The dark fantasy love story of legendary Japanese photographer Masahisa Fukase and his wife Yoko.The dark fantasy love story of legendary Japanese photographer Masahisa Fukase and his wife Yoko.The dark fantasy love story of legendary Japanese photographer Masahisa Fukase and his wife Yoko.
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Featured review
Rating - 7.6:
Overall, a pretty good biopic on Japanese photographer Masahisa Fukase, as the film is a polished execution depicting the tortured artist; but the scenes with ravens are pretty unnecessary and draw away from the storytelling.
Direction - Pretty Good: The direction on a macroscale is artistic and polished; the direction on a microscale is pretty good for the most part as the scenes between characters are really engaging, the scenes with the Raven are poorly executed and tacky; the storytelling is clear and unique, besides the raven moments
Story - Good to Very Good: The concept is good as it goes through the life of tortured photographer Masahisa Fukase; the plot structure is very good as it does a good job jumping between the past and the present to tell Fukase's story; character writing is good as they do a good job painting Masahisa Fukase as this troubled artist and how those around him are effected by it but the writing for the Raven is pretty bad
Screenplay - Good: The dialogue is polished and profound, but the English dialogue for the Raven was not good and unnecessary; the humor is present and helps lighten the tone; the symbolism is very profound as the Raven symbolizes the darkness for the protagonist, but these aspects for the movie were not that well executed; the foreshadowing is profound as the plot structure for the movie really heightens the importance of foreshadowing to tell the story
Acting - Pretty Good: Tadanobu Asano - Good (Really immerses himself in the role, as he shows how the protagonist is a tortured artist), Sôsuke Ikematsu - Decent to Pretty Good (Supports Asano as well as his apprentice/assistant, but really is not given that much material to work with on his own), Kumi Takiuchi - Pretty Good (Plays a supporting role well with Asano, as the two have good chemistry), Kanji Furutachi - Decent to Pretty Good (Shows the distance between the father and son in the movie well, as he helps create tension with his scenes with Asano), Rest of the cast - Decent (Supports the main cast well; the action from the raven was not that great as their scenes felt very forced due to the lack of chemistry)
Score - Pretty Good: Helped give the movie an artsy feel
Cinematography - Pretty Good: Polished and well-executed; it feels like it is from the perspective of a photographer/camera
Editing - Pretty Good: "Polished and well-executed", seamlessly shows the photos from the photographer
Visual Effects - Pretty Bad: Pretty tacky with how it incorporates the raven
Pacing - Pacing is fine, as the slower pace helps you sit with and get to know these characters
Climax - The climax is executed well
Tone - Tone feels like an artsy biopic
Final Notes - I saw the world premiere at the Austin Film Festival.
Direction - Pretty Good: The direction on a macroscale is artistic and polished; the direction on a microscale is pretty good for the most part as the scenes between characters are really engaging, the scenes with the Raven are poorly executed and tacky; the storytelling is clear and unique, besides the raven moments
Story - Good to Very Good: The concept is good as it goes through the life of tortured photographer Masahisa Fukase; the plot structure is very good as it does a good job jumping between the past and the present to tell Fukase's story; character writing is good as they do a good job painting Masahisa Fukase as this troubled artist and how those around him are effected by it but the writing for the Raven is pretty bad
Screenplay - Good: The dialogue is polished and profound, but the English dialogue for the Raven was not good and unnecessary; the humor is present and helps lighten the tone; the symbolism is very profound as the Raven symbolizes the darkness for the protagonist, but these aspects for the movie were not that well executed; the foreshadowing is profound as the plot structure for the movie really heightens the importance of foreshadowing to tell the story
Acting - Pretty Good: Tadanobu Asano - Good (Really immerses himself in the role, as he shows how the protagonist is a tortured artist), Sôsuke Ikematsu - Decent to Pretty Good (Supports Asano as well as his apprentice/assistant, but really is not given that much material to work with on his own), Kumi Takiuchi - Pretty Good (Plays a supporting role well with Asano, as the two have good chemistry), Kanji Furutachi - Decent to Pretty Good (Shows the distance between the father and son in the movie well, as he helps create tension with his scenes with Asano), Rest of the cast - Decent (Supports the main cast well; the action from the raven was not that great as their scenes felt very forced due to the lack of chemistry)
Score - Pretty Good: Helped give the movie an artsy feel
Cinematography - Pretty Good: Polished and well-executed; it feels like it is from the perspective of a photographer/camera
Editing - Pretty Good: "Polished and well-executed", seamlessly shows the photos from the photographer
Visual Effects - Pretty Bad: Pretty tacky with how it incorporates the raven
Pacing - Pacing is fine, as the slower pace helps you sit with and get to know these characters
Climax - The climax is executed well
Tone - Tone feels like an artsy biopic
Final Notes - I saw the world premiere at the Austin Film Festival.
- cinemapersonified
- Nov 6, 2024
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- Also known as
- 終將成為烏鴉的男人:深瀨昌久
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- Runtime1 hour 57 minutes
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