Down in the Valley

I had the opportunity to see this film at Cannes and then again at it's 'real' debut at the LA Film Festival. What a difference! Apparently the filmmakers were anxious to get to Cannes and had not finished the editing. Although I liked it before-- this version really hits the spot without the confusing extras that were still at Cannes. I'm glad I gave it a second chance and in fact I'm now anxious to see it again when it's released. The film is very layered and subtle. It is beautifully shot and the four main characters are original and yet painfully familiar in their alienation, anger, and despair. The Cowboy character played by Edward Norton seems so simple at first but as he is drawn into the family his character and the truth of his 'being' gradually unravels in ways that left me speechless at the end of the film. The character played by Rory Culkin, "Twig", says very little throughout the film and yet he conveys a sense of yearning and loneliness almost too painful to bare. But even he undergoes an unexpected transformation by the end of the film. My favorite though, was Evan Rachel Wood. I think she steals the show... without trying at all. Her emotions and rebelliousness are raw and totally authentic. She is a luminous creature on the screen. Her relationship with the Cowboy seemed unlikely at first and then became completely believable, especially in the bathtub scene. My main criticism is that the film is demanding. If you're not in the mood to sink into a fairly deep experience with some shocking moments and unpredictable outcomes--don't waste your time. This is a film for lovers of independent film and psychological kinds of cinema. There are also several scenes that border on surrealism. I'd be interested to know more about the making of this film and look forward to the DVD. I imagine this film may take awhile to be discovered but it holds tremendous rewards for those patient and thoughtful enough to venture into it.

Like many other posters have stated, I wanted to like this film; it seemed to have a lot going for it (great cast, interesting plot, terrific visuals). So I dug in and stayed through to the end, hoping it would at least come to a satisfying conclusion. Well it didn't. For one thing, it was about 30 minutes too long- from the opening scenes when Tobe (Wood) meets Harlan (Norton) you know two things are guaranteed: they are going to fall in love, and something tragic is going to happen. Problem is, the director throws in so much unnecessary filler (trippy scenes at a club, repetitive family squabbles) that the focus of the story gets off track.

At its heart this film is a character study/slice of life piece. Tobe, a teenage girl rebelling from her overbearing, violent but caring father Wade (David Morse) and Harlan, a wannabe cowboy with childhood abandonment issues who lives in a delusional world, hook up at a gas station; she is immediately smitten with his "aw shucks" attitude and his focus on her. Harlan tries to ingratiate himself into her family life, attempting to smooth things over with dad and befriending her younger brother Lonnie (Rory Culkin in another mesmerizing turn), who has no male role model in his life (he is adopted, and neglected, by Wade). You know things are going to turn sour when these twisted lives intertwine, especially when we see that Harlan likes to act out old Westerns in his room, using real six shooters. Throw in the fact that Tobe's dad is a corrections officer, veteran, and avid gun collector, and it doesn't take a rocket scientist to see that this crush is going to end badly. But when the tragic events finally do unfold, it's not in the manner I expected, nor hoped; plus the finale drags on to the point where I was praying for it to end already (not a good one to watch after midnight).

This one had so much potential, and there WAS a lot to like about the film: the performances were stellar across the board, the cinematography depicted beautiful images of the new San Fernando Valley where it collides with the Old West, and the ideas were ambitious and commendable. But with some editing and a tighter script, this intriguing little indie could have really been a keeper.

I'm not quite sure exactly how I felt about Down in the Valley. At many times I thought it was a gorgeous film, shot perfectly, but at others I felt uncomfortable and shocked. We are given a love story between a troubled young man and a high school girl trapped in a family that could self-destruct at any moment. These two have been on a journey to find themselves, and in each other's kindred spirits finds another to help steer them onto the right course. However, a relationship like this cannot last. Whether or not you throw in the hot-tempered father, the shy brother lacking in gumption, or the voice inside our lead's head, the tale is one ripe for tragedy. I guess that means it all hinges on the story that gets you from the beginning to the end and whether it is one that was worth the journey. Despite the numerous moments that seemed out of place, and those that stirred discomfort, I will have to conclude that the path is ultimately one I'm glad I took. The great moments were a sight to behold and the tough ones did their job because I still can't shake them.

If nothing else, the acting is top-notch. Evan Rachel Wood is truly amazing for a girl her age. From the little girl in Digging to China, to the rebellious teen in Thirteen, I can't believe how poised she is in all she does. Whereas someone like Anna Paquin fell off the map, as she got older, I think Wood will be around for quite awhile, and I can't wait for Across the Universe later this year. In this film, she encompasses the role of a young woman trying to break free from her stifling yet loose family life into a relationship that is too much for someone of her maturity to completely understand. When she slowly realizes what she is a part of, it is too late, and her mixture of fear with the love she still holds is heartbreaking. David Morse also brings a brilliant performance to the table. A long time character actor, he plays the formidable, sheriff type well, yet has the emotional range to portray the compassion he has underneath the rough exterior. His role is a man that is doing his best, but only when tragedy strikes does he realize how much love he has to give. Rory Culkin rounds out the supporting cast showing nice restraint in a confused young boy unable to differentiate good from bad as the good does what seems bad in order to protect and the bad puts on the façade of good to win him over.

