Halloween II (2009)

Awards
- 1 win & 1 nomination

Videos2

Trailer 1:01

Halloween II: TV Trailer

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Director
- Rob Zombie
Writer
- Rob Zombie
All cast & crew
Production, box office & more at IMDbPro

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Trivia
When Rob Zombie had to have a few days worth of footage shipped off for developing at the start of production, the film canisters were accidentally x-rayed by airport security, ruining the film reels and forcing several days worth of re-shoots.

Goofs
(at around 42 mins) During Loomis's interview in front of the dilapidated Myer's house it is obviously not the same house used in the previous film.

Quotes
[from alternate ending]
Michael Myers: [before stabbing Loomis] Die!

Crazy credits
Stills of crime scene photographs of Michael's murders are shown over the credits.

Alternate versions
The Director's Cut runs 14 minutes longer (119 minutes). Among the changes:
The opening scene with Laurie walking and Loomis being placed into the ambulance is longer.
The hospital dream scene has an extra sequence of Laurie attempting to cross over a pile of bodies.
An on screen title that said "One Year Later" in the Theatrical Cut now says "Two Years Later."
During the breakfast scene, Laurie and Annie now argue about going to the psychiatrist.
More dialogue with Laurie and the psychiatrist. Laurie looks at a framed inkblot on a wall and says that it looks like a white horse.
Loomis' press conference is expanded. Loomis discusses Michael's Oedipal complex, as well as the idea that Michael perhaps saw Loomis as a father figure.
Added sequence where Laurie runs a bath and begins to freak out.
Laurie stopping to play with a pig on her way to work is removed. She instead goes to the psychiatrist and tells her about playing with the pig (we see a few seconds of it, now in flashback), and how it triggered a nervous breakdown of sorts. When the shrink denies her more pills, Laurie freaks out and swears.
The scene where Annie finds Laurie drinking a beer in her room has been expanded: They have another fight.
A non-masked Michael (along with Young Michael and his mother) angrily looks at a billboard that advertises Loomis' book.
When Laurie and Maya come home from the party, there is a short added sequence of them making tea in the kitchen prior to going upstairs. There's also an added shot of Michael apparently walking out of the house.
Brackett's reaction to finding Annie's body is longer, containing video flashbacks of real-life actress Danielle Harris as a child.
The ending is significantly different: After Loomis enters the cabin, Michael throws him through a wall, and the two of them wind up outside. Michael then removes his mask, yells "DIE!", and stabs Loomis. The cops then open fire and kill Michael. Laurie then comes out, takes Michael's knife, and approaches Loomis with it, implying that she may stab him. The cops then open fire on her and seemingly kill her. We then fade to the same hospital footage seen at the end of the theatrical cut as a cover of "Love Hurts" plays on the soundtrack.

Connections
Featured in The Rotten Tomatoes Show: Inglourious Basterds/Post Grad/World's Greatest Dad (2009)

Soundtracks
Eine Kleine Nachtmusic 2nd Mvt.
Written by Wolfgang Amadeus Mozart (as W.A. Mozart)
Performed by Rundfunkblasorchester Leipzig (as Leipzig Radio Concert Orchestra)
Courtesy of DeWolfe Music

Halloween II picks up where the last film left off with Laurie Strode a complete and utter basket case. She lashes out at her friends, her psychiatrist, and anyone else in her way. To make matters worse, Dr. Loomis has just released a new tell-all book about the events of the last film, revealing that Laurie is actually Michael Myers' sister which sends her into an even deeper depression as the anniversary rolls around and Michael returns to carve up a new batch of victims.

Writer/director Rob Zombie deserves a massive amount of credit for doing his own thing here. Whereas his first film felt like a less effective paint by numbers remake of John Carpenter's film with just a few of his own flourishes poking through, his sequel is one of the more interesting installments in the series.

There's a lot in this film that feels forced or out of place like most scenes with Michael Myers visiting with visions of his mother, his younger self, and a random white horse, but the dramatic moments between survivors Laurie, Annie, and Annie's father are heartbreaking and played with an unbearable amount of realism.