Right at Your Door

The 9-11 experience has given new relevancy to movies about terrorist attacks. In Right at Your Door, writer and first-time director Chris Gorak shows the impact of a sudden attack in Los Angeles. Similar to Spielberg's War of the Worlds, Gorak chooses to focus exclusively on the impact of the events on one couple—Lexi, a professional woman who works downtown (Mary McCormack) and her husband Brad (Rory Cochrane), an out-of-work musician.

Right at Your Door adeptly explores the human implications of a scenario that seems all too plausible in today's world. At the onset of the attack there is fear, panic, despair, disorientation and poor judgment. However, as the reality of the situation settles in, a survival instinct emerges, a certain calculating rationality. And finally, Brad and Lexi must face the many moral conflicts that can plague us in times of limited resources, dangerous conditions and life and death decisions. Layered on all of this are further apprehensions and uncertainties that must be dissected: Who can you trust? What does the government know? Whose advice do you listen to? What do we tell our friends and family? It is these issues that make viewing Right at Your Door a powerful and troubling experience. We see a little bit of ourselves in these characters, and it is easy to wonder how we would react in the face of these tragic circumstances. This movie will come back to you in moments of quiet contemplation.

Gorak has made a very good movie, especially given his very limited budget and complete lack of directing experience (he been a production assistant on another movie, but has never directed anything before). I particularly like his decision not to provide any information about where the attacks came from. It's probably not all that realistic, as surely the media would be engage in non-stop speculation, but it served to focus the emotions on those things that really mattered to the characters.

Interesting tidbit from the Sundance Q&A: Some of the scenes of smoke rising over the skyline used actual footage from the bombing in Iraq.

I was pleasantly surprised. This is not the same as other toxic explosion movies such as Threads (1984), The Day After (1983) and the less memorable Testament (1983). This movie is harder to relate to and did not scare me in the same way. It focuses much more on a close relationship between a couple caught up in a fictional terrorist attack. It is much less about total destructive paranoia and more intimate. The movie is very well made. It looks very believable. The way that the movie has been made feels honest. The relationship is gripping from start to finish.

Right At Your Door taps into the current climate of fear caused by international terrorism, with a tale of a 'dirty' bomb attack on downtown Los Angeles that results in a cloud of toxic dust engulfing nearby residential areas.

Focusing on a married couple caught up in the disaster, the film seeks to wring tension from a rather inspired and decidedly awkward situation which sees husband Brad (Rory Cochrane) safely sealed inside his house (as instructed by the authorities), when his contaminated (and now potentially deadly) wife Lexi (Mary McCormack) turns up outside, demanding to be let in.

Such an intense situation requires class-A dialogue, top notch acting, and flawless plotting from start to finish in order to succeed, and, at first, it seems as though Right At Your Door might have what it takes: the promising opening, in which Brad gradually realises what is happening and then desperately attempts to locate his wife in all of the confusion, is well realised.

Unfortunately, as the film progresses and the action becomes concentrated on the dilemma faced by the terrified Brad and Lexi, too many mundane scenes of chit-chat, the inclusion of a couple of pointless characters, and some very ill-considered moments that really take some swallowing, ultimately mean that the movie fails to maintain its tension.

Towards the end, obviously sensing that his script desperately needs a boot up the rear, writer/director Chris Gorak tacks on a last minute 'shock' twist ending, but it is so far fetched that it is unable to save the film from being yet another example of a good idea let down by a poorly constructed script.

It doesn't take a big budget to make a good movie about what it would be like to be in a big city in a terror attack. Terror is after all, a personal emotion. Whatever the state of your relationship at that moment, that's where the picture freezes. You're not fully moved in, you hate your family, you had a fight... that's where things stand when the bombs go off. And if you're not blasted or burned or crushed in the initial blast, and if you're moderately resourceful, you'll find a way to survive -- for a while at least. And then you hope the 'authorities' do the right thing and come to save you. If you've thought about all of these things, you will appreciate how Chris Gorak plays it all out. This is not a movie for everyone. If you want all your questions answered, a big studio popcorn movie is probably more your style. But if you appreciate the exercise of putting yourself in the protagonist's shoes, this is a great ride.

I had a chance to catch this at SUNDANCE.

It was probably the best movie I saw at the festival, though I only saw a handful of other films.

It's a solid debut by Chris Gorak and not a waste of 90 minutes. The setup is very good, as is the pacing and cinematography. They made the most out of what little money they had.

I have to say that at times it bordered on horrifying, and could've been classified as a horror film if some of those moments continued. Since I've lived in Los Angeles for about five years, I was particularly affected by the scenario. It's a very real possibility LA could be hit with a dirty bomb, and the repercussions would probably be similar to what's in the film.

It does suffer from some holes and stretches in logic and performance, but most thrillers do, so that's not necessarily a slam.

I can't say I liked the ending, but I was gripped by the story and the way it was shot.

A solid thriller.