In the end, the real force of the movie is Edward Norton. It's good to see that after his little hiatus from acting, he has come back better than ever. His character Harlan is a complex man with a past that has made him regress into the age of chivalrous western ranches. You can see it in his eyes that the world wronged him in some way and he needed to become a part of a moment in time where people mattered and not material objects. When he ends up in an old west film set and watches the extras dancing and enjoying life in its bear form, the ecstatic look on his face shows it all. Harlan doesn't know who he is and the love of this very young girl puts him into a world that threatens the façade he has worked hard to build. The drugs and the selfishness and the pain wreak havoc on his mind and he begins to let his past anger rise back to the surface. Every moment as he continues on his journey is true to him; when he changes reality to suit his survival, he believes every word he is saying. Something is broken in him, and no one could have portrayed it better than Norton.

I do think, though, that the acting is too good for the film. Morse and Norton are so effective in showing the dual nature of their characters that you end up feeling cheated never finding out what happened in their lives to get them to the points they are at when we are introduced to them. The script never allows us to see any of the characters' motivations, only the slice of life we are shown on screen. Is Harlan the son of a Rabbi? just a troubled youth with a criminal record? both? and if so what happened to make him try and forget it all? These are questions that the movie makes you ask, but never gives any answers to. To have a beautifully shot scene of Norton and Wood out in the country with a wonderful transition sequence involving a swing-set and then at the end progress to an outlaw gunfight chase is all at once jarring and effective, and yet insufficiently explained. These characters are so complex, I just wish the film did more to help us understand them all rather than just show us what happens when their cultures clash in the game of love. Definitely worth a look, but ultimately an underachieving film that had the makings for greatness.

"Down in the Valley" is a reasonably satisfactory effort for an independent film & was worth the rental. It further cements my opinion that Edward Norton is capable of nearly anything as an actor, & I've grown to appreciate Evan Rachel Wood's abilities more as she's gotten older. David Morse is, as always, a force, & Rory Culkin plays his usual melancholy, "Wise beyond his years" persona well enough. Though they each have their dryer moments in the film, the performances from all were formidable, including a couple minuscule appearances from Geoffery Lewis & Bruce Dern.

The overall look of the film is not entirely unlikable, & the premise is admirable, though not completely focused, in either regard. There is an obvious attempt to lure the audience into a fantasized reality that is common in children & mental deviants, both of which this film supports, in abundance. I enjoyed the ideas behind the character interaction, though not necessarily their development. If the writer/director's intention was to try to combine the innocence of "Forrest Gump" & the penchant for gun play & pedophilia of "Taxi Driver", then I'd say he was fairly successful. However, if his intention was for the viewer to identify with any one of the film's characters, then I'm afraid he may need to work on that, or get out & meet different people

I give it a 6 out of 10 ranking, most of which is for the acting

It takes a certain mindset to appreciate DOWN IN THE VALLEY, a quiet little movie about little people who want something more than what their environs offer. The film is long (just over two hours), could use some editing, allows a rather pedestrian musical score to cover the dialogue far too frequently, and for much of the film the camera exposure makes everything so sun drenched (even for the San Fernando Valley where the story takes place!) that it feels bleached. But those aspects feel secondary in the presence of some very fine performances by an excellent cast directed with vision by writer/director David Jacobson.

Life is exceedingly boring in the bland town where Tobe (Evan Rachel Wood) and her little brother Lonny (Rory Culkin) live with their sheriff father Wayne (David Morse) - we never know why there is no mother around though Wayne brings in sleepover subs at random. Tobe has girlfriends with whom she cruises guys and on one afternoon's trip to the beach she meets gas station attendant Harlan (Edward Norton), a drifter who claims to be a rancher form South Dakota and has all the genteel manners of a gentleman raised to respect women. Harlan lives in a trashy motel, plays and dresses as a cowboy, and has an innocence about him that makes us want to believe he is not the borderline personality he is. Tobe picks Harlan up, they begin seeing each other despite Wayne's better judgment, and Tobe and Harlan include Lonny in their pursuit of a world that borders on make believe Western drama. Wayne objects more strongly, discovers Harlan is tempting Tobe away from her home, and confronts Harlan until Harlan finally decides the only way to move forward is to rescue Tobe and Lonny from their bad homelife. Harlan's dark side emerges and his cowboy play becomes real, gunshots are fired and the ending of the film is a mélange of old Western movie make-believe and contemporary tragedy of a young man out of joint with his world.

Edward Norton gives a stunning portrayal of an out of touch drifter: we never know his background except for suggestions that his childhood was spent in detention homes, foster homes, and other dysfunctional modes of getting by. Evan Rachel Wood is radiantly beautiful as the needy teenager who ultimately cannot cope with her desires to leave the home nest. Rory Culkin has few lines but his presence is palpably worrisome. Bruce Dern is on board as a crusty old contemporary 'cowboy' and David Morse again turns in a performance that is three dimensional and credible (it would have been helpful to know why he is a single parent). The film is not without its flaws (as mentioned above plus more), but it manages to give Edward Norton yet another chance to demonstrate his considerable skills as an actor who can make the most peripheral characters stick in our hearts. This is a fine little movie, much underrated. Grady Harp