User reviews

Thought this movie was alright in my opinion, the plot is very well coordinated and despite the films obviously low budget it does well with what it's has! I would love to see this film as a bigger more money invested in project it could really develop into something more. Ending was a shocker by the way !

Children tell the story of the slit-mouthed woman, a killer with a deformed face, surgical mask and very long scissors ready to slice up the kids while asking "Am I pretty?". As rumors of the woman spread, the panic in town grows and the rumors become true -- remarkably so, as they seem to come from nowhere. What is the origin of this killer?

Something about Asian horror is both appealing and distressing. I can't pinpoint it. The films are different enough from American films to give a special feel to the viewer for when we've had enough of the classic slasher. Yet, no matter how different one Asian film is from another, they seem to all co-exist in the same universe. This film is no exception: while not relying on the same techniques as "Pulse" or "The Grudge" or even "The Ring", there's a sense that we haven't left those worlds too far behind.

Like many Asian horror films, there is a sense of the supernatural here. American horror often tries to explain its stories in a reasonable way (even when the villains are of an other-worldly nature). Asian horror is less likely to do so. Here is another example of that. As the film progresses, we learn more about the slit-mouthed woman, but we never really understand how or why she does what she does.

I enjoyed the rumors element. I think this was very clever and if the film were longer, I wish they'd have gone into this more and made the plot and background deeper. At one point, a child is asked where the slit-mouthed woman lives and she responds in a house with a red roof on the hill. Despite having no reason to know this (she never saw the house or even the woman), the rumor invariably turn out to be true. I found this very interesting.

I also liked the makeup. Having recently seen "Pan's Labyrinth" I saw how cool it was to have a person with a mouth slit open to their ear (and, by the way, if you haven't seen this film you really must). This film makes it the selling point of the movie, not just a brief scene -- the way the woman is shown with the mouth and dead eyes is pretty cool. I didn't find her particularly scary or creepy, but an interesting villain just the same.

Perhaps some of the film is lost in translation. A key aspect of the film is that the kids think the woman says "Am I pretty?" and later we are told she says "Aim my neck." I am under the impression that whatever the original wording was, these two phrases are even more similar to create a parallel. Here, the words "pretty" and "neck" are a bit of a stretch. But it slid.

If you like Asian horror, I suggest checking this one out. The copy I watched was pre-release, so the picture wasn't fully touched up and there were numbers counting across the top. Once the official DVD is out, I suspect this will be a bit crisper and the sounds even creepier (maybe like the comb noise from "The Grudge"). Either way, I liked it, and it was a good vacation from the same old teenagers in the woods movie.

This movie mixes elements from the Western tradition of Slasher movies along with a peculiar kind of creepiness so typical to Asian horror. An interesting combination that should have been much more successful. Unfortunately 'Kuchisake-onna' is overall mediocre and downward pedestrian at times. It fails whenever it adheres to clichés such as making sure that everyone confronting the villain in the grand finale is without weapons of any kind but there are a few redeeming points. The positive parts include the child abuse angle that pervades and drives the plot, the fact that the villain does not only lurk in dark shadowy places but actually acts in broad daylight and a possession story that is original.

With so much going on for it, it is a true shame that the movie manages to fall into tired recipes that do away with so much potential. After all, in a story in which the villain targets children is open to horror as perceived from their point of view. That approach would have elevated it from the usual supernatural thriller to something more unique. And the movie itself seems to be aware of this on occasion.

With some psychological bits and a decent slasher angle this is a movie that fans of the genre will probably find worth watching but it does have a limited appeal without being part of the elite in the competitive world of J-horror.

