Gaslit

So far so good but big important question: where are John Dean's big hornrimmed glasses?? I am old enough to have been a young adult during this pivotal time in history. What is super ironic to me is how the very "scandalous " events that took down an administration and changed political history back in 1974 are in current times not worthy of even a second thought. It's all pretty much how it's done these days. God help us, we are living in a sad and very scary era 😳

What has grabed me by the collar, in this series, is that I find myself wanting, wishing, needing for the plot to be different for the outcome, the fate, of Martha Mitchell. She saw the truth but her husband was too corrupt, too much into the game, too controling to let her speak. And she was too firmly imbeded into his talons to see a way out.

If what I have seen is all true . . . How sad for our nation! Politics is not for honest people. And if the Nixon administration was this psychologically sick then the situation has only become worse.

Some scenes are very brutal - both psychologically and physically.

Good show about what happened, showing the facts and the fumbling. Shea Whigham easily steals the show, playing a psycho so well that he's terrifying. He deserves an Emmy win for this one for sure.

It's very well written, exceptional acting, makeup is incredible especially on Sean Penn and the cinematography is beautiful! Gaslit is intriguing even gets better and intense; barely boring at all. I love that Sam Esmail is a producer he's masterful at his craft so is director Matt Ross I've enjoyed his acting. Hopefully overtime the series gets appreciated more I think it deserves higher than 6.8! To me it's one of the most enjoyable political stories out there.

Watching Julia Roberts not intentionally play Julia Roberts turns out to be quite refreshing now that she appears to be evolving into more of a character actress. She doesn't resemble the real Martha Mitchell except in conveying her outsized personality in this intriguing account of the Watergate break-in and the detrimental ramifications on the Nixon administration. Director Matt Ross appears to take cues from the Real Housewives in his dramatic treatment as cartoonish moments were mixed in effectively with the hidden events and conversations that really did occur. Under layers of latex, Sean Penn makes for an appropriately coiled John Mitchell, while Dan Steele looks to be on hyperdrive as John Dean. More entertaining than I expected, especially when the fallout gains momentum toward the end of episode 2.