We are lucky in the Solomon Islands to have Outrageous Fortune broadcast here on Australia Network on Monday evenings. This has become one of my favourite shows. This is the type of show that one either loves or loathes. It reminds me of what the late American/International film reviewer Pauline Kael would have fallen in love with. It is fresh and ultimately realistic comedy/drama. Realistic not in the moronic sense of a "reality show", not even in the not-lifelike continual effing. It is realistic in that the characters are deeply flawed human beings. Each one of the them bears deep scars from society, from family, from themselves. Everyone from Granpa to Loretta. This is so unlike most programes where the Good practically wear white hats and the Bad black. The director lets this paradox of the good in the bad show forth by centreing the show around the criminal Wolf and his wife Cheryl, their twin sons, one smart and one stupid--viewer has to decide who is the smart son and who the stupid (played by a look-a-like of a young David Cassidy), and two very lovely daughters, one acutely intelligent and one acutely sexually earthy. Again, the view has to decide who is who. In Outrageous Fortune, hasty character judgements are bound to leave the judge with egg on the face.
The Wests are a family of criminals, adulterers, whoremongers, safe-crackers, deceivers--just like you and me. They are the least judgmental TV family I have seen portrayed, and in my time I have seen many. They indeed are a model for every family. Again, first judgements can be deceiving.
This show borders on the theatre of the absurd, borders on isn't. I don't think they've come up with a name for this genre. It is bound to radically disappoint viewers who think TV should stay at the level of All Saints or Friends.
And not the least best parts of the show is that they producers and actors are outstanding in that they make middle aged people absolutely sexy! The characters of Cheryl, Wolf, Judd are brimming with sexuality, a rarity on television for motherly and fatherly characters. Most directors assume interest in sex stops around around age 30. Outrageous Fortune shows it doesn't. Happy viewing!
