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For those who might not know the name, director Martin McDonagh is an Irish playwright who won the Oscar last year for his short film "Six Shooter" about a chance encounter on a train, and that film's star Brendan Gleeson has returned as Ken, one of two hit men sent to the medieval city of Bruges in Belgium along with his partner Ray (Colin Farrell) to rest and lay low after a hit gone horribly wrong. Ray is a miserable bastard who makes it clear he's not happy about being in Bruges, but Ken convinces him that their boss Harry has a job for them there, as well as allowing them a chance for some sightseeing, none of which improves Ray's mood. Things look up when he meets the beautiful local woman Chloe, played by French actress Clémence Poésy--you may remember her as Fleur Delacore in Harry Potter and the Goblet of Fire--and scores himself a date, which also goes horribly wrong due to Ray shooting off his big mouth. From there things continue to go south as Ray and Ken get into all sorts of messes and meet strange characters, all of whom will play a part in the larger picture.

There aren't too many non-Belgian films set in Belgium, and Bruges is a beautiful but odd place to set an entire movie. You'll probably learn more about the place than you ever need to know as Ken narrates their sightseeing excursions with a few factoids about the place. The entire first act is driven by the chemistry between Farrell and Gleason as they deliver rapid-fire patter that reminds one of McDonagh's background as a playwright, but it makes them as immediately endearing as Vincent and Jules in "Pulp Fiction," allowing for an even bigger impact as things happen to them. Our first encounter with the boys' boss Harry is an expletive filled telegraph and an equally amusing phone conversation with Ken, making it obvious that this is a mobster cut from the same cloth as Ben Kingsley's Don Logan. Those who don't recognize the voice will be thrilled when they learn who plays Harry, because it's a pleasant surprise.

This is easily Colin Farrell's best role and performance in a long time, one that allows him to show a lot of range, not just as the big-mouthed prat we assume Ray to be, but also as a thoughtful man distraught about what happened in London. Having seen the error of his ways, he feels the need to make right, even if he hides it with a lot of complaining and arguments, and that carries over to Gleason's Ken, continuing his great run with McDonagh.

McDonagh has created a clever script that interweaves its small cast of characters into an intricate crime caper that mixes humor, violence and true heartfelt human emotions into a brilliant debut feature. Just when you think you know where things are going, McDonagh throws a sharp curve ball at you and then another, and another, and pretty soon, what started as a two-handed talkie has turned into a hold-your-breath action flick, when Harry turns up in Bruges to rectify some business that Ken has botched. Even so, it never loses what made the first half so charming and entertaining, because McDonagh's impressive dialogue remains at the forefront for the extended confrontation between Ken and Harry. The ending might be somewhat grim for some tastes going by the lightness of what's gone before, but the way everything is tied together makes it all worth it.

Anyone worried that Tarantino and Ritchie's best work might be behind them, can revel in the promise of McDonagh's take on the crime-comedy genre, as this talented filmmaker shows that "Six Shooter" was no fluke and this movie begins what's likely to be a long and promising film career. On top of that, if "In Bruges" doesn't end up being the funniest and most quotable movies of the year, then it should be very close

...in Bruges. Two Irish hit men (Brendan Gleeson and Colin Farrell) are sent into hiding by their British boss (Ralph Fiennes) in Bruges, Belgium after a botched job only to learn that the most damning job awaits one of them just around the corner. Bruges is a picturesque tourist trap built around the oldest and best maintained medieval city in Belgium. Director and screenwriter Martin McDonagh bleeds the setting and the material for all its worth and makes his feature film debut in superb style.

The dark comedy built around the existential quandaries of hit men has been done to death over the years. If last summer's "You Kill Me" was the relentlessly dark and relentlessly sitcom-y take on the genre, then "In Bruges" is the hipster art film take on the theme. McDonagh deserves all the credit in the world for breathing life into the stale story by texturing the tonal shifts with crisp digital camera-work (that is surprisingly haunting), deep character development, and by creating a wonderful sense of place. Imagine a Graham Greene novel ("Brighton Rock" specifically comes to mind) modernized by David Mamet. The dialog is super smart and wickedly un-PC while the comedy parts are as gut-busting as the crime thriller parts are suspenseful.

