59
Metascore
31 reviews · Provided by Metacritic.com
- 83Entertainment WeeklyLisa SchwarzbaumEntertainment WeeklyLisa SchwarzbaumIce Age: The Meltdown blithely looks on the bright side of life, amassing a screen full of vultures to sing and dance ''Food Glorious Food'' and daring us not to get happy.
- 75Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonThis "Ice Age" is still a good movie (especially for kids) with top-of-the-tech CGI.
- 70L.A. WeeklyElla TaylorL.A. WeeklyElla TaylorThe movie still retains the goofy charm, stylish visuals and attention to character of its fine 2002 predecessor. Queen Latifah is a warm and plummy new presence as a voluptuous lady mammoth whose only drawback is that she was raised by possums and thinks she's one herself.
- 63ReelViewsJames BerardinelliReelViewsJames BerardinelliThis is a lackluster film that exists exclusively because its predecessor made money.
- 63PremierePremiereThe sweet, furry animals are witty and often funny, and while the physical comedy is simple, the main characters ultimately aren't.
- 50The A.V. ClubTasha RobinsonThe A.V. ClubTasha RobinsonIt's more like watching a typical animated-shorts collection - a few highlights, a lot of clinkers - than like watching an actual movie.
- 50The New York TimesJeannette CatsoulisThe New York TimesJeannette CatsoulisThe animation is uninspired (with so much ice, the creatures need to be twice as good-looking), and the story is humdrum. (The saber-toothed tiger learns to swim!)
- 50Washington PostStephen HunterWashington PostStephen HunterThe animation is first-rate...But the story needs to catch up to the magic. Otherwise, what's the point?
- 50Wall Street JournalJoe MorgensternWall Street JournalJoe MorgensternThe film is enjoyable enough, at least for young children.
- 40Austin ChronicleKimberley JonesAustin ChronicleKimberley JonesMuch of the original film's geniality – and all of its pro-environment stumping – has gone missing; what we have instead is a watered-down likeness that curiously turns disaster flick in its too-scary third act.