Adam and Eden fell in love as teens despite the fact that they live on twinned worlds with gravities that pull in opposite directions. Ten years after a forced separation, Adam sets out on a... Read allAdam and Eden fell in love as teens despite the fact that they live on twinned worlds with gravities that pull in opposite directions. Ten years after a forced separation, Adam sets out on a dangerous quest to reconnect with his love.Adam and Eden fell in love as teens despite the fact that they live on twinned worlds with gravities that pull in opposite directions. Ten years after a forced separation, Adam sets out on a dangerous quest to reconnect with his love.
- Awards
- 6 nominations total
Holly Uloth
- Paula
- (as Holly O'Brien)
Storyline
Did you know
- TriviaThe scene where Adam first puts on the weights and flips upside down is actually shot in a room that is suspended in a giant wheel. The room, and everything inside it, moves 360 degrees. The camera moves with the room, so motion is not detectable, other than Adam flipping upside down.
- GoofsWhen Adam and Eden try to escape from the police for the second time, near the end of the movie, Adam is holding Eden on his shoulders jumping through the big blocks of stone. When a man fires and hits the wire that holds the stone where they're standing, they fall down and Eden grabs the chain with one hand, and Alan with the other one. Then she is forced to let Adam fall down, but doing it, the gravity of her planet should attract her and cause her to fall in the opposite direction of Adam. You can obviously notice that this doesn't happen: Adam falls and Eden is still holding herself to the chain to avoid falling down in the same direction of Adam.
- Crazy creditsThe title appears in its stylized state at the beginning: "UPSIDE NWOD"
- ConnectionsFeatured in Starfilm (2017)
- SoundtracksDriftwood
Written by William Wei
Performed by Aggie Hsieh and William Wei
Featured review
If there is one thing "Upside Down" has going for it, it's the visuals. Good God, the film is gorgeous to look at. We've seen hints of a similar visual style in the "Total Recall" remake and "Inception," but the filmmakers milk the unique look in "Upside Down" in as many frames as possible. At times, the visual puns can be a bit too obnoxious to the point it becomes stupid, but overall, they portray the "dual gravity" idea really creatively. Of course, with fantasy films like this that operate within its own set of rules, you usually have to ignore the implausibilities and just go along for the ride.
However, the story is a whole different matter. As the film opens to explain the world's rules through voice over rather than showing it on screen, I knew I was in for trouble. Within the first five minutes, exposition after exposition is thrown to the audience at such a quick pace it's almost impossible to keep up. It also doesn't help that the dialogue is downright embarrassing. With the film's over-reliance on narration, "Upside Down" leaves little time for its characters to develop which consequently makes the story as a whole feel contrived.
For example, the love interest that grows between the film's two main characters comes out of nowhere. Unfortunately, actors Jim Sturgess and Kirsten Dunst don't have the chemistry to sell their newfound romance authentically as well. Every story development feels fake and mechanical where it should feel natural. Furthermore, the film lacks any real climax, so the last 20 minutes where everything should build up to a resounding resolution, instead, just fizzles out to an anti-climatic, deus-ex-machina-like ending as if the story didn't know how else to end.
"Upside Down" has a great idea that should have been a lot better than it ended up being. However, it's obvious the filmmakers were more interested in focusing on the visuals than actually telling a good story. "Upside Down" proves that as awesome as visuals can be, it can't overshadow incompetent storytelling and a weak plot.
However, the story is a whole different matter. As the film opens to explain the world's rules through voice over rather than showing it on screen, I knew I was in for trouble. Within the first five minutes, exposition after exposition is thrown to the audience at such a quick pace it's almost impossible to keep up. It also doesn't help that the dialogue is downright embarrassing. With the film's over-reliance on narration, "Upside Down" leaves little time for its characters to develop which consequently makes the story as a whole feel contrived.
For example, the love interest that grows between the film's two main characters comes out of nowhere. Unfortunately, actors Jim Sturgess and Kirsten Dunst don't have the chemistry to sell their newfound romance authentically as well. Every story development feels fake and mechanical where it should feel natural. Furthermore, the film lacks any real climax, so the last 20 minutes where everything should build up to a resounding resolution, instead, just fizzles out to an anti-climatic, deus-ex-machina-like ending as if the story didn't know how else to end.
"Upside Down" has a great idea that should have been a lot better than it ended up being. However, it's obvious the filmmakers were more interested in focusing on the visuals than actually telling a good story. "Upside Down" proves that as awesome as visuals can be, it can't overshadow incompetent storytelling and a weak plot.
- moviewizguy
- Feb 1, 2013
- Permalink
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Details
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $105,095
- Opening weekend US & Canada
- $28,722
- Mar 17, 2013
- Gross worldwide
- $22,187,813
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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