McDonagh has also brought together an outstanding cast who thrive in the material. Farrell defies all odds and manages to be as sympathetic in the dramatic parts as he is charmingly sarcastic in the comedic parts. Brendan Gleeson gives a fantastically nuanced portrayal as Farrell's mentor and friend. Meanwhile, Ralph Fiennes channels the scary-as-hell energy he's used previously in "Schindler's List" and the recent "Harry Potter" films in a limber subversion that is a frighteningly fun to watch. The supporting cast is to die for, with Jordan Prentice spot-on as a coked-up dwarf actor shooting an abhorrent art film on the streets of Bruges, and Clemence Poesy coyly seductive and unforgettable as Farrell's unlikely local love interest.

Ultimately "In Bruges" meanders down too many cobblestone paths, and one scene near the end involving a bell tower stretches credibility but adds necessary dramatic effect. Certain plot elements will turn off a large segment of the viewing audience. However, those with the right mindset will be greatly rewarded. "In Bruges" is hilarious, contemplative, sometimes scathing, often nihilistic, but marked by a shockingly hopeful undercurrent while tones shift and the colors of the human condition undulate in McDonagh's insightful light. The arrival of a commanding talent has been heralded...in Bruges.

Going into this movie, I didn't have the highest expectations for it. However, I went to see it anyways, and let me just say that by the end credits I was completely shocked out how much I actually liked this movie. It was not only very funny but you were able to connect with the characters in a way you didn't think you would. The plot was def. very interesting and kept my attention the whole way through. Only real problem I had with the movie was that it was a little bit too long, but it didn't take away from anything. I should also say that I'm not a huge Colin Farrell fan, but after this movie I believe that he has proved that he can hold his own with the other leading men out there. I thought there were some beautiful moments that they captured on film where you see him dealing with his characters inner demons. I would highly recommend this movie to anyone who is looking for something "different", if you're sick of seeing the same "hollywood-esque" movies, then please give this movie a shot. If anything, enjoy it for the witty dialogue.

I don't believe there are perfect movies, but the ones that feel damn near perfect on first watch, and you only appreciate more and more after each re-watching over the years - these are the ones that deserve 10/10 rating. Safe to say after 14 years that "In Bruges" has been one of these films for me.

I've seen thousands of movies in my life and In Bruges is one of the ones I always come back to. The thing about it is it's almost the perfect movie.

Is it an action movie? Yes Is it a comedy? Yes Is it a drama? Yes But the brilliance lies in the fact that all of those categories blend together to where you don't realize what is what.

It's a movie with brutal violence, brilliant humor and amazing performance by all involved It is also a film about guilt, faith, redemption and the cost of the decisions we all make in life.

Most people don't catch all that's going on. But it by far one of my Top 10, if not Top 5 movies of all time.

A European film through and through, showing its deep theatrical roots, "In Bruges" works on may levels, and is a fine night at the cinema.

The film follows the denouement of a "job" gone bad for two Irish hit men, who are forced to hole up in Bruges, Belgium, and really can't stand the inactivity. The forced waiting, a symbolic purgatory in both assassins' struggle for absolution, gives Brendan Gleeson and Colin Farrell a chance to act through some marvelous comic dialogue.

The film itself looks like it was filmed in an area of the old city of Bruges that is no more than a 500 square metre radius. It doesn't matter, because the film is a character study more than anything, and like all good theatre, the character interplay allows the audience to forget the confined spaces.

Ralph Fiennes comes into the film late basically stealing Ben Kingsley's character from "Sexy Beast". This has to be an absolutely deliberate choice, so can't really be criticized. The writing is so good that Fiennes can have real fun with it. All the actors do, as a matter of fact.

I have been deeply suspicious of Colin Farrell's ability to read a script in the past. His choices of projects in the past has been spotty. Not this time: his acting ability is brought to the fore by director and screenwriter Martin McDonagh. Farrell gives a very strong performance as a morally challenged hit-man.

Brendan Gleeson has been around forever, and is a renowned character actor. You may remember him from "Braveheart" as Hamish Campbell, Mel Gibson's loyal adjutant. He is able to completely bury himself in this part. Colin Farrell has the capacity to reach these heights as well, and in fact, in this film, shows many of the mannerisms and intensity of Russell Crowe (whom I consider to be the best actor on the planet).

