Five friends who reunite in an attempt to top their epic pub crawl from twenty years earlier unwittingly become humanity's only hope for survival.Five friends who reunite in an attempt to top their epic pub crawl from twenty years earlier unwittingly become humanity's only hope for survival.Five friends who reunite in an attempt to top their epic pub crawl from twenty years earlier unwittingly become humanity's only hope for survival.
- Awards
- 4 wins & 28 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFelicity, Andy's assistant from the start of the film, is named after a young woman from Stockport, called Fliss, who tragically passed away. She was a massive Simon Pegg fan and he had sent her signed pictures at the request of her dad when she was ill. She passed before she could receive them. When Simon Pegg found out, he wrote the character into the movie in her memory.
- GoofsWhen Gary crosses off the 10th pub on the map, the figure of the "modern art" statue can be seen on the map just below the second and third pubs. But since this is the same map he used for the original crawl before The Network arrived, and since the statue is apparently part of The Network, it should not appear on the map. It is also apparent that the statue was not there at the time of the original Golden Mile since they wonder about what it is when they pass it earlier in the night.
- Quotes
Oliver Chamberlain: WTF, Gary. WTF.
Gary King: What the fuck does WTF mean?
Peter Page: [getting out the cubicle] What the fuck?
Gary King: Ooohh yeah!
- Crazy creditsPeople going to see the film at the Broadway Cinema in Letchworth, the location for the outside of The Mermaid, were shown a short clip beforehand featuring Simon Pegg, Edgar Wright and Nick Frost, welcoming them to the cinema and hoping they enjoyed watching it from inside one of the filming locations.
- ConnectionsFeatured in Projector: The World's End (2013)
- SoundtracksSummer's Magic
(Luc Aulivier, Jacques Charriere, Serge Danot, Alain Legrand, Mark Summers)
Performed by Mark Summers
Courtesy of Island Records Ltd
Under license from Universal Music Operations Ltd
Featured review
When you're the third film in an unofficial trilogy that includes Shaun of the Dead and Hot Fuzz then there is a lot of pressure on you to maintain that quality and unfortunately this film doesn't do that. There are good aspects to this comedy but not enough of it really comes together well enough to make it stand up to the previous two films. The plot here sees Gary King trying to reclaim happiness by convincing a group of his friends to revisit the "good old days" by going on a pub crawl they attempted when their lives lay ahead of them and they felt full of potential. However, when they do return to their home they feel like they have changed too much and should never have come back – but they are only half right, because they should not have come back, although it isn't them that has changed.
I like the ideas behind this film. On one hand we have a sci-fi movie which owes its debts to 1950's America while on the other we have a very British plot involving a pub crawl and someone who can't let go of the time in his life where he felt important and potent – a time which has left him behind and now appears a bit pathetic to still be trying to be the person he was rather than just moving on. This is a nice idea and it is one that occasionally goes somewhere but far too frequently it doesn't and it isn't consistently applied. It also doesn't help that Gary himself is a wholly unlikeable character; writing this type of person to work as someone we support is hard and the script never achieves it, it never consistently shows the cracks to the extent that you feel for him. Many of us will have a small part of Gary in us but the film never reaches it. It also doesn't help that the film seems to take his side at the end as well.
This gives us the sci-fi side and it does work better as an all out comedy sci-fi; the fight scenes are silly but yet well done and the action is quite engaging. That said it never feels grounded in the dreary British reality in the way that Hot Fuzz and Shaun managed to do so very well, so while it is decent, it never feels as clever or as special as the previous two films. It does have laughs and the film does have good elements so I don't think it is bad, just that it isn't really anywhere near as successful as it needed to be. The cast are mostly good but the material doesn't make the most of them. Pegg is the lead, has the toughest character and really can't make it work – not all his fault, but still. Nick Frost is better because his character is simpler and he is fun in the action sequences. Marsan, Considine and Freeman are better actors than the material they get given here – likewise the many familiar faces in support, from Brosnan down to Oram, although they do OK.
The World's End is not a bad film and if you liked the previous films then you'll be more likely to find things to enjoy here – but chances are you'll still feel a little disappointed as the aspects that made the previous films work so well don't really come together with this one.
I like the ideas behind this film. On one hand we have a sci-fi movie which owes its debts to 1950's America while on the other we have a very British plot involving a pub crawl and someone who can't let go of the time in his life where he felt important and potent – a time which has left him behind and now appears a bit pathetic to still be trying to be the person he was rather than just moving on. This is a nice idea and it is one that occasionally goes somewhere but far too frequently it doesn't and it isn't consistently applied. It also doesn't help that Gary himself is a wholly unlikeable character; writing this type of person to work as someone we support is hard and the script never achieves it, it never consistently shows the cracks to the extent that you feel for him. Many of us will have a small part of Gary in us but the film never reaches it. It also doesn't help that the film seems to take his side at the end as well.
This gives us the sci-fi side and it does work better as an all out comedy sci-fi; the fight scenes are silly but yet well done and the action is quite engaging. That said it never feels grounded in the dreary British reality in the way that Hot Fuzz and Shaun managed to do so very well, so while it is decent, it never feels as clever or as special as the previous two films. It does have laughs and the film does have good elements so I don't think it is bad, just that it isn't really anywhere near as successful as it needed to be. The cast are mostly good but the material doesn't make the most of them. Pegg is the lead, has the toughest character and really can't make it work – not all his fault, but still. Nick Frost is better because his character is simpler and he is fun in the action sequences. Marsan, Considine and Freeman are better actors than the material they get given here – likewise the many familiar faces in support, from Brosnan down to Oram, although they do OK.
The World's End is not a bad film and if you liked the previous films then you'll be more likely to find things to enjoy here – but chances are you'll still feel a little disappointed as the aspects that made the previous films work so well don't really come together with this one.
- bob the moo
- Jan 12, 2014
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Bienvenidos al fin del mundo
- Filming locations
- The Cork Public House, Welwyn Garden City, Hertfordshire, England, UK(The Famous Cock pub)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $26,004,851
- Opening weekend US & Canada
- $8,811,790
- Aug 25, 2013
- Gross worldwide
- $46,091,479
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content