Donna, an independent hotelier, is preparing for her daughter's wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She invites three men from her mot... Read allDonna, an independent hotelier, is preparing for her daughter's wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She invites three men from her mother's past in hope of meeting her real father.Donna, an independent hotelier, is preparing for her daughter's wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She invites three men from her mother's past in hope of meeting her real father.
- Nominated for 3 BAFTA Awards
- 16 wins & 27 nominations total
Storyline
Did you know
- TriviaPierce Brosnan had no idea what the project was about when he signed on. The producers told him it was being filmed in Greece, and Meryl Streep was starring. Brosnan said he would've signed on for anything involving Streep, describing her as "that gorgeous blonde I fancied terribly in Drama School."
- GoofsJust after Tanya and Rosie arrive, Donna takes the laundry down and says "You'd think they would figure out a machine that would make the beds." Her mouth doesn't move during part of the sentence.
- Crazy creditsAfter the final scene of the movie Meryl Streep, Christine Baranski and Julie Walters appear on a sound stage in matching 1970s glam-rock costumes and sing "Dancing Queen". When they finish Meryl 'asks' the audience if they want an encore. The three ladies are then joined by Pierce Brosnan, Colin Firth and Stellan Skarsgard who are similarly attired. Along with Amanda Seyfried and Dominic Cooper, they provide a rendition of "Waterloo" as the main credits roll.
- Alternate versionsStarting August 29, 2008, it was released in select theaters under "Mamma Mia! The Sing-Along Edition". Like Hairspray, the film was released in theaters with the lyrics at the bottom of the screen for audience participation.
- SoundtracksI Have A Dream
Written by Benny Andersson & Björn Ulvaeus
Performed by Amanda Seyfried
Courtesy of Universal Music
Featured review
Having read Anthony Lane's review of Mamma Mia for the New Yorker, I approached this film with appropriately low expectations. I knew everyone was going to have orange skin. I knew the actors would not be doing very graceful or interesting things while they sang. I knew the film was just a vehicle for ABBA songs, which meant that it was going to have a thin, contrived plot--and that was fine with me. Like virtually every other viewer who has chipped in to the financial success of this film and the Broadway musical it was based on, I was only watching it for the ABBA anyway. It would be nostalgic, it would be peppy, it would be fun. I'd get to enjoy the pleasure of anticipation--"Oh, I know what song is coming here!"--or, alternatively, the laughter of surprised recognition when the actors launched into a song I hadn't seen coming.
In the end, I didn't even get that. It was clear within five minutes that this film was going to be excruciatingly overacted. The loud cackling laughter, the slapstick, the spastic dancing, the needless acrobatics (hanging and falling off of roofs). Certain leading actors' inability to sing, which made it hard to enjoy the music. I give the creators credit for incorporating songs into the storyline in, let's say moderately clever ways. But watching how poorly acted and choreographed this movie was, I thought: Is the problem that the people making this film are too embarrassed by the silliness of the premise to take it seriously enough to make it good? You can know that the premise of your film is silly--you can signal to the audience that you know it's silly--but you can still love it enough and pour enough care into it to create a film that's impressively executed and delightful to watch, even heartwarming. Baz Luhrmann has demonstrated that brilliantly with Strictly Ballroom and Moulin Rouge. Perhaps Luhrmann could have made this film enjoyable. As is, I'd have gotten more enjoyment from just putting on my headphones and popping ABBA Gold into my CD player.
In the end, I didn't even get that. It was clear within five minutes that this film was going to be excruciatingly overacted. The loud cackling laughter, the slapstick, the spastic dancing, the needless acrobatics (hanging and falling off of roofs). Certain leading actors' inability to sing, which made it hard to enjoy the music. I give the creators credit for incorporating songs into the storyline in, let's say moderately clever ways. But watching how poorly acted and choreographed this movie was, I thought: Is the problem that the people making this film are too embarrassed by the silliness of the premise to take it seriously enough to make it good? You can know that the premise of your film is silly--you can signal to the audience that you know it's silly--but you can still love it enough and pour enough care into it to create a film that's impressively executed and delightful to watch, even heartwarming. Baz Luhrmann has demonstrated that brilliantly with Strictly Ballroom and Moulin Rouge. Perhaps Luhrmann could have made this film enjoyable. As is, I'd have gotten more enjoyment from just putting on my headphones and popping ABBA Gold into my CD player.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Mamma Mia! The Movie
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $52,000,000 (estimated)
- Gross US & Canada
- $144,330,569
- Opening weekend US & Canada
- $27,751,240
- Jul 20, 2008
- Gross worldwide
- $611,452,132
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content