I appreciated the comedy and satire working hand in hand with the moral complexity of the characters' inner struggles. It makes for a very satisfying film, one that is much more than entertainment. When you consider what the budget was in comparison to many Hollywood films, "In Bruges" serves as a reminder that it is the script and the quality of the direction that makes a film. Why Hollywood thinks they can just throw money into a project and expect people to come to the cinema is beyond me.

Went to see it for the setting. Loved it for the dialogue. Wished it had just gone a bit further.

In Bruges is a dark comedy set in the beautiful medieval town of Bruges, Belgium, featuring an Irish duo of hit men who have been ordered by their boss to hide out there after a high-profile job in London went sour. Their instructions are to keep a low profile, sightsee, and generally avoid trouble until further notice.

But all is not as it seems.

The dialogue between Gleeson and Farrell is witty, delivered with perfect comic timing, zany, and a joy to watch. Farrell and the charming Clémence Poésy also have great chemistry and are fun to watch on screen. The humour is designed to make viewers uncomfortable, and succeeds remarkably on this count. If you're looking for political correctness, you won't find it here. What you will find are jabs at Americans, tourists, gays, blacks, whites, fat people, and oh yeah, midgets. As this odd assortment of characters mixes and mingles in the streets of Bruges, the tension builds.

And there's just enough of a psychological dark edge to keep things interesting. This is a comedy, yes, but it's by no means light and fluffy. This movie has been compared to The Big Hit or The Whole Nine Yards, but in fact, it's much, much darker. And in my opinion, that makes it better.

Shot entirely on location in Bruges, the backdrop is of course stunning. I originally went to see this knowing absolutely nothing about it other than the title, simply because, having visited Bruges, I couldn't resist an opportunity to see it on the big screen. Filmed in the wintertime and largely at night, Bruges itself is one of the stars of the movie. Like the other characters, it is not portrayed as light, airy, innocent or picturesque, the way it is in real life. Instead, its more haunting quality is captured elegantly on film, with a heavy mist giving the town a sort of eerie, dream-like quality.

So much of this movie was just right, and I highly recommend it to people who like twisted humour and aren't easily offended.

I have two issues with this film, however. The first is the score. The music is completely wrong for this movie, giving it a feel that doesn't work at all with the dark comedy tone. The melancholy, slow, stirring music would've worked nicely with a drama or a psychological period piece, but just seems out of place here.

The second issue is with the ending. Nope, I won't give it away. Suffice to say, I thought it was wrong, wrong, wrong. All wrong. Almost as though the author couldn't figure out what to do next or how to end this thing.

But overall, I really enjoyed In Bruges. It was wickedly funny, daringly different, and fantastically non-PC. And the shots of Bruges are wonderful. Despite what the main characters say about the place, Bruges is really quite wonderful. I suggest seeing both the movie and the city.

This is an old movie so probably no one is gonna read this review, but writing Imdb reviews has been a hobby of mine for a while now. If you are not put off by gore, dark subject matters (suicide among others) and fat jokes, and if you like dark comedy, then congratulations, you have hit the jackpot! This movie is perfect for you. Even if you are put off by the aforementioned things, then you have also hit the jackpot cuz this movie freaking rocks. It really does. Has the tightest script I've ever seen, and so fugging funny that you might want to pause the movie for a moment just to laugh. If you are looking for a good comedy, you have come to the right place.

The Irish hit-men Ken (Brendan Gleeson) and Ray (Colin Farrell) are sent by the Londoner mobster Harry Waters (Ralph Fiennes) to Bruges, a medieval Belgium city, in Christmas after an awry job in London. Ray, in his first assignment, was sent to murder a priest (Ciarán Hinds) in a church, and he accidentally shot also a boy on the head. While Ken enjoys the historic city, Ray, who is in inner conflict due to the death of the boy, feels completely bored and misses his home town. Ray meets the smalltime drug-dealer and crook Chloë (Clémence Poésy), who sells drug to the cast and crew of a movie that is being filmed in Bruges, and has an incident with a Canadian tourist and later with Chloë's boyfriend. Meanwhile Harry, who has an stringent code of principles, orders Ken to kill his protégée and friend Ray.

