IMDb RATING
6.8/10
15K
YOUR RATING
In an alternate postwar timeline, Japan is divided into the Union-controlled North and the US-controlled South.In an alternate postwar timeline, Japan is divided into the Union-controlled North and the US-controlled South.In an alternate postwar timeline, Japan is divided into the Union-controlled North and the US-controlled South.
- Awards
- 1 win & 1 nomination
Yuka Nanri
- Sayuri Sawatari
- (voice)
- (as Yuuka Nanri)
Unshô Ishizuka
- Okabe
- (voice)
Kazuhiko Inoue
- Tomizawa
- (voice)
Risa Mizuno
- Maki Kasahara
- (voice)
Hidenobu Kiuchi
- Arisaka
- (voice)
Takeshi Maeda
- Daigakuinsei
- (voice)
- …
Rie Nakagawa
- Joshi Seito
- (voice)
- …
Yûki Nakao
- Joshi Seito
- (voice)
Maki Saito
- Joshi Seito
- (voice)
- (as Maki Saitou)
- …
Kousuke Kujirai
- Danshi Seito
- (voice)
Bretto Coleman
- Beigunjin
- (voice)
Ian O'Neal
- NSA
- (voice)
Storyline
Did you know
- TriviaMakoto Shinkai intended to draw the background art himself but with an estimated 1000 cuts needed this would have been impossible for Shinkai to do alone and the film's animation producer, Kiyonori Hiramatsu went to Tokyo Art University to scout for artists. Adding to complications, many of the students were recruited from oil painting classes and had no experience in creating digital backgrounds and many hadn't even used PCs before.
- GoofsEnglish subtitles spell prophecies (used as a noun) as prophesies (the verb).
- Quotes
Hiroki Fujisawa: [Narrating] Living alone, the nights seemed to last forever. When I couldn't pass the time effectively, I went to a nearby train station and pretended to wait for someone.
- Crazy creditsThere's a brief shot after the credits.
- ConnectionsFeatured in WatchMojo: Top 10 Underappreciated Anime Movies (2016)
Featured review
Read the title a couple of times.
It's lyrical, evocative, even elegiac, and yet could have been expressed in fewer words.
Such is this film.
Formally, it's a pure joy to behold. From sweeping countryside panoramas and old, weatherbeaten structures that somehow plumb deep-seated sparks of nostalgia, to sweetly-embellished details like a softly rattling electric fan, Shinkai creates a vibrant, human environment. The soundtrack is equally enveloping, with heart-melting violin and piano work.
Beyond this is quite a decent film, with believable characters in often hard-to-fathom situations. The boyhood friendship of the two male protagonists is very real -- but their ability to engineer, fabricate, and pilot a sophisticated aircraft at age 15 is purely the stuff of anime fantasy.
And yet, everything, no matter how incredible or convoluted, is wrapped in these Shinkai layers of lyricism and beauty. Through a very sensitive and even transcendent treatment, scene after scene is made to appear pivotal, even if it's not.
And thus we have a film that is almost cloying in its presentation -- it's not layered with pure sugar; most of the time it feels genuine, even if it's becoming self-indulgent. But indulge it does, because the director knows how to indulge gracefully.
Normally style over substance kills substance. In "Place," it gently infuses it with some sort of warm, nourishing milk.
It's lyrical, evocative, even elegiac, and yet could have been expressed in fewer words.
Such is this film.
Formally, it's a pure joy to behold. From sweeping countryside panoramas and old, weatherbeaten structures that somehow plumb deep-seated sparks of nostalgia, to sweetly-embellished details like a softly rattling electric fan, Shinkai creates a vibrant, human environment. The soundtrack is equally enveloping, with heart-melting violin and piano work.
Beyond this is quite a decent film, with believable characters in often hard-to-fathom situations. The boyhood friendship of the two male protagonists is very real -- but their ability to engineer, fabricate, and pilot a sophisticated aircraft at age 15 is purely the stuff of anime fantasy.
And yet, everything, no matter how incredible or convoluted, is wrapped in these Shinkai layers of lyricism and beauty. Through a very sensitive and even transcendent treatment, scene after scene is made to appear pivotal, even if it's not.
And thus we have a film that is almost cloying in its presentation -- it's not layered with pure sugar; most of the time it feels genuine, even if it's becoming self-indulgent. But indulge it does, because the director knows how to indulge gracefully.
Normally style over substance kills substance. In "Place," it gently infuses it with some sort of warm, nourishing milk.
- How long is The Place Promised in Our Early Days?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Bên Kia Đám Mây, Nơi Ta Hẹn Ước
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $44,483
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
What is the French language plot outline for The Place Promised in Our Early Days (2004)?
Answer