Captivity

2007
18
1h 36m

IMDb RATING

4.6/10

24K

YOUR RATING

Theatrical Trailer from After Dark Films

Play trailer2:13

4 Videos

36 Photos

Crime Horror Mystery Thriller

A man and a woman awaken to find themselves trapped in a cellar. As their kidnapper drives them mad, the truth about their horrific abduction is revealed.A man and a woman awaken to find themselves trapped in a cellar. As their kidnapper drives them mad, the truth about their horrific abduction is revealed.A man and a woman awaken to find themselves trapped in a cellar. As their kidnapper drives them mad, the truth about their horrific abduction is revealed.

See production info at IMDbPro

IMDb RATING

4.6/10

24K

YOUR RATING

See production info at IMDbPro

Awards
- 1 win & 4 nominations

Videos4

Photos36

+ 30

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Storyline

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Did you know

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Trivia
A large part of the film was filmed in Russia, where nearly the whole crew spoke only Russian. Elisha Cuthbert said that only a handful of the cast were from the US and formed a tight-knit group since they spoke no Russian.

Goofs
Right after the car goes forward and rams the garage door, the view from inside the car when it starts to back up shows an undamaged door.

Quotes
Ben: Another night of hero sex?

Alternate versions
Much of the gore has been edited out to get an R-rating in the United States and also for the UK release. The Spanish release is uncut.

Connections
Features World Poker Tour (2003)

Soundtracks
March of the Priests
from "The Magic Flute"
Written by Wolfgang Amadeus Mozart
Performed by Failoni Kamerazenekar (as The Failoni Orchestra, Budapest)
Conducted by Michael Halász (as Michael Halász)
Courtesy of Naxos
By Arrangement with Source/Q

User reviews216

Review

Featured review

2/10

Trust me, you have better things to do with your time...

Elisha Cuthbert was perfectly fine in the recent House of Wax (which was the same kind of role), but occasionally seems totally adrift here. This is the fault of the director (Roland Joffe - who was once a decent film-maker), but it's hard to single him out for criticism as every single aspect of this film seems to be just as lousy and half-arsed as the next. The look of the film, the story, the characters and the dialogue have no personality or life of their own and instead are clearly uninspired wholesale rip-offs of those found in the likes of the Hostel and Saw films and then reassembled into this dull, turgid, mess. If you want an example of an inept, unloved, souless, studio-funded zeitgeist cash-in flick then here it is. Avoid.