"In Bruges" is a dramatic and violent comedy with the famous British dark humor at best. The flawed characters are charismatic and weird: two hit-men, one of them living an existential crisis; a mobster kingpin with a code of principles; a drug-dealer; an American dwarf star of an Euro-trash movie; a clumsy crook; a stressed Canadian tourist are the lead components of this sarcastic story, associated to witty dialogs, with many jokes and irony, and unusual situations. My vote is seven.

Title (Brazil): "Na Mira do Chefe" ("In the Aim of the Boss")

Note: On August 2013, I visited the lovely Bruges and I agree with Ken: it is a beautiful town. On 08 September 2013, I saw this movie again.

I've used IMDb for years but have never felt the urge to post a review until now. I had the pleasure of attending an advanced screening of this movie in NYC last night to which Colin Farrell attended. I bought the screening tickets just wanting to bring my fiancé to see some celebrities in person while not knowing much about the movie. I figured it would be a "hard-to-understand" foreign, indie film whose humor would be lost on a "dumb American." However, the truth was absolutely the opposite. My hard-to-please fiancé agreed.

The movie is a bit slow for the first half but it's entirely necessary to set the mood and the contrast between that and the second half. That's all I'll say so as not to spoil anything. It is really a great movie. There's comedy, beautiful cinematography, and awesome action scenes, albeit scattered throughout and absent at times when the viewer may be growing weary. I'd highly recommend seeing this movie. It's definitely worth the price of a movie ticket while most of the crap out there these days isn't worth the cost of the paper they print the tickets on.

Let us all know what you think after you see it.

As much as I like British movies, the cast, and black comedies, In Bruges left me unsatisfied. It wasn't enough that Colin Farrell gave one of his best performances since Tiger Land, and that Brendan Gleeson was casted superbly for the supporting role. The plot progresses enjoyably in the pleasing scenery of Bruges and the relationship between the two contract killers—Ray and Ken, played by Farrell and Gleeson respectively—is amusing. But that's just it. The plot is enjoyable, not stirring or inspiring; and the dialogue is amusing, not funny or witty. All in all, it's an enjoyable flick that's fun to watch, but that's it.

One of the problems with seeing a trailer for a film is it creates an expectation. If it raises expectations, and the film delivers, great. However, if the film is less then expected, then the viewer feels cheated. The best case scenario is the one I found myself in before I saw In Bruges. Low expectations.

After seeing the trailer, In Bruges looked like a plodding British comedy with little originality and repetitious humor, hence the low expectations. Yet, In Bruges exceeded my minimal expectations, and, unlike my impression from the trailer, was an original drama with good acting and a nice blend of comedy mixed in. It was funny in the right places and appropriately dramatic when the story shifted into high gear towards the end.

Set in, no surprise here, Bruges, Belgium, the plot focuses on two London hit men, Ray played by Colin Farrell, and Ken, played by Brendan Gleeson. The pair is sent to Belgium after Ray botches his first hi. And therein lies the humor, Ray has no interest in being in the medieval city, and Ken wants to sight see.

I've never really liked Colin Farrell but who knew he had such a good sense of comedic timing? There is a running gag involving fighting with a bottle, and karate, that he manages to keep fresh as it pops up throughout the film. Brendan Gleeson's character provides the moral center and plays the straight man to Farrell's Ray. This works well as the movie turns more serious towards the end. However, for my money, the best performance is delivered by Ralph Fiennes who plays Harry the pair's criminal overlord back in London. Whereas Gleeson character embodies the moral center, Fiennes's Harry fills the role of principled immorality, if there is such a thing. Fiennes creates a character with a dubious moral center and is a quite believable figure of menace when he travels to Bruges to square off with Ken. Also, of note, is Jordan Prentice, an irritable dwarf who's in town to act in a movie filming there. His ramblings in one scene, about a coming race war, is worth the price of admission right there.

The only aspect of the film that didn't work for me was Ray's love interest. Early in the film he manages to woo Chloe, a drug dealer with, drum roll please, a heart of gold. For my tastes, the budding romance seems a little forced and comes across more as a vehicle for jokes and drama. But it's a small thing and I doubt anyone but me would notice.

