A mother and daughter, still wounded from a bitter custody dispute, hole up in a run-down apartment building, where they are targeted by the ghost of a former resident.A mother and daughter, still wounded from a bitter custody dispute, hole up in a run-down apartment building, where they are targeted by the ghost of a former resident.A mother and daughter, still wounded from a bitter custody dispute, hole up in a run-down apartment building, where they are targeted by the ghost of a former resident.
- Awards
- 6 nominations
Storyline
Did you know
- TriviaA color dye usually used in concentrated gels for soft drinks was added to the water to turn it to a dark color. Flat and expired soda pop was also used for dark and filthy water.
- Goofs(at around 1h 20 mins) A square hole is cut in the apartment ceiling to fix a pipe causing a leak. There is a shot from inside the ceiling, looking down to the floor past the pipe and through the square hole. Dahlia enters the room looking up at the newly repaired pipe. She is obviously barefoot. She hears a noise and we cut to a shot looking down a hallway where there are wet footprints and someone hurriedly clearing the hallway to turn right out of shot. Curious, Dahlia immediately follows the noise. She is now making shoe-noises as she walks and as she climbs some stairs we see she is now wearing laced-up running shoes when just a second before she was barefoot.
- Alternate versionsUnrated version adds one scene (dream sequence) but removes the dream/reality scene (where Dahlia dreams that her daughter returns from her father) and the scene where Ceci calls Dahlia. In the end the unrated version runs ca 1 minute shorter.
- ConnectionsFeatured in Late Show with David Letterman: Jennifer Connelly/Eels (2005)
- SoundtracksI Got Soul
Written by John Martinez and Josh Kessler
Performed by Scar featuring Filthy Rich
Courtesy of Marc Ferrari/MasterSource
Featured review
I agree with the user comment above in regard to the fact that teenagers will not appreciate this film. I kept telling myself as I was watching it, that it is not a movie that kids will understand. I shouldn't say 'all' kids, but probably most. Ironically, this is a movie that kids should see because they can learn about elements that a good movie usually contains: developed characters, a good plot, and excellent acting, to name a few. Not to mention that the movie gives the viewer a lot to think about and is an expertly crafted piece of psychological suspense.
There are reasons this movie will most likely not appeal to young people. To begin with, it is NOT a horror movie. It might be marketed to look like one, but it is more of a psychological thriller of sorts. So many kids will go to it expecting blood, gore and action, but get a literate, story-driven film instead--one in which thinking is required to fully understand what is going on. This is a movie that requires "active" viewing, just as if one were to read a well written novel with round characters, symbolism, and whatever other elements it may have to raise it beyond the level of mediocrity.
Unlike a more conventional horror movie like Boogeyman (which I also liked for other reasons), Dark Water is rooted in psychology and the inner and outer conflicts the characters attempt to overcome. It is also a film adept in creating a dark, disturbing mood. In fact, I was really impressed with its ability to play with one's emotions and fears so strongly. As another use noted above, it's almost as if the 'horror' is subliminal. The viewer doesn't necessarily have to see it in order to feel it. I think this is partly because we've all dealt with bits and pieces of what some of the main characters have to go through here. Some of their own discomfort seems familiar to us.
It is sad that many younger people cannot appreciate movies of this nature.
There are reasons this movie will most likely not appeal to young people. To begin with, it is NOT a horror movie. It might be marketed to look like one, but it is more of a psychological thriller of sorts. So many kids will go to it expecting blood, gore and action, but get a literate, story-driven film instead--one in which thinking is required to fully understand what is going on. This is a movie that requires "active" viewing, just as if one were to read a well written novel with round characters, symbolism, and whatever other elements it may have to raise it beyond the level of mediocrity.
Unlike a more conventional horror movie like Boogeyman (which I also liked for other reasons), Dark Water is rooted in psychology and the inner and outer conflicts the characters attempt to overcome. It is also a film adept in creating a dark, disturbing mood. In fact, I was really impressed with its ability to play with one's emotions and fears so strongly. As another use noted above, it's almost as if the 'horror' is subliminal. The viewer doesn't necessarily have to see it in order to feel it. I think this is partly because we've all dealt with bits and pieces of what some of the main characters have to go through here. Some of their own discomfort seems familiar to us.
It is sad that many younger people cannot appreciate movies of this nature.
- voyager1560
- Jun 23, 2006
- Permalink
Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $25,473,352
- Opening weekend US & Canada
- $9,939,251
- Jul 10, 2005
- Gross worldwide
- $68,357,079
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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