This is the first relevant "Kuchisake-Onna" movie. It's a dark slasher vaguely inspired by true events that hit Japan back in the seventies. Several pupils are kidnapped on their way home. Soon rumours are spread about a possessed woman with a long trench coat that wears a mask to cover its mutilated face that kidnaps the children to cut their mouths up to the ears as that evil woman has lived the same torture in the past. The police doesn't find any relevant trace but several pupils seem to know more about that mysterious woman. A young and sometimes unstable female teacher who has been through a difficult divorce and who has a troubled relationship with her daughter joins a shy and young male teacher who seems to have telepathic powers and who hears the voice of that mysterious woman but always arrives a little bit too late at the scene of the crime. Together, they try to find the hideout of that evil woman. They soon realize that the evil woman is more some sort of a spirit that can easily possess anybody if her head isn't definitely cut off. As more and more innocent people die or get kidnapped, the young male teacher understands that he has a very special connection to the killer and that the final showdown will lead to unnameable sacrifices for both teachers.

I really found this first movie very intriguing. It convinces with a very dark atmosphere and a good balance between gripping slasher scenes and a surprisingly well done character development. The two young teachers incarnated by Eriko Sato and Haruhiko Kato play quite convincing roles and both characters have to face their own inner demons before they confront that evil woman. The movie doesn't only belong to the horror genre but has also a few dramatic and emotional moments. I really liked the unconventional attitude of this movie. One could think that a soft love story would develop between the two young teachers but this isn't the case and one doesn't get distracted from the solid main story line. The film also includes some minor twists and some tension filled and unexpected moments. I also like the polarizing ending of the movie that really send shivers down my spine. I guess that this ending wants to make sure that you won't forget this movie all too soon.

All in all, this is a very atmospheric and well played dark slasher movie that also focuses on some dramatic scenes and a very well done character development. This mixture of two distinctive genres is very well done and makes this flick more accessible to a larger crowd in my opinion. It's nothing revolutionary after all but surely a quite gripping and entertaining movie. Fans of Asian horror cinema should surely grab this solid movie and will have quite some fun.

Pretty average Asian Horror film that still seems to linger in the "long hair creepy woman" category but, the storyline is promising and the creep factor is there, (in small doses,thanks to makeup) but if you are not a fan of plot holes or unexplained elements, (which sometimes work in horror, IMO) then you will not enjoy this film. There is very little gore and what is there is usually in a "cut-away" scene (this is a film that would probably just get a pg-13 by American standards)-Overall the film just doesn't satisfy, absolutely no character development and not enough "suspense" to really make it an enjoyable film.

If this would have been released before The Ring and the plethora of Asian movies that went on the same formula, I would have said it was average. A story that is slightly original and a factor of fear and hopelessness that could have made this a watchable, maybe even good horror movie, with low production values, probably because of budget limitations.

However, the film being released in 2007, I can only say that the bad acting and the low production values made this film below average. The story was simply suffocated by the fakeness of it all. The few good things in the movie I can now assume that were cloned off of successful Japanese horror films and dismiss them altogether.

Bottom line: ridiculous as this sounds, this story would (in my mind) have created a great movie. However this version was just a fail.

Kuchisake Onna is a solid horror film, which tries to impress with its creepy atmosphere, and interesting storyline.

The acting is ok, there are some good scares, and its quite bloody.

Unfortunately, a lot of potential has been wasted, otherwise this would have been a great horror film.

Total score: 6/10.

A town is haunted by the myth of a woman whose face has been mutilated in a very awesome looking fashion. She wears a mask over her mouth and shows up to people asking "Am I pretty?" Their answer almost always leads to their death.

I loved this movie. The story was different. I haven't seen anything too similar to it before. The story was interesting, even a bit touching at points. It never got laughable to me. The whole thing stayed pretty dark and serious. (I'm sure the horrific involvement of children in the story helped that...) The camera work was really slick. I loved the lighting and the atmosphere towards the end. It had a great pace. It moved fast, even by American standards. (This is surprising for an Asian flick.) The ghost was unique by Asian standards. (She didn't have the hair over her face, nor did her hair seem to be alive.) The woman with the sliced mouth was a very cool visual.