I intentionally left a lot of plot points out, because, as I've mentioned, this film surprised me in a good way and I don't won't to ruin it for anyone else.

In Bruges is a good film. Go see it.

At the very least, it'll make you want to visit Bruges.

Greetings again from the darkness. Award winning playwright Martin McDonagh brings his amazing writing talents to the big screen and scores with his first turn as a feature film director. The city of Bruges (yes, in Belgium) is the perfect setting for the multi-layered story. Its well preserved medieval architecture is like an character unto itself.

Colin Farrell delivers by far his best performance to date. He is funny, dangerous, sexy and emotional throughout. This is exceptional acting from a guy who tends to disappoint. Of course, it helps to have magnificent writing and this one most certainly delivers on that front. The dialogue is quirky and quick ... so tune in early.

Strong work also from Brendon Gleeson, who all will recognize from "Gangs of New York" and the Harry Potter series. He is a tough guy with a streak of humanity. The third piece of the puzzle is Ralph Fiennes as the mastermind bad guy. The supporting work is fine from Jordan Prentice as the dwarf actor (sadly Mr. Prentice is most famous for playing Howard the Duck) and a very cute Clemence Poesy as Farrell's odd love interest.

Very few writers can write dialogue like this and even fewer can juggle as many layers without making a film seem busy, crowded or forced. Hopefully Mr. McDonagh will bring more of his work to the big screen ... he certainly adds a touch of class!

A lot of reviews see fit to give a thorough plot summary, so I'll just talk b*llocks instead.

In Bruges is a grown up gangster film not because it uses the word f*ck very often, though it does, because even a child can type 'f*ck' repetitively into a screen play and judging by most recent gangster films, with a few notable exceptions, that wouldn't be too far from the truth.

In Bruges is a grown up genre film not because it hangs out in galleries and cathedrals like a tapestry woven by Brueghel's mistress from blood, sin, and judgement. Though it does.

In Bruges is a black comedy for grown ups not because it consciously satisfies our skulking childishness, our 'incorrect' urge to lash out at convention , say f*ck the lot 'o ya's, fist someone in the mouth for good measure and then offer a fast talking and wickedly funny apology. And it does all that too.

In Bruges is grown up cinema because despite being sexy, fun and stylish, it is emotionally literate. Is that allowed?

The complexity of Martin McDonagh's screen play is manifold, developing and delineating character through dialogue as much as action. Brendan Gleeson and Colin Farrel inhabit their characters with equal and at times forceful skill, displaying flawless comic timing and sensitivity. Together they breathe 'real life' into the hyperbolic corpse of a bloated genre that never quite realised it died some time ago. McDonagh's characters realise too late they've been c*nts, one way or another, and far too late, begin to grow. Characters with history, in emotional distress, barely conscious or all too aware. They do what we might in their shoes. And as they trace the outline of their own destruction in lines of cocaine or spilled beer, their conceit, self loathing, compassion or stubbornness lays them all bare. There is a cost for all of them, characters on a human scale, acting out their tragedy in recognisable terms. In Bruges is as morally instructive as it is dramatically satisfying, almost becoming a medieval mystery play in the setting of the title.

Finally In Bruges is a dangerously perfect fusion of plot, meaning and story. Ripples of understanding run back and forth across the surface of the experience, hinting at the themes which swim powerfully beneath. A film this genuinely startling doesn't happen very often.

What drove me to seeing 'In Bruges' in the first place was primarily great actors like Brendan Gleeson and Ralph Fiennes, and also for the concept and Bruges itself.

'In Bruges' is definitely not for all tastes, one can say that for a lot of films but 'In Bruges' is one of the more extreme examples. It is very foul mouthed with an extreme profanity laden script, is very uncompromisingly violent and its political incorrectness will put the easily offended and the faint hearted off. Three reasons not to see it if all this bothers you. It didn't bother me much though (having seen plenty of films with those approaches that still manage to be great). Neither did on the most part the ridiculousness that 'In Bruges' has been criticised for.

What is meant by "on the most part"? 'In Bruges' weakest element, from a storytelling standpoint and for the film in general, is the ending. This to me was the only part of the film that went over the top on the ridiculousness to overblown proportions, and it just felt contrived and running out of ideas in feel.

