A horrifying premonition saves a young man and his friends from death during a racetrack accident but terrible fates await them nonetheless.A horrifying premonition saves a young man and his friends from death during a racetrack accident but terrible fates await them nonetheless.A horrifying premonition saves a young man and his friends from death during a racetrack accident but terrible fates await them nonetheless.
- Awards
- 2 wins & 2 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring the car wash scene, Haley Webb actually broke the car window when she was pounding on it. The editors left the shot in.
- Goofs(at around 1h 13 mins) The sprinkler system that saves the movie theatre would not work. Water cannot put out a chemical fire, you would need a foam system, and not only would it not put it out but it would spread the fire and make it wider.
- Quotes
Hunt Wynorski: We just lost a really hot MILF.
- Crazy creditsOpening credits run over a "greatest hits" of the kills in earlier installments, presented as 3D CGI X-rays.
- Alternate versionsAvailable in 2D and 3D on both DVD and Blu-ray.
- SoundtracksDevour
Written by Dave Bassett and Brent Smith
Performed by Shinedown
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
Featured review
If you're a fan of the franchise, you'd know the drill by now, and can probably mentally run through all the cliché moments you'll be expected to see being played out on screen once again. Start with a spectacular death-defying escape from certain demise, and because Death cannot accept those who cheated on him, hence begins that hunter-prey game where the Death's invisible hand starts to design some elaborate life-ending sequence for its victims, sometimes with some wickedly black humour thrown in.
Seriously though, Death has turned hip in the series, allowing a select group of survivors led by a prophetic messenger, if anything just to challenge himself to pick them off one by one through the simple rule of elimination in order of the premonition, dangling the carrot that whosoever can break any of his death traps, will be worthy of a second chance in life, not. One thing's for sure, an audience is not going to just walk in and expect great acting or high drama. All we want, simply and crudely put, is to see how brutal or comical death can result from sometimes the most ridiculous of set ups.
To top its predecessors, this installment had its introductory big scene set in stock car racing, which is the perfect avenue for 101 things to go wrong, and when they do, have thousands of potential victims to pick off from. While the very first movie had a spectacular, and some say too realistic for good taste in having witness from within a plane break up and explode upon take-off, this one had an adrenaline pumping race that got enhanced thanks to the latest gimmick in town, 3D.
And while some films are presented in 3D format without exploiting its 3D elements to the maximum, The Final Destination milked every single sequence that it could. From the get go you have objects darting around and flying toward you, be it huge tyres or mashed body insides, everything got hurled toward you from the screen, which I have to admit made me duck a couple of times, having deliberately chosen to sit up front so that the screen totally enveloped my field of vision. But there were still some sequences that looked quite cheaply done though, akin to the quality of those made for television movies due to a smaller budget devoted to effects. But for what it's worth as a 3D film, this is one of the better contemporary live action ones out there now.
One does not expect Oscar winning material in its storyline or acting, though the eye-candy cast made sitting through this film palatable, even if they're acting range comes with vast rooms for improvement. The film's relatively short, clocking under 90 minutes, and had enough cheat sheet deja-vu moments (which included the opening credits priming you on what to excpect) to repeat itself for the sole purpose of bloating the runtime. It also ran out of steam in its final act, leading to a very convenient and rushed conclusion which was just probably director David R. Ellis' way of saying "I do not know how to end this".
Will there be another Final Destination? Sure, if the writers can dream up of another shocker of an opening sequence to set the stage for more deathly carnage to happen. It's no brainer, and if box office results this opening weekend prove to be stellar, then we should expect this franchise to develop some legs to keep going on. And on. But if that happens, this will be viewed in 3D, or naught.
Seriously though, Death has turned hip in the series, allowing a select group of survivors led by a prophetic messenger, if anything just to challenge himself to pick them off one by one through the simple rule of elimination in order of the premonition, dangling the carrot that whosoever can break any of his death traps, will be worthy of a second chance in life, not. One thing's for sure, an audience is not going to just walk in and expect great acting or high drama. All we want, simply and crudely put, is to see how brutal or comical death can result from sometimes the most ridiculous of set ups.
To top its predecessors, this installment had its introductory big scene set in stock car racing, which is the perfect avenue for 101 things to go wrong, and when they do, have thousands of potential victims to pick off from. While the very first movie had a spectacular, and some say too realistic for good taste in having witness from within a plane break up and explode upon take-off, this one had an adrenaline pumping race that got enhanced thanks to the latest gimmick in town, 3D.
And while some films are presented in 3D format without exploiting its 3D elements to the maximum, The Final Destination milked every single sequence that it could. From the get go you have objects darting around and flying toward you, be it huge tyres or mashed body insides, everything got hurled toward you from the screen, which I have to admit made me duck a couple of times, having deliberately chosen to sit up front so that the screen totally enveloped my field of vision. But there were still some sequences that looked quite cheaply done though, akin to the quality of those made for television movies due to a smaller budget devoted to effects. But for what it's worth as a 3D film, this is one of the better contemporary live action ones out there now.
One does not expect Oscar winning material in its storyline or acting, though the eye-candy cast made sitting through this film palatable, even if they're acting range comes with vast rooms for improvement. The film's relatively short, clocking under 90 minutes, and had enough cheat sheet deja-vu moments (which included the opening credits priming you on what to excpect) to repeat itself for the sole purpose of bloating the runtime. It also ran out of steam in its final act, leading to a very convenient and rushed conclusion which was just probably director David R. Ellis' way of saying "I do not know how to end this".
Will there be another Final Destination? Sure, if the writers can dream up of another shocker of an opening sequence to set the stage for more deathly carnage to happen. It's no brainer, and if box office results this opening weekend prove to be stellar, then we should expect this franchise to develop some legs to keep going on. And on. But if that happens, this will be viewed in 3D, or naught.
- DICK STEEL
- Aug 26, 2009
- Permalink
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Destino final 4
- Filming locations
- Orlando, Florida, USA(Reshoots)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $66,477,700
- Opening weekend US & Canada
- $27,408,309
- Aug 30, 2009
- Gross worldwide
- $186,167,139
- Runtime1 hour 22 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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