should have been like (and the film be only 90 minutes long as well). However this is not to say that this part is particularly good either – the main problem is that the material is not particularly inspired, nor is it particularly charming. It is this second quality that is missing most because this sort of film needs charm to make the formula work. Sadly the material doesn't produce it and the chemistry between the two leads is not all it should be.
This is not down to Latifah though, because she works her sparkle for every last drop – she literally gives 100% in every scene and it does show. Common, on the other hand, misjudges his material – partly because he has to deal with more of the "earnest plotting" in the first half. He carries his character too serious and too earnestly to get the mood right. He works "OK" with Latifah but the chemistry just doesn't work as well as it should and it is partly his fault. Patton looks good despite having a terrible character who is all about being a plot device in the weaker first half. Meanwhile the cast is packed with faces from black entertainment (Rashad, Grier) and lots of NBA players showing up – presumably to make the film more marketable thanks to their presence.
Just Wright does start to get a bit better in the second half when the messy and serious plot setting is done and Latifah's sheer work-rate starts to win the viewer over, but she cannot do it alone and indeed she doesn't. It is not an awful film but it should have been more formula focused, stayed closely to the genre and have delivered the material to match the effort put in by Latifah. Sadly this is another film that makes Universal Mind Control feel like an even worse album than it was.
- bob the moo
- Dec 29, 2010
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Doğru Hamle
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $21,540,363
- Opening weekend US & Canada
- $8,284,989
- May 16, 2010
- Gross worldwide
- $21,584,424
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