Carter Burwell's music score is a well written and quite lovely one on its own. Within the film and its mood though, it didn't fit however and juxtaposes too much in terms of tone.

However, the performances are very good, excellent in the case of Gleeson (as always) and Fiennes having tons of fun as his sinister character. Wasn't expecting acting this good from Farrell, this is the best he's ever been and he is successful in providing an interesting character that was intended to be morally complex and not likeable. It's the relationship between Farrell and Gleeson that drives the story and drama, it was essential to the film's success and manages to be entertaining, affecting and thought-provoking,

Photography is both gritty and beautiful, with a clear sense of style and atmosphere. Bruges not just looks wonderful, it also is treated like a character of its own quite rightly.

Similarly successful is the script, which is surprisingly intelligent with a strong balance with thought-provoking philosophical musings, very funny black comedy and character moral complexity (not making the characters likeable but it was clear early on that the intent was for them never to be so) . The story absorbs and entertains, with the brutal holds no prisoners violence not feeling gratuitous, the central relationship being beautifully written and the despair and redemptions themes being surprisingly poignant.

Overall, very good if understandably polarising. 8/10 Bethany Cox

2008 had two high-profile crime time comedies that blended action with suspense and a hintage of good ol' European humor. On one hand, we have the slick Rockn'Rolla that brought Guy Ritchie back into the spotlight, and now we have a new-school director delivering one of the most unique hit-man films in a very long time. In Bruges is one of those rare examples in which the comedy is so bleak, so dark, it can barely pass off as humor depending on the viewer. Marketed as a quirky action comedy; this film doesn't match the genre in the least bit. Instead we have a deep character study that focuses on the moral implications of the main characters, as they tour around a beautiful yet overlooked city. It's definitely not everyone's cup of tea. The film itself is interesting and fleshes out a clever story; but never quite gets off the ground, never quite propels itself to become a highly entertaining film. Then of course, we have the indie ending.

In Bruges follows two hit men that must lay low after a mission went horrifically wrong. While Ray (Colin Ferell) soaks in the bitterness and guilt over his murder, Ray's partner Ken soaks in all the beautiful scenery and curiosity of the area. They both become well-acquainted with the place, meeting all sorts of characters. However, things become complicated when their boss (Ralph Fieness) has a new job for one of them. This is the debut feature-film script and directorial effort by Martin McDonagh as he crafts a good tale that has the same style of dark humor and tense action as his acclaimed short film from years ago. Originality is all over the place in this film, as dark humor is a tough genre to sell and deliver; it's rarely ever done successfully.

The film is a delightful character study about people's actions, reactions, and the codes they must follow. Irony and subtle humor is also heavily present, as the mere premise of two murderous hit men touring around a secluded town like tourists is sure to tickle the funnybone. The script also calls for sympathy towards our anti-heroes, which is definitely a hard task that McDonagh tackled with ease. Helping the writing is superb acting by Ferell and Brendan Gleeson. If they don't interest you, Bruges certainly will. Bruges is basically a character in the film, as it adjusts and alters the mindsets and morality codes of our assassins. Beautiful scenery and nice cinematography makes In Bruges a travel documentary with a fictional story attached.

However, the dark humor in the movie is a bit too dark. The movie can barely classify as a comedy because there's so much tension, so much violence, and so many heavy themes. A few chuckles will occur, but it's offset by the bitter humor that leaves you cringing at times. In Bruges in other reviews has been described as "Irish humor." If that's the case, Irish humor is definitely not my cup of tea, as its comedy is disguised in heavy drama.

Bottom Line: A nicely written and acted film, marred by so-called "comedy." The humor comes off as bitterly dark and sometimes even dwells into the outright bizarre. If you can handle the dark chocolate-like taste (the 85% cacao bean kind), then you are in for a treat. The story is unique, so are the characters and situations they are involved in. This just might be American mainstream's first taste of Irish flavored film-making in years, and you can whether enjoy the flavor or move on. While the movie itself isn't amazing, this new-school director deserves a bit of attention for a strong first effort. In Bruges: a documentary with bullets and bodies.

