The young warrior Son Goku sets out on a quest, racing against time and the vengeful King Piccolo, to collect a set of seven magical orbs that will grant their wielder unlimited power.The young warrior Son Goku sets out on a quest, racing against time and the vengeful King Piccolo, to collect a set of seven magical orbs that will grant their wielder unlimited power.The young warrior Son Goku sets out on a quest, racing against time and the vengeful King Piccolo, to collect a set of seven magical orbs that will grant their wielder unlimited power.
- Awards
- 1 nomination
Eriko Tamura
- Mai
- (as Eriko)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Trivia"Dragon Ball" creator Akira Toriyama was initially supportive of the announcement of a live action adaptation and asked fans to treat the film as a different interpretation of his work, but after watching the film he was so horrified at this adaptation of his work that he decided to revive the series with the animated film Dragon Ball Z: Battle of Gods (2013). He later revealed that he wasn't allowed to have any creative input on the film and all of his suggestions were rejected.
- GoofsRoshi could leap out of the hole whenever he wanted, but wastes precious hours in the hole telling a story when time was running short to find the Dragonballs.
- Crazy creditsSPOILER: There is a scene in the closing credits: Piccolo is revealed to have survived, and is in the care of the woman he spared in his first scene.
- Alternate versionsThe UK release was cut, this film was originally shown to the BBFC in an unfinished version. The BBFC advised the distributor that the film was likely to receive a 12A classification but that the requested PG classification could be obtained by making changes to a number of scenes. In particular the BBFC suggested that gun threat to, and violence against, a woman should be reduced; a close-up and slow-motion impact shot in kick to face should be removed; a leaping kick to face in a fight scene should be removed; dismembering of fantasy creatures in fight scene should be made largely indistinct; the 'horror' effects in the transformation of the hero into a creature should be reduced; and the focus on throttling of a character should also be reduced. When the finished version of the film was submitted, amongst other limited changes, all these reductions had been made satisfactorily and the film was classified PG.
- ConnectionsEdited from AVPR: Aliens vs Predator - Requiem (2007)
- SoundtracksRule
Lyrics by Ayumi Hamasaki
Music by Miki Watanabe
Performed by Ayumi Hamasaki
Arranged by Hal
Produced by Max Matsuura
Courtesy of Avex Entertainment Inc.
Featured review
Hollywood plundering Japanese pop culture isn't something new. From "Americanizing" television series for the kids from Power Rangers to Ultraman, and adapting famed characters from Japanese film, games and manga to frequent disastrous effect, it still wouldn't stop the studios from going after one property after another. This time round it's the long running Dragonball series, because the assumption is that the built-in fan base would translate to instant dollars at the box office. Not.
You have to give the filmmakers a little bit of credit though, being either foolhardy, or just plain ballsy. It's a given that they cannot condense and distill the rich content into a surprisingly less than 90 minute movie, and live in the hopes of producing a sequel, or to generate a franchise (i.e. don't leave the cinema hall when the end credits start to roll). But what they successfully do, is to super-summarize the entire mythos by throwing out everything except the main gist of the entire manga, making it extremely simplistic in poor lazy-man standards in adaptation.
For the uninitiated, the film would serve as a quick launchpad to the original manga. For those with a wee bit of knowledge of what it's about (like myself), the film just treads along the same lines and doesn't offer you new information. For the fanboys, I guess you'll only get some kicks at seeing some of your favorite characters come alive, only that they look more Caucasian, and have a head full of hair when they're not supposed to (someone forgot to insist that in the contract?) That's all you're gonna get. Period.
As far as film-making and story-telling techniques go, you can see cliché after cliché being thrown at you, with the poorly and cheaply rendered special effects offering no consolation. Justin Chatwin's Goku is your typical teenager who possesses innate potential yet to be realized, and in his frustration he gets treated by peers as a loser geek. He lives with his grandpa Gohan (Randall Duk Kim in stereotypical know-it-all like in Kung Pu Panda), and develops a crush on school hottie Chi Chi (Jamie Chung). Goku's calling in life is to prevent an apocalypse from happening with the return of chief cardboard baddie Lord Piccolo (an instant shoo-in as one of the worst cinematic villains, ever!) and his temporary sidekick Mai (Eriko Tamura) who attempt to collect 7 dragonballs to fulfill an ancient myth. And of course Goku needs a Fellowship, in the form of irritating tech-wizard Bulma (Emmy Rossum last seen in the sinker Poseidon), mercenary Yum Cha (Joon Park who probably copied Rain's uninspiring cinematic turn in Speed Racer to a T) and Chow Yun-Fat the biggest name of them all here trying his darnest best to act cute as Master Roshi, who imparts skills in double quick time to Goku.