This has been one of my favorite Japanese horror films yet. Another big difference from most Asian films I've seen is that IT ACTUALLY MADE SENSE. Many Asian flicks like to have ambiguous endings that don't seem to have a definite meaning, so the audience can discuss their take on it. That, or the films are just made very bizarre, outlandish, and hard to follow. But this one actually made sense to me all the way through.

Most of what I've read say it's "average"... I'm sorry, but all of the really famous Asian horror flicks I've seen seemed to be very similar to each other... I'd call those "average". In my eyes, this shied away from Asian routines, (which are sadly becoming American ones now...).

I highly recommend this to any supernatural horror fan. I thought it was a great little ghost flick with a good story and some awesome eye-candy.

"The Slithmouthed Woman" was a nice new approach to Asian horror. It stands out from the endless sea of Asian horror movies that have ghost women in white dresses with black hair covering their eyes, and 90% of the movie shot in near complete darkness. "The Slithmouthed Woman" was quite the opposite, and that was a nice change of pace.

The story in "The Slithmouthed Woman" is about a woman with a mangled face (her mouth is slashed open) going around abducting and killing people. Just before she appears and drags you off, people will hear her saying "Am I pretty?" Now, being shot almost in nothing but daylight, "The Slithmouthed Woman" was really a nice change, because you got to see everything that was going on, and not kept in the dark by the lack of lighting. Plus, the movie here was more of a psychological horror movie, than it was a visual horror movie. Sure, the make-up and effects on the woman was really great, I just personally would have liked to see more of that mangled face. But still, done with moderation, it worked out well enough.

The acting in the movie was alright as well, I don't recall having seen the people here in other movies before, and still the people put on great enough performances.

However, "The Slithmouthed Woman" is a very predictable movie and you know how it will end early on in the movie. And also the story takes forever to go anywhere, and that was a notch down in the entertainment value. Had they opted to go with a more adrenaline-filled approach and more action, the movie had worked out all the better.

The idea and concept behind the story was really unique and well thought through, it just could have used another set of eyes on it to offer a different approach to the direction in which the movie went. But still, it wasn't a bad movie, not at all. If you like Asian horror movies and want to see something that isn't a mainstream ghost horror movie, like most of the Asian horror movies have a tendency to be, then "The Slithmouthed Woman" is well worth checking out.

CARVED: A SLIT-MOUTHED WOMAN is another grisly creeper from Japan.

As ghostly killers go, this scissor-wielding ghoul certainly delivers! She attacks ruthlessly. Even outdoors in broad daylight! Children are especially targeted, and even they're not sacred! We have no idea who will survive, regardless of age, gender, or seeming heroic status!

If you're searching for a disturbing, unpredictable twist on urban legends / folklore, then you've just found horror heaven!...

Kuchisake-onna is perhaps one of the most well known and "beloved" urban legend in Japan. It is essentially about a woman with a split mouth roaming around the streets kidnapping children on their way home. This perhaps was anticipated by many Japanese people since they finally got to see the classic monster in the silver screen, and it is still enjoyed and loved by many today. Though I enjoy this movie since there are quite a few scary moments, this is a movie that is very poorly made.

How the screenplay is lazily written is very evident from the way the characters are written. The two lead characters are the teachers of the school Kuchisake onna targets, and they are introduced as normal, flat characters. However, as the movie goes on, it feels like the screenwriters were finishing the script as they were shooting the movie and decided to cram in backstories for the teachers in the last minute. In addition, the screenwriters added Kuchisake onna herself a backstory. What they decided to do is make Kuchisake onna the mother of one of the lead teachers, and the way that is executed is literally like a your mama joke. Beyond that there are many unclear explanations on the rules of this Kuchisake Onna virus, which does not show any patterns and is just possesing random moms. If they could have just done a straight forward slasher movie without adding unnecessary back stories and depth to the characters and Kuchisake Onna herself, this could have been just a very enjoyable B grade horror movie. However by trying to be overly serious with a source material that works without seriousness, it backfired and just became plain silly.