The food there looks good though.

I think that I will shortly be purchasing the Oscar winning short film Six Shooter from 2004. I've got an iTunes gift card for just the job. The thought occurred to me after seeing the wonderful debut from director Martin McDonagh, In Bruges. After seeing the trailer, which really worked for me, many times and wondering at how it is from an Oscar winning director yet never hearing of the name, I did some research. While he already has more little gold men than Alfred Hitchcock, his actual feature premiere is what has opened this weekend. It is Irish, most definitely, and if you have trouble with the accent, maybe you should steer clear until in comes out on DVD, however, if you can cope, this is a smart pitch black comedy. When I say pitch black, I mean black hole expanse of darkness. The trailer leads you to believe it will be an uproarious time, and while it is very funny and very smart, there is a tragic event that is held over the proceedings, lending a somber shadow over all that occurs. In the end though, it is consistent with its wit and drama, telling an intriguing story and never relying on the laughs to hide any plot point that the creators may not have wanted to work out to completion.

If I am to gripe about anything, it will be the ending. Not the very end, however, as that is absolutely perfect. The camera-work, voice-over, and final shot cannot be argued, it is the climax that happens just before that rings false. It is the only moment like that, though, so I don't hold it against the film. McDonagh needed a way to get his characters to their arc's conclusions and if that means turning one of the roles, at first seeming to be there for jokes, into a pawn for a symmetrical kind of convenience, I'll give him that reprieve. As far as fitting with the story, yeah it works; it has to because the incident is alluded to unknowingly at many times during the course of the sightseeing romp. I guess I think it fits too well and wish McDonagh could have come up with another way to do it.

Besides that, though, In Bruges is a great time at the theatre. Colin Farrell is steadily becoming a favorite of mine with his precise comic timing and broad facial expressions. I may be one of the few people on earth that loved his comedic turn in Woody Allen's Cassandra's Dream, (yes I truly believe the comedy was intentional), and here he shows it was not a fluke. Kind of similar to his scene-stealing role in Intermission, he is a punk with a lousy disposition and disregard for tact. Here, however, he also has a conscience. This tug-of-war is ripe for laughs as he is a sweet guy, he just doesn't know how to keep his mouth shut. One-liners are in abundance and you will be laughing continuously. Brendan Gleeson helps this fact by being an effective straightman to play off of. He knows the score and tries to enjoy the "fairytale" city while his cohort sulks and puts on "moods like a five year old" because, honestly, unless you grew up on a farm and were slightly retarded, Bruges is really just hell on earth. (Actually, the city looks pretty great and I wouldn't mind checking it out once in my lifetime.) The periphery roles, and there are many, also add depth and interest to the film. Small characters like Eric Godon's alcove loving gun dealer, Jordan Prentice as a horse-tranquilizer taking midget actor (he played Howard the Duck, that is awesome), and Clémence Poésy as the love interest and enigma Cholë all are fun and never quite feel just thrown in as jokes, but instead integral parts to the story. Of course, the great Ralph Fiennes is involved too. His accent and vocabulary rivals Ben Kingsley in Sexy Beast and unfortunately is a much smaller part than anticipated from the trailer. Well maybe not unfortunately, because if he was in more it might have become a gimmick. I also couldn't help stop thinking of Harry Potter with Mad-Eye Moody, Lord Voldemort, and Fleur Delacour all involved.

I highly recommend this film for anyone looking to see a good drama with comic overtones. Don't go in thinking this is to be a total good time, with laughs a minute, there is so much more to the tale that you may not expect or necessarily be hoping for. At times it is very dark and drains every molecule of happiness out of your heads, but thankfully a good joke or line will be coming shortly to alleviate the depression.