Speaking of time, or the lack thereof, everything is compressed. From two weeks to two days and the day of the blood moon shielding the yellow sun (OK so I made that up), everything moves at so fast a pace, that all you get are cheesy lines of dialog, and an excuse to paste some action sequences together. And James Wong certainly can't direct action (despite being at the helm of Jet Li's The One, which was of course bland and bad), opting to pay homage to Zack Snyder's slow-mo technique, and midway changing the style to having the camera being too close to the action, in the dark, coupled with quick MTV cuts that you don't get to see a thing.
And the rush job just doesn't stop at the narrative or the action. Special effects wise, they look really cheap, and I wonder whether Producer Stephen Chow would roll his eyes at what would be extremely pale when put side by side with his Kung Fu Hustle done many years ago. Ayumi Hamasaki's contribution of the theme song Rule sounded really bad as well (I may get flak from her fans), and I guess having some Asian participation doesn't legitimize what is essentially a poorly done movie. Not even Chow Yun-Fat's star status could save this, and you wonder what figured when this is the movie that he gave up Red Cliff for.
This is basically a movie that only children below the age of 5 will enjoy tremendously, despite having to see 6 half-balls, contributed courtesy of the 3 lead female characters, being continuously flashed on screen, thanks to some neck plunging wardrobe (where's that malfunction when you need one?) Totally bland and really uninteresting, I would suggest sticking to the manga instead.
You have to give the filmmakers a little bit of credit though, being either foolhardy, or just plain ballsy. It's a given that they cannot condense and distill the rich content into a surprisingly less than 90 minute movie, and live in the hopes of producing a sequel, or to generate a franchise (i.e. don't leave the cinema hall when the end credits start to roll). But what they successfully do, is to super-summarize the entire mythos by throwing out everything except the main gist of the entire manga, making it extremely simplistic in poor lazy-man standards in adaptation.
For the uninitiated, the film would serve as a quick launchpad to the original manga. For those with a wee bit of knowledge of what it's about (like myself), the film just treads along the same lines and doesn't offer you new information. For the fanboys, I guess you'll only get some kicks at seeing some of your favorite characters come alive, only that they look more Caucasian, and have a head full of hair when they're not supposed to (someone forgot to insist that in the contract?) That's all you're gonna get. Period.
As far as film-making and story-telling techniques go, you can see cliché after cliché being thrown at you, with the poorly and cheaply rendered special effects offering no consolation. Justin Chatwin's Goku is your typical teenager who possesses innate potential yet to be realized, and in his frustration he gets treated by peers as a loser geek. He lives with his grandpa Gohan (Randall Duk Kim in stereotypical know-it-all like in Kung Pu Panda), and develops a crush on school hottie Chi Chi (Jamie Chung). Goku's calling in life is to prevent an apocalypse from happening with the return of chief cardboard baddie Lord Piccolo (an instant shoo-in as one of the worst cinematic villains, ever!) and his temporary sidekick Mai (Eriko Tamura) who attempt to collect 7 dragonballs to fulfill an ancient myth. And of course Goku needs a Fellowship, in the form of irritating tech-wizard Bulma (Emmy Rossum last seen in the sinker Poseidon), mercenary Yum Cha (Joon Park who probably copied Rain's uninspiring cinematic turn in Speed Racer to a T) and Chow Yun-Fat the biggest name of them all here trying his darnest best to act cute as Master Roshi, who imparts skills in double quick time to Goku.
Speaking of time, or the lack thereof, everything is compressed. From two weeks to two days and the day of the blood moon shielding the yellow sun (OK so I made that up), everything moves at so fast a pace, that all you get are cheesy lines of dialog, and an excuse to paste some action sequences together. And James Wong certainly can't direct action (despite being at the helm of Jet Li's The One, which was of course bland and bad), opting to pay homage to Zack Snyder's slow-mo technique, and midway changing the style to having the camera being too close to the action, in the dark, coupled with quick MTV cuts that you don't get to see a thing.
And the rush job just doesn't stop at the narrative or the action. Special effects wise, they look really cheap, and I wonder whether Producer Stephen Chow would roll his eyes at what would be extremely pale when put side by side with his Kung Fu Hustle done many years ago. Ayumi Hamasaki's contribution of the theme song Rule sounded really bad as well (I may get flak from her fans), and I guess having some Asian participation doesn't legitimize what is essentially a poorly done movie. Not even Chow Yun-Fat's star status could save this, and you wonder what figured when this is the movie that he gave up Red Cliff for.
This is basically a movie that only children below the age of 5 will enjoy tremendously, despite having to see 6 half-balls, contributed courtesy of the 3 lead female characters, being continuously flashed on screen, thanks to some neck plunging wardrobe (where's that malfunction when you need one?) Totally bland and really uninteresting, I would suggest sticking to the manga instead.
- DICK STEEL
- Mar 11, 2009
- Permalink
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Dragon Ball: Evolution
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $9,362,785
- Opening weekend US & Canada
- $4,756,488
- Apr 12, 2009
- Gross worldwide
- $55,720,772
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