But what absolutely kills this movie is the horrible acting. From the child actors to even the lead characters are played with underwhelming skills. It is clearly evident that the actors didn't take their roles seriously at all, and it feels like they were reading the script at the front of their face as they were shooting the movie. The only good performance was by Miki Mizuno who plays Kuchisake Onna. Overall, this is a movie that should have been better than it is, but is ruined by very poor acting and writing.

AM I...PRETTY?

Carved: The Slit-Mouthed Woman or A Slit-Mouthed Woman is a gruesome and brutal tale based on the Japanese urban legend, Kuchisake-onna.

As a big fan of creepy Japanese films based on urban legends and folklore, Carved is a fantastic film with an amazing performance and a well written screenplay. It's ending is bit complicated because of the inadequate backstory and lots of unanswered questions.

This movie fails on every level. In the first place, the screenwriter and director never develop any sense of mystery. In the movie's opening minute we are dropped into a conversation in which the slit mouthed woman is already being described. No mysterious, dramatic, creepy, or suspenseful action precedes this exposition, signaling the movies primary weakness, which is a truly awful script. The police don't investigate past disappearances or search places which would clearly would have been searched; there is no sense of urgency among the police or other characters; no explanation is ever offered for whatever it is that began the cycle of events we see unfold repetitiously throughout a movie which seems too long at 95 minutes. This lack of explanation is not artful ambiguity or mystery; the explanation isn't missing because the movie is so very clever and subtle that "explanations" just aren't the point; and the explanation isn't missing because the movie is so defined by visual style in the manner of an Argento flick, from which we just don't expect complete coherence because that really isn't the point. The explanation is missing because Slit-Mouthed Woman is poorly written. To top it all off, naturally it concludes with one of those stupid, clichéd gotcha endings which renders all of the preceding action pointless, and which is the true hallmark of unimaginative writing.

J-horror classics such as The Grudge, Ring, and Pulse succeed because they are expertly paced, have interesting characters we care about, and develop a strong sense of mystery, suspense, and creepiness through literate scripts, competent editing, moody cinematography, and skilled direcion.

Slit-Mouthed Woman lacks every single one of these strengths. And by the way, be forewarned that this movie contains some of the most brutally depicted child abuse I've seen in any movie, with punches, kicks, and slaps realistically depicted rather relentlessly throughout the last half an hour or so of the movie.

When I moved to South Korea a few years back, I heard about the Red Mask urban legend and discovered this movie. Based on the urban legend I was really stoked to see this movie. Great concept but failed to deliver on everything. There were no scenes that made me jump out of my chair like "Paranormal Activity" or Blair Witch did.

What really upset me was the fact, the male school teacher helped in the hunt, but he was a girly man and the sliced mouth woman moved slow as molasses yet he got his butt whipped. An average man would have kicked her butt based on how slow she moved. There was also a scene where a boy sees his mother killed, yet he has no psychological trauma from the experience at all.

If you want to watch some good Japanese movies, watch the Ring or Battle Royale, The All Night series, watch anything else but this movie. You'll want 90 minutes of your life back after watching this movie

First I will say that I don't really need to mention the cast. Well I will mention Miki Mizuno who plays the slit-mouthed woman. She was pretty scary. I only really liked her character, but thank god the others kept dying. This movie was based on a myth, which always gives a horror film an extra creepy film. Don't get me wrong, I did like the story and how it was laid out. The acting was OK. That is why I thought the film was decent. But it had things in it that did seem to upset me. I understood the story line, but parts of it they could of left it. Seemed to cheesy at some parts. That and some of the characters seemed why too scared at one moment and then they would get this courage to be brave. Wouldn't work though. I think the film as potential. If they made another, they could probably make it more scary and better. The film runs an hour and a half, but I think if they added about twenty more minutes, they could of explained a few holes.