Given the track record of Martin McDonagh as an incredibly gifted playwright, I expected In Bruges to be smarter and funnier, particularly smarter. McDonagh does have a way with words, but it seems to have eluded him in this film, which works better as a concept. Maybe it would work better as a play, but as a film it feels half-baked. I see that he is referencing Waiting for Godot and he's playing with his usual mashup of violence and humor, and he is paying homage to old, masterful movies like Touch of Evil and Vertigo, but the whole thing feels really forced and rather soulless. I am willing to suspend my disbelief and swallow that the wonderful Brendan Gleeson and the incredibly uneven Colin Farrell are hit men on holiday, but why? They really seem to be the nicest chaps, with no edge of meanness. Lovable thugs who work for a fastidious thug, played rather maniacally, by Ralph Fiennes, whose performance over the phone is actually funnier than when he actually shows up. It is nice to see him in a comic role and sporting a perfect thuggish accent, but he is not believable either. And the actors are saddled with stupid lines, which is really surprising coming from Mr. McDonagh. Gleeson is divine as a hit-man perfectly content to spend some downtime sightseeing. He revels in the calm. I love Brendan Gleeson and if there is a reason to see this movie, he is it. Farrell is all over the place, and trying really hard to be funny, which may not be entirely his fault. He is best when he feels guilty and dissolves into tears, but otherwise he mugs for the camera like there is no tomorrow. Jeremie Renier, who has starred in the distinguished films of the Dardenne brothers, L'Infant and La Promesse, has a bit part here. This always bothers me, that when the big foreign production comes to town, the best actors in that country end up playing stupid bit parts. Such is the pecking order. There is a subplot involving a racist dwarf, and fat Americans, so you know the movie is aiming low. Some American critics have vociferously objected to the violence, which is really beyond me, considering Hollywood is still churning out violent porn like Rambo. The violence is over the top in concept, as Farrell kills human beings that are taboo to kill. And this may be the point of the movie, that the principles of criminals are bogus, and killing anybody is wrong, period. But it's a point we expected Martin McDonagh to make with his accustomed panache, not all dumbed down.

Well, to be honest I wasn't sure what to expect from this film, nor am I fan of Colin Farrell, in fact I really didn't like him at all previously....but now I have a new found respect for him and with Gleason and Fienes both in excellent form coupled with a very quick and witty script and some surprisingly violent scenes, this film really has something for everyone (except the young kids).

I go to see 2 or 3 movies every week and this is just about the best one I've seen since Last King of Scotland and The Departed came out a couple of years back.

10/10

A good drama about the human relationships dealing with love, death, and the purpose of life. The ideas are taken from Dostoevsky's "Crime and Punishment". Great scenery throughout the movie. This movie is not, though, a comedy. It is treated as a comedy and was even nominated as a comedy, but its not a comedy or a dark comedy. Not through the wording nor through the actions. The acting is good, Colin Farrell's performance is good, but having few facial expressions mimicking Johhny Depp or Heath Ledger are not enough to grant a Golden Globe, so the acting is overrated also. In overall, an overrated film on all aspects, i have no clue why it is 8.1, but it is a good flick that you can enjoy if you know what you are going into. It is not a dark comedy, it is a pure drama, with slight dark humor relief undertones, the word comedy was probably entered for marketing campaign. If you want good drama, go for it, a light comedy (or any comedy) skip this one, because it is not.

"In Bruges" is an ambitious, but ultimately failed attempt to deliver some sort of existential fable... The internal "moral" conflicts of professional assassins weren't amusing in any way or intelligently presented. This subject matter would have any movie director walking on very thin ice. In order to pull it off, the director must display tact, the writer must provide smart dialogue and strong character development; and the actors should skate gracefully. None of those qualities are to be found here.

The sickening violence, relentless verbal assault and cringe-inducing jokes (insults) are not only in very poor taste, but a pathetic display of mediocrity. Add some offensive "moral" considerations (a dwarf's life is apparently less valuable than a child's life, among others) to the variety of cheap tricks to stir some "controversy", and you've got a perfect exploitation flick. I realize the subject matter isn't exactly fairy-tale, but that aggressive vulgarity distracted from everything else. In what bizarro world does that make for "brilliant writing"?

"In Bruges" is just one really bad (in a painful, unfunny way) film that desperately wants to be 'artsy'. It's supposed to be a darkly humorous and insightful take on the human condition, but instead it only disgusts. There's no wit, no finesse, no spark in this movie. Ralph Fiennes and Colin Farrell, two fine actors, are surprisingly ineffective here as a result of an atrocious script. The raving reviews are stupefying…

Too bad about Bruges, it's a city too beautiful to be associated with this pseudo-intellectual trash.