A crew of African American pilots in the Tuskegee training program, having faced segregation while kept mostly on the ground during World War II, are called into duty under the guidance of C... Read allA crew of African American pilots in the Tuskegee training program, having faced segregation while kept mostly on the ground during World War II, are called into duty under the guidance of Col. A.J. Bullard.A crew of African American pilots in the Tuskegee training program, having faced segregation while kept mostly on the ground during World War II, are called into duty under the guidance of Col. A.J. Bullard.
- Awards
- 2 wins & 9 nominations
- Ray 'Junior' Gannon
- (as Tristan Wilds)
- Sticks
- (as Cliff Smith)
Storyline
Did you know
- TriviaCuba Gooding Jr. is not new to the subject of the film. He has previously been in The Tuskegee Airmen (1995).
- GoofsIn the opening scene, the German flight leader is not wearing his oxygen mask throughout the entire battle. B-17 missions were routinely at altitudes of 25,000 feet (all the American characters are wearing masks). Without the oxygen mask, the German commander would have passed out in a matter of minutes.
- Quotes
Andrew 'Smokey' Salem: When you get upset, when you get mad, you turn red, right? When you get envious, or sick, you turn green. When you become cowardly, you turn yellow; and ya'll got the nerve to call us colored?
- ConnectionsFeatured in Maltin on Movies: Haywire (2012)
- SoundtracksIt's Been a Long, Long Time
Written by Sammy Cahn and Jule Styne
Performed by Harry James and His Orchestra (as Harry James & His Orchestra)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
I'm not saying that any paid critic or anyone on this board is a moron, or that people steeped in World War II historical facts will like it, or even that those few who hate the original Star Wars Trilogy will somehow flip their taste and enjoy Red Tails. But. . .
Simply to represent those who actually saw the film, here is my two cents for and have the capacity to appreciate it. This is not the dry historical reportage that some people prefer. It pushes buttons, gets emotional reactions and laughs that it earns, and it was worth the wait. I remember talk of this project from the good old days when there were only great Star Wars features and no Prequel duds.
No disservice had been done to the story of these airmen. Though nothing feels left out and it doesn't feel especially episodic (a curse of most reality-based movies), nothing rings especially false. It is a genre movie: war flick. Racism is touched upon and shown to be ignorant, respect is given to the Red tails, and the tragedy that you expect actually can happen so even when there is fun there is the spectre of danger.
After enjoying this movie, many people may begin to study the historical details with this movie as a sort of primer. Be reassured that none of the characters bump into Young Indiana Jones. But also make no mistake, the pacing is good, the dogfights are cool, and it is a movie. There is no time wasted on languid ambiguous lulls onto which we can impose deep artistic intent. There is one high note that feels a bit forced because it is not explained and its timing seems like too much of a shift within a scene (I won't say where it occurs, but it's the one time I felt the hand of the adaptor squeezing something into the wrong setting). There is one piece of score over one scene, reprised part way into the end credits, that is borderline as to whether it should be included. The percussion feels programmed. The rest of the score is appropriate orchestra stuff generic enough that I didn't notice it, so it must have fit. Critic Richard Crouse said he thought because Lucas was involved, the pilots talk about women during battle instead of having just the task at hand in mind. So I was definitely listening for this. The fact it they do NOT chit-chat about a woman during BATTLE. Only bored on patrol BEFORE spotting a target, and AFTER a battle. I would not take points off for a character touching his girlfriend's photo, or a comic relief character trying to get good mojo from "Black Jesus." I thought those moments were fitting and appropriate, whether or not they are clichés. One character admonishes the believer with a paraphrased Han Solo line and another says that the new fighter looks like it is speeding while standing still (paraphrasing an off-camera Lucas line from Tucker: A Man and His Dream). But other than that the grimy fingerprints of the disgraced post Phantom Menace maverick are not evident. The ILM special effects didn't seem especially fake to me, even though they must have been, and even the non-famous members of the cast are delivered and memorable whether we remember their names or not. Good show.
- Jawsphobia
- Jan 19, 2012
- Permalink
Details
Box office
- Budget
- $58,000,000 (estimated)
- Gross US & Canada
- $49,876,377
- Opening weekend US & Canada
- $18,782,154
- Jan 22, 2012
- Gross worldwide
- $50,365,498
- Runtime2